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   第五代 在 戏剧电影与电视艺术 分类中 的翻译结果: 查询用时:0.722秒
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第五代
相关语句
  fifth generation
    The Main Contribution of the Fifth Generation to the Chinese Film
    第五代电影对中国电影的主要贡献
短句来源
    The Fifth Generation of Chinese Cinema and its After
    消逝的悲歌与青春的主旋——中国电影“第五代”及其后
短句来源
    Globalization and the Fifth Generation Film in China
    全球化与中国第五代电影
短句来源
    Directors of the fifth generation created films on the western nationalities, history and culture at the beginning of their artistic career and conformed to the prosperous artistic trend of the times.
    第五代导演初登影坛之时,便将自己的艺术触角大多伸向了对中国西部民族、历史与文化的反思与解读,实现了与当时正在走向兴盛的西部电影思潮的艺术叠交。
短句来源
    Directors of the Fifth Generation and Films of the West China
    论第五代导演与西部电影的艺术叠交
短句来源
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  the fifth generation
    The Main Contribution of the Fifth Generation to the Chinese Film
    第五代电影对中国电影的主要贡献
短句来源
    The Fifth Generation of Chinese Cinema and its After
    消逝的悲歌与青春的主旋——中国电影“第五代”及其后
短句来源
    Globalization and the Fifth Generation Film in China
    全球化与中国第五代电影
短句来源
    Directors of the fifth generation created films on the western nationalities, history and culture at the beginning of their artistic career and conformed to the prosperous artistic trend of the times.
    第五代导演初登影坛之时,便将自己的艺术触角大多伸向了对中国西部民族、历史与文化的反思与解读,实现了与当时正在走向兴盛的西部电影思潮的艺术叠交。
短句来源
    Directors of the Fifth Generation and Films of the West China
    论第五代导演与西部电影的艺术叠交
短句来源
更多       
  “第五代”译为未确定词的双语例句
    The Cultural Strategy by Movie Conductors of the Fifth and Sixth Generation
    “第五代”与“第六代”的文化策略
短句来源
    From the "Stage" to the "Platform"——The Different Perspectives of Film Narrative between the Fifth and Sixth Generations
    从“戏台”到“站台”——读取中国第五代、第六代电影叙事差异的视点之一
短句来源
    The Road of "Cococili" Under the Red Carpet——The Transformation and Cleavage Between the 5th and 6th Generations of Chinese Directors
    红地毯下的“可可西里”之路——中国第五代与第六代导演之间的转轨与裂变
短句来源
    The Cinematic China:A Comparative Study of Directors from the Fifth and Sixth Generation
    “影像的中国”:第五代、第六代导演比较论
短句来源
    The Second, Vulgar Drop of Tear
    媚俗的第二滴眼泪 ——兼谈第五代导演群的世俗化
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  fifth generation
We studied the possibility of optimizing the DNA transfection properties of carriers based on lysine dendrimers of the third and the fifth generation, including those containing a chloroacetyl or a lipophilic palmitoyl moiety at the C-end.
      
The dendrimers of first-fourth generations are characterized by formation of the smectic C mesophase in a wide temperature range, whereas much more complex columnar supramolecular structures are formed in dendrimers of the fifth generation.
      
Competitive interactions in ternary systems including a lightly crosslinked polyanionic hydrogel, a protonated Astramol? poly(propylene imine) dendrimer (of first to fifth generation), and an ionic surfactant were studied.
      
Colonies of the fourth and fifth generation remained small (expressed in worker number) and produced a small number of queens.
      
In the GS system the value of F exceeds 0.9 in the fifth generation, increasing above 0.99 while in the 12th generation.
      
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  the fifth generation
We studied the possibility of optimizing the DNA transfection properties of carriers based on lysine dendrimers of the third and the fifth generation, including those containing a chloroacetyl or a lipophilic palmitoyl moiety at the C-end.
      
The dendrimers of first-fourth generations are characterized by formation of the smectic C mesophase in a wide temperature range, whereas much more complex columnar supramolecular structures are formed in dendrimers of the fifth generation.
      
In the GS system the value of F exceeds 0.9 in the fifth generation, increasing above 0.99 while in the 12th generation.
      
Poly(amidoamine) dendrimers from the zeroth generation (G 0) to the fifth generation (G 5) bearing electron-donating chromophores, i.e.
      
Southern analysis of the fifth generation of transformants showed that no genetic rearrangements occurred during vegetative growth of stable transformants.
      
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As a representative of Chinese “Fifth Generation” directors,Zhang Yimou was the focus personage in the film circles time and again for his unique artistic features.Now with the reduced awareness of the “generation”,Zhang Yimou's creation style has changed tremendously.Taking his new film My Mother and Father as a commenting object and comparing it with his early works,we found that Zhang Yimou had retreated gradually from the west to the national traditions.The newest development trend is best reflected...

As a representative of Chinese “Fifth Generation” directors,Zhang Yimou was the focus personage in the film circles time and again for his unique artistic features.Now with the reduced awareness of the “generation”,Zhang Yimou's creation style has changed tremendously.Taking his new film My Mother and Father as a commenting object and comparing it with his early works,we found that Zhang Yimou had retreated gradually from the west to the national traditions.The newest development trend is best reflected in My Mother and Father which is characterized by a quietly elegant and beautiful style of narrating and expressing emotions.

:张艺谋作为中国电影“第五代”导演的代表 ,曾以其艺术的独创性一次又一次地成为电影文化的热点人物。如今 ,“第五代”的“代”意识已经淡化 ,张艺谋电影创作风格也发生重大变化。文章以张氏新作《我的父亲母亲》为评论对象 ,通过与张氏早期作品的比较 ,发现张艺谋电影已远离西方他者 ,逐渐向民族传统回归。《我的父亲母亲》以其淡雅婉丽的叙事风格 ,最鲜明地体现了这一最新发展动态

As one of “the fifth generation of the Chinese movie", Chen-Kaige is always regarded for his literate talent. And he also thinks himself as a poet who has the responsibility to exalt Chinese traditional culture. But because of his bitter feelings about the “Chinese Cultural Revolution" and the reality most of his movies pay little attention to box-office, his works are always embodied with bitterness and solemnness.Today, Chen-Kaige seems to have reversed himself. He begins to work at pure commercial Hollywood-type...

As one of “the fifth generation of the Chinese movie", Chen-Kaige is always regarded for his literate talent. And he also thinks himself as a poet who has the responsibility to exalt Chinese traditional culture. But because of his bitter feelings about the “Chinese Cultural Revolution" and the reality most of his movies pay little attention to box-office, his works are always embodied with bitterness and solemnness.Today, Chen-Kaige seems to have reversed himself. He begins to work at pure commercial Hollywood-type movies sand official MTVs. Maybe that is the biggest tragedy in his life as an artist.

陈凯歌是“第五代”电影人中最才华横溢、学贯古今的一位。从很大程度上来说 ,陈凯歌也因此是其中自觉历史文化责任感最强的一位。从“文革”情结到骨子里对商业电影的蔑视(不愿“同流合污”的困境 ) ,陈凯歌的大部分影片中都表现出强烈的悲壮意识。然而今天终于“穷途末路”的陈凯歌居然也低下了他高贵的头 ,开始向他作为文人一向不耻的商业体系和主导意识形态全面投诚 ,也许这才是构成陈凯歌艺术人生的最大悲剧。

Zhang yimou, a successful representative of the fifth generation movie director in mainland china, has conducted his movie creation to undergo the transformation from human concern to secular concern . This paper probes into the above mentioned phenomenon and makes analysis on the reasons for the transformation in such aspects as the cultural spirit transforma- tron in the 1990s, artist' s personal temperament and deepened thoughts, the creation difficult- ties, etc Also makes prospects for the movie creation...

Zhang yimou, a successful representative of the fifth generation movie director in mainland china, has conducted his movie creation to undergo the transformation from human concern to secular concern . This paper probes into the above mentioned phenomenon and makes analysis on the reasons for the transformation in such aspects as the cultural spirit transforma- tron in the 1990s, artist' s personal temperament and deepened thoughts, the creation difficult- ties, etc Also makes prospects for the movie creation trend by Zhang Yimou.

作为大陆第五代电影导演的代表人物──张艺谋的电影从创作走向上看,经历了一个由人文关怀到世俗关怀的转型过程。本文对这一现象进行了深入探讨,并从90年代文化精神的嬗变、艺术家的个性气质,思想深度、创新难题等诸方面分析了造成这种转型的原因,同时还对张艺谋电影创作的未来走势进行了展望。

 
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