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明代
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  ming dynasty
    This kind of consciousness originated from Guangdong and the upsurge of Guangdong humanities in the Ming Dynasty.
    这种意识源于明代广东才俊敏于“岭南山川之气独钟于物不钟于人”之说与明代广东人文之高涨。
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    Creative features on Novel Style of Historical Romance in Ming Dynasty
    明代历史演义小说的文体创作特征
短句来源
    The formation and development of the theatrical criticism in the Ming Dynasty
    明代戏曲评点的形成与发展
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    Writing Trend and Development of Historical Novel of Ming Dynasty
    明代历史演义小说的创作倾向与发展演进
短句来源
    A study on Zheng Shanfu,the writer of the Ming Dynasty
    质劲其文 率真其人——明代作家郑善夫研究
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  the ming dynasty
    This kind of consciousness originated from Guangdong and the upsurge of Guangdong humanities in the Ming Dynasty.
    这种意识源于明代广东才俊敏于“岭南山川之气独钟于物不钟于人”之说与明代广东人文之高涨。
短句来源
    The formation and development of the theatrical criticism in the Ming Dynasty
    明代戏曲评点的形成与发展
短句来源
    A study on Zheng Shanfu,the writer of the Ming Dynasty
    质劲其文 率真其人——明代作家郑善夫研究
短句来源
    A Summary of the 2002 International Academic Seminar on the Literatureof the Ming Dynasty
    2002年明代文学国际学术研讨会综述
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    Putting emphasis on “legend novel series” of the Ming Dynasty
    重视对“剪灯”系列小说的研究——《明代“剪灯”系列小说研究》序
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更多       
  the ming
    This kind of consciousness originated from Guangdong and the upsurge of Guangdong humanities in the Ming Dynasty.
    这种意识源于明代广东才俊敏于“岭南山川之气独钟于物不钟于人”之说与明代广东人文之高涨。
短句来源
    The formation and development of the theatrical criticism in the Ming Dynasty
    明代戏曲评点的形成与发展
短句来源
    A study on Zheng Shanfu,the writer of the Ming Dynasty
    质劲其文 率真其人——明代作家郑善夫研究
短句来源
    A Summary of the 2002 International Academic Seminar on the Literatureof the Ming Dynasty
    2002年明代文学国际学术研讨会综述
短句来源
    Putting emphasis on “legend novel series” of the Ming Dynasty
    重视对“剪灯”系列小说的研究——《明代“剪灯”系列小说研究》序
短句来源
更多       
  “明代”译为未确定词的双语例句
    The Trend of the Literature Research of the Loth Century
    二十世纪明代文学研究之走向
短句来源
    From Poetry in History to Taste of Earthliness ——The Evolvement of Aesthetic Ideas in Novels of Ming Dynast
    史里寻诗到俗世咀味——明代小说审美意识的演变
短句来源
    A Commentary on the Literary and Political Studies of theMing Dynasty in the Recent Hundred Years
    近百年明代文学与政治研究述评
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    On the Relation of Sprouting of Citizen Culture in the Late 15th and Early 16th Centuries and the Social Change in Early-Ming
    15、16世纪之交市民文学新的萌动和明代社会的初始变化
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    A Study of Shui Hu Drama in Ming Romance
    明代水浒传奇研究
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  ming dynasty
Following the fall of the Ming dynasty in 1644, literati questioned the social hierarchy, acknowledged merchants as philanthropists, and revised their understanding of gifts and donations.
      
CRAIG CLUNAS, Fruitful Sites: Garden Culture in Ming Dynasty China.
      
The last century of the Ming dynasty saw an upsurge in romances between talented scholars and devoted courtesans.
      
Depleted men, emotional women: Gender and medicine in the Ming Dynasty
      
Venerating the martyrs of the 1402 usurpation: History and memory in the mid and late Ming dynasty
      
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  the ming dynasty
Following the fall of the Ming dynasty in 1644, literati questioned the social hierarchy, acknowledged merchants as philanthropists, and revised their understanding of gifts and donations.
      
The last century of the Ming dynasty saw an upsurge in romances between talented scholars and devoted courtesans.
      
Depleted men, emotional women: Gender and medicine in the Ming Dynasty
      
As soon as Zhu Yuanzhang, the founder of the Ming Dynasty, assumed the throne, he and his Confucian assistants imposed a system of clothing regulation on the court and society in order to create a hierarchical power structure.
      
The social background of the emergence of regional merchant groups in the Ming Dynasty
      
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  the ming
The PM2.5 concentrations are all above the PM2.5 pollution standard (65 μg m-3) established by Environmental Protection Agency, USA (USEPA) in 1997 except for the Ming Tombs site.
      
Following the fall of the Ming dynasty in 1644, literati questioned the social hierarchy, acknowledged merchants as philanthropists, and revised their understanding of gifts and donations.
      
The last century of the Ming dynasty saw an upsurge in romances between talented scholars and devoted courtesans.
      
This article explores the nature of sexuality in narratives about shape-changing fox spirits from the Ming and Qing.
      
The paper concludes that these changes in the definition of Ghost Fetus are part of a larger change in gender norms during the Ming-Qing that increasingly focused on female emotionality and physical debility.
      
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An influential scholar at Chaozhou in the Ming Dynasty, Tang Boyuan opposed the

唐伯元是明代潮州颇有影响的学者,他反对王阳明的“心学”之说,倾向于荀子的性恶论。本文以文献资料中有关他的哲学观点与治政为学观点的言论材料为据,力图阐述其“心”在善“性”与恶“身”之间的哲学思想和“君子正己以先人.亲贤而容众”的政治思想,以及南北互补的诗歌观、道德观。

During the late Ming Dynasty, many works of opera distinctively demonstrate individuality and individual value of females and at the same time reveal various social problems concerning women. Numerous dramatic and operatic activities attract female playwrights to participate in artistic creation. They write mostly about women, their talent and their emotion and love to express their self -respect and their aspiration to freedom and happiness. Many well - known roles, such as Hua Mulan, Du Liniang, Li Xiangjun...

During the late Ming Dynasty, many works of opera distinctively demonstrate individuality and individual value of females and at the same time reveal various social problems concerning women. Numerous dramatic and operatic activities attract female playwrights to participate in artistic creation. They write mostly about women, their talent and their emotion and love to express their self -respect and their aspiration to freedom and happiness. Many well - known roles, such as Hua Mulan, Du Liniang, Li Xiangjun ect. have appeared in Ming-Qing operas. There are also many more less -known female roles who have formed a rich and colourful art gallery which has conveyed to readers and audiences the emotions, mentality, life experience and ideals of women in ancient times.

明代后期,许多戏曲作品极鲜明地表现了女性的独立人格和人生价值,并反映了有关女性的各种社会问题。丰富多彩的戏曲活动,吸引了女性作家直接参与创作。她们的剧作大多写女性的才干和情爱,以此来表现她们的自尊和对自由幸福生活的追求。明清戏曲中出现了如花木兰、杜丽娘、李香君等许多著名角色,同时有更多不知名的女性角色,她们共同构成了绚烂的艺术人物画廊,给历代读者和观众传达了古代妇女的情感心态,表达了她们的生活感受和她们的理想企盼。

AbstractBoth style and image were stressed by the 7 poets in Ming dynasty, who had a deep study of poetic images and formational features as their theoretical basis. Their theoretical achievements and acceptance showed their deep understanding of the true nature of poetic art, which is unique and significant in the history of ancient Chinese poetics, especially in the period of Ming and Qing.

明代七子派既重视诗歌格调,也重视诗歌意象。许多成员都对诗歌意象的基本特点、构成方式等问题作了较为深入的探讨,从而使七子派成为明、清两代诸多诗文流派中最为集中地论述诗歌意象问题的一个流派。格调理论和意象理论的建立,标志着七子派对诗歌艺术的本体特征已经有了深刻的体认,在中国古代诗学理论发展史上具有重要意义

 
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