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middle character
相关语句
  中间人物
     On the Background of Aesthetics and the Types of Character for the Theory of"middle Character
     “中间人物”论的美学背景及其人物类型
短句来源
     In the character figure study of the novels, heroes、 "middle character"、 intellectuals、 and female figures have gained abundant research achievement.
     在“十七年”小说的人物形象研究方面,英雄人物、“中间人物”、知识分子形象、女性形象都已经有了较为充分的研究成果。
短句来源
     But the characteristic of contradiction and trait of comedy of "middle character", is considered to be the negative power .
     然而 ,“中间人物”自身的矛盾个性和某些喜剧特征 ,使之被认为是一种消极力量。
短句来源
     So naturally"middle character" becomes the threatening power to "hero character" in aesthetic area.
     这便使“中间人物”对“英雄人物”构成了一定的美学“威胁”。
短句来源
  “middle character”译为未确定词的双语例句
     He studied the difference and puzzle between continence,incontinence and temperance in terms of his own moral philosophy,and treated continence and incontinence as a pair of middle character.
     亚里士多德用他的典型的道德哲学讨论方法探讨了关于自制、不能自制与节制的区别及其疑难。
短句来源
  相似匹配句对
     In the Middle
     人在中途
短句来源
     Middle Typal Wheat and Its Specific Character
     冠层温度中间型小麦及其性状特征
短句来源
     On the Training of Inside Character of Middle School Students
     浅谈中学生内倾性格训练
短句来源
     The English Character
     英国人的性格
短句来源
     On character energy
     性格能量说——一种透视小说艺术内质的新视角
短句来源
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As we all know, Cao Xueqin created many distinct characters in `A Dream in the Red Mansion',the Relation between the characters is perfect and complicated. Among them, Jia Baoyu, Jia lan and Xue Pan these three characters are actually areading system in comparison. That is to say, Jia Baoyu is a `middle character', while Jia Lan and Xue Pan are two extremities. Although the author Cao Xueqin paid unequal attention to these three characters, he did display the character of the three men successfully...

As we all know, Cao Xueqin created many distinct characters in `A Dream in the Red Mansion',the Relation between the characters is perfect and complicated. Among them, Jia Baoyu, Jia lan and Xue Pan these three characters are actually areading system in comparison. That is to say, Jia Baoyu is a `middle character', while Jia Lan and Xue Pan are two extremities. Although the author Cao Xueqin paid unequal attention to these three characters, he did display the character of the three men successfully (especially Jia Lan and Xue Pan who received Less attention from the author) because of the possibility of reading while comparing.

众所周知 ,曹雪芹的《红楼梦》塑造了众多鲜明的人物形象 ,人物之间的关系完美而复杂。其中贾宝玉、贾兰、薛蟠实际上是一个互相参照的阅读体系 ,即贾宝玉是“中间人物” ,而贾兰、薛蟠是两个极端。作者曹雪芹于此三人上着墨不均 ,但因为有了互相参照进行阅读的可能 ,从而使三个人物 (尤其是着墨较少的贾兰、薛蟠二人 )都得到了很好的性格表现

The image in police literature vary from flat to middle personage, from round characters to middle characters and meet different aesthetic demand from reader. It shows that the police literature is prosperous, represents advance direction of advanced culture.

公安文学中的人物形象由扁平人物过渡到中间人物,由中闻人物过渡到圆形人物,满足了不同读者的审美需求, 这是公安文学兴盛的标志,代表先进文化的前进方向。

In the 1960s , the purpose of advocating "middle character" is to create a new type of character for literature .In the background of "hero character" as the main trend of revolutionary literature,"middle character" might have been the supporting role of "hero character". But the characteristic of contradiction and trait of comedy of "middle character", is considered to be the negative power . So naturally"middle character" becomes the threatening power to "hero...

In the 1960s , the purpose of advocating "middle character" is to create a new type of character for literature .In the background of "hero character" as the main trend of revolutionary literature,"middle character" might have been the supporting role of "hero character". But the characteristic of contradiction and trait of comedy of "middle character", is considered to be the negative power . So naturally"middle character" becomes the threatening power to "hero character" in aesthetic area. And then it is clear that why "middle character" could be overturned at that time.

196 0年代 ,“中间人物”论观点的提出 ,旨在希望创造一种更新颖的人物类型。在“英雄人物”为中心的革命文艺观念占主导地位的背景下 ,“中间人物”本有可能成为“英雄人物”的配角。然而 ,“中间人物”自身的矛盾个性和某些喜剧特征 ,使之被认为是一种消极力量。这便使“中间人物”对“英雄人物”构成了一定的美学“威胁”。因此 ,在当时 ,“中间人物”论被“颠覆”的命运也就不难理解了。

 
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