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creation
相关语句
  创作
    On the Motives of Artistic Creation in Ancient China
    中国古代的艺术创作动因论
短句来源
    On the Requirements for Artistic Creation in Ancient China
    中国古代的艺术创作条件论
短句来源
    The Form Mold in Artistic Creation
    试析艺术创作中的形态塑造
短句来源
    On the Feedback Mechanism of Literary Creation
    谈文学创作的反馈机制
短句来源
    Anthropology and Literary Creation
    人学研究与文艺创作
短句来源
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  创造
    Artistic Creation and Madness
    艺术创造与疯狂
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    Creation Transcending:Creation of Subject Spirit's Freedom of the Language of Art
    超越:艺术语言主体精神自由的创造
短句来源
    Cultural depositon and creation of literary images
    文学意象的文化积淀与创造──兼评神话-原型批评
短句来源
    Poetic Intelligence & Artistic Text Creation
    论诗性智慧与艺术文本的创造
短句来源
    On the Choice of Imagery and Conception of Beauty in Poetry Creation
    诗味意象的选择与诗美意境的创造
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  “creation”译为未确定词的双语例句
    On the Second Creation of the Artistic Experience in the Literature Appreciation
    文学鉴赏中艺术经验的二度生成
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    Discussion on the Personality of Art and the Thought of Creation
    试论艺术个性与创造性思维
短句来源
    On the Reasons for Creation of Aesthetic Intuition
    论审美直觉产生的原因
短句来源
    The Experience of Skin Sense and the Creation of Arts
    论肤觉经验与审美创造性
短句来源
    On the Development and Atmosphere Creation of Art
    论艺术的和谐发展
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  creation
Although the traditional information classification coding system in manufacturing enterprises (MEs) emphasizes the construction of code standards, it lacks the management of the code creation, code data transmission and so on.
      
Creation of additional pools of glutamine and proline during the initial stage of amino acid metabolism had positive effects on the seed germination and vital activity of the plants.
      
Analysis stages include development of requirements for a project, creation of static and dynamic operational models, and objective-oriented architecture of the scenario of the project.
      
Consideration was given to creation of the control systems for new-generation hydroelectric power stations, storage power stations, and hydropower systems.
      
The outlined models and the methods based on them can be used in the development and improvement of information technologies for the creation and reformation of business systems.
      
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Those who study the process of the creation of the world literary masterpieces deal with writers as well as works, therefore t they play a dual role of solving a riddle. Their task is a contrary research of "incorporating five factors into one",and is to probe into the writers profound mystery of creation by applying the methodological principles of synthesizing, understanding and transcending. This is a project of green art with the value of its own .

世界文学名著创作过程研究者面对的是作家和作品,这就构成了双重解谜者的角色。他的任务是“五元归一”的逆向探索,运用坚持、综合、理解、超越的方法论原则,探寻其创作奥秘。这是一项绿色艺术工程,有其自身的操索意义。

A comprehensive studio of the methodology adopted in contemporaryresearch work in literature and art indicates four major trends,i.e,1.thatfocussing on psychology in literary and artistic creation;2.that concentratingon literary and art works perse;3.that stressing the communication process between the author and andience;and 4,that laying emphasis upon the socialconditions for literature and arts.The contemporary research in this respectshould apple these methods in a comprchensive manner and study literature...

A comprehensive studio of the methodology adopted in contemporaryresearch work in literature and art indicates four major trends,i.e,1.thatfocussing on psychology in literary and artistic creation;2.that concentratingon literary and art works perse;3.that stressing the communication process between the author and andience;and 4,that laying emphasis upon the socialconditions for literature and arts.The contemporary research in this respectshould apple these methods in a comprchensive manner and study literature andarts as a whole,with Marxism as the ideological guide.

综观中外现代文艺研究的方法,基本趋向有四:一是重文艺创作心理的研究,二是重文艺本体的研究,三是重文艺接受过程的研究,四是重文艺的社会条件的研究.现代文艺学应以马克思主义为指导,综合运用这些方法,把文艺作为一个整体来研究.

There are different motives of artistic creation in ancient China, viz.,those of voicing one's feelings and expressing one's emotions; those of self-entertaining and entertaining others;and those of for the benefit of the country and society. The motive of voicing one's feelings differs from that of expressing one's emotions, but they are related to each other. They had given a positive impetus in the development of ancient art. However, either of them have some drawbacks. If the two are to be cut apart...

There are different motives of artistic creation in ancient China, viz.,those of voicing one's feelings and expressing one's emotions; those of self-entertaining and entertaining others;and those of for the benefit of the country and society. The motive of voicing one's feelings differs from that of expressing one's emotions, but they are related to each other. They had given a positive impetus in the development of ancient art. However, either of them have some drawbacks. If the two are to be cut apart or even treated antithetically, an erroneous trend in artistic creation will be created. The motives of self-entertaining and entertaining others outstandingly embody the aesthetic nature of the art. Under this outlook, aesthetics is assiduously pursued, which continuously pushes to renovate the content, form and means of artistic expression. However, if creation is simply motivated by personal temperament and interest, the content tends to be vague and shallow, and the form and style tend to be over-stilted. The creation tries to please people intentionally, which lnevitably leads to fawning on vulgarism and mean taste. The motive of for the benefit of the country and society focuses on the influenece of the works on society. It is against formalism, and approves of the tradition of "art for life", but it has another side:leading a life by pursuing personal fame and gain. Utilitarianism is also an lmpetus to artistic creation. Only in the case when deeply-embedded feelings are amalgamated with the characters which meet the aesthetic need of the people, call successful works be produced. The motive of artistic creation reflected on the artists often reveals sophisticated situations.

中国古代关于创作动因论的理论主要有言志缘情说、畅神娱人说、经世致用说等几种。“言志”说和“缘情”说既有不同,又有联系,都对我国古代艺术的发展起了积极的作用,但又都存在某种缺陷,如果把二者割裂甚至对立,就会导致艺术创作错误倾向的产生。“畅神”说和“娱人”说,突出地体现了艺术的审美本质。在这种创作观的指导下引起的孜孜不倦的审美追求,推动着艺术内容、形式和手法的不断更新。但仅为个人情趣、爱好而创作,也易造成思想空泛、过于雕琢形式的弊端;一心想取悦于人,还必然会媚俗,格调低下。“经世致用”说,着眼于艺术的社会影响,形成反对形式主义、主张为人生而艺术的传统,但也有为个人名利或谋生的。功利也是艺术创作的推动力,但只有蕴含深沉的情感,能与艺术创作应满足人们的审美需要的性质相融合,才可能产生成功的作品。艺术创作的动因,表现在一个艺术家的身上,往往显现复杂的情况。

 
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