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民间文学特征
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The question of ”what is folklore literature” appears to be an issue that has long been settled but in fact not truly so. What has undertaken of folklore literature before is merely the aspect of literary or cultural property, but not the life side; and even as for the former, the command is far from comprehensive of the orality, collectivity, variability as well as inheritability. In the present paper Performance Theory and Oral Formulaic Theory offer a new interpretation of the property of the folklore literature....

The question of ”what is folklore literature” appears to be an issue that has long been settled but in fact not truly so. What has undertaken of folklore literature before is merely the aspect of literary or cultural property, but not the life side; and even as for the former, the command is far from comprehensive of the orality, collectivity, variability as well as inheritability. In the present paper Performance Theory and Oral Formulaic Theory offer a new interpretation of the property of the folklore literature.

“什么是民间文学” ,这是似乎早已解决而其实又没有真正解决的问题。以往关注的是民间文学的文学或文化属性 ,而对其生活属性往往视而不见 ,因而对民间文学的口头性、集体性、变异性和传承性四个基本特征的认识并不全面。“表演理论”和“口头程式理论”为我们重新认识民间文学的特征提供了帮助

The love stories in Liaozhaizhiyi are usually regarded as the embodiment of' the author's ideal love.However,quite a few stories still retain the obvious features of folktales and Xiaocui is one of them.The story Xiaocui conforms to folktales in both point of view and narrative mode;it is a combination of many story genres.The protagonists correspond with the aesthetic interest of folktales.A glimpse of the unique features of folk literature can be obtained from Xiaocui in Liaozhaizhiyi.

《聊斋志异》中的婚恋故事多被看作是作者的婚恋理想寄托,但其中仍然有不少篇目保留着浓厚的民间故事的特点。本文以《小翠》为例分析《聊斋志异》的民间故事特点。认为《小翠》在叙事视角、叙事程式上符合民间故事的叙事特征;是多个民间故事类型的组合;故事的主人公契合民间故事的审美趣味,流露出《聊斋志异》浓郁的民间文学特征

 
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