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tragedy
相关语句
  悲剧
    A Mysterious Look to The Depth Of Life——A New Inquirement of Schelling`s Aesthetic Standard of Tragedy
    生命深处的神秘瞩望——谢林悲剧审美观新探
短句来源
    On Hegel' s Theory of Mind of Tragedy
    论黑格尔的悲剧情境理论
短句来源
    Three Choices of Modern Tragedy Theory in China
    中国近现代悲剧理论的三种抉择
短句来源
    My Ideas on Creative Consciousness of Tragedy
    悲剧创作意识之我见
短句来源
    On the philosophical basis of Westen consciousness of tragedy
    论西方悲剧意识的哲学基础
短句来源
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  悲剧性
    Thiscaused the split of existence--tragedy consciousness.
    生存的这种矛盾结构决定了生存的分裂性,亦即悲剧性
短句来源
    As the reflections of the tragedy is the realistic tragedy, its core is the nature of tragedy, the tragedy brings pities of the feeling and honors of the high sensitivity for the human, the ideal theatrical effects from tragedy is rousing of human spirit and purification of human mind.
    作为戏剧的悲剧反映的是现实的悲剧,其核心是悲剧性,悲剧给人以怜悯感和崇高感,带来的理想的戏剧效果是对人精神的振奋和心灵的净化。
短句来源
  “tragedy”译为未确定词的双语例句
    Poetic Conversion Beween Life Tragedy and Artistic Beauty
    生命之悲与艺术之美的诗性转换——一个传统诗学命题的审美心理学诠释
短句来源
    Contemporary people understand the reality of life through the aesthetic ideology (literature), establish their conscious and tragic outlook on life, face sufferings of reality directly, grasp the relationship of realistic life consciously encouraged by the sublime spirit, and experience the aesthetic life combined by tragedy and beauty in the process of overcoming hardships in the reality.
    而当代审美意识形态却以它艺术的真实反映着人生的真实,以它的超越性告诉人们历史(未来)与现实的联系。 当代人通过审美意识形态(文学)认识当代现实生活,并在它的崇高精神的鼓舞下建立自觉、悲剧的人生观,直面现实的痛苦,自觉把握现实生活关系,在克服现实艰辛的过程中体验悲与美相融合的审美人生。
短句来源
    The Power of Tragedy Catharsis, Purification and the Sense of Life-Force
    悲剧的力量——宣泄、净化与生命力感
短句来源
    On the Aesthetic Character of the Tragedy
    论悲剧的美学品性
短句来源
    The Birth and Sensation of Tragedy
    悲剧的诞生与悲剧的快感
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  tragedy
The seriousness of the epidemic calls for effective control measures to tackle the problems in order to avoid the tragedy in Africa from happening in China.
      
Mearsheimer, John J.: The Tragedy of Great Power Politics
      
John Mearsheimer: The tragedy of great power politics
      
This article examines the nature the geopolitics and that of political leadership's motivation that led to the tragedy in the region.
      
The men of the cave: Tafsīr, tragedy and Tawfīq al-?akīm
      
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In his 'Poetics' , Aristotle systematically expresses his views on poetry (tragedy) , points out its function, and has successfully explored its composing parts. The first chapter puts forward the idea of imitation as a fundamental element of poetry and fine arts . and analyses the method of imitation in a very interesting way. As the existent Chinese versions of the 'Poetics' contain points calling for revision, while the notes attached seem to be somewhat rough and outdated, the author has presented...

In his 'Poetics' , Aristotle systematically expresses his views on poetry (tragedy) , points out its function, and has successfully explored its composing parts. The first chapter puts forward the idea of imitation as a fundamental element of poetry and fine arts . and analyses the method of imitation in a very interesting way. As the existent Chinese versions of the 'Poetics' contain points calling for revision, while the notes attached seem to be somewhat rough and outdated, the author has presented here a new translation of the first chapter of the work , with a detailed commentary full of useful information and accurate explanations.

《诗学》比较全面和系统地阐述了亚里士多德的诗学观,指出了诗的作用,解析了它的各个组成部分。《诗学》第一章提出了艺术的核心是“摹仿”的观点,对摹仿的方式作出了具体的分析。鉴于已有的中译本中存在一些明显的失误,而已有的注释似如流于疏简,且不能反映国际学界对《诗学》研究的最新成果,作者重译了《诗学》第一章,并逐句进行了细致、准确的评注。

That China's tragedies are characterized by happy endings and the heroes bending under pressure of "etiquette" is generally recognized by modern scholars. These features are in sharp contrast with the Western tragedies such as those of ancient Greece which are characterized by "defeat". Generally speaking, human ambivalence is regarded as the recurrent theme of tragedies, though all the works about human ambivalence are not necessarily tragedies. The core feature of the tragedy is the idea that underlies,...

That China's tragedies are characterized by happy endings and the heroes bending under pressure of "etiquette" is generally recognized by modern scholars. These features are in sharp contrast with the Western tragedies such as those of ancient Greece which are characterized by "defeat". Generally speaking, human ambivalence is regarded as the recurrent theme of tragedies, though all the works about human ambivalence are not necessarily tragedies. The core feature of the tragedy is the idea that underlies, controls, and develops the subject matter. This clearly explains the reason why there is a lack of the sense of tragedy in China's tragedies, and why the attainment of studies on China's tragedies has been so unsatisfactory. It is the fundamental tradition of the Chinese culture that has led to all this.

中国的悲剧研究极令人困惑:大团圆结局、悲剧英雄人格萎缩及向“礼”的屈服,被当代学人认定为中国悲剧的重要特征。而这些“特征”,却与古希腊以降的西方悲剧格格不入。悲剧作品把人类困境作为对象,但并不是涉及这种困境的都是悲剧作品,更关键的因素则是把握、支配悲剧题材的主体意识。中国戏剧之所以缺少悲剧感,中国的悲剧研究之所以不尽人意,都可以从这里找到解释。而这个解释的最终答案,则产生于传统中国文化中。

Abstract In Eugene ONeill's tragic plays is always embodied his optimistic attitude towards human nature and human life.ONeill believes that tragedy evokes in the audience exultation rather than sadness,since it affirms a man's dignity and the spiritual value of his existence to the full,encourages him and cheers him up,releases him from routine pettiness and ennobles his life.ONeill's last plays as an interlocked series are good illustrations of such an attitude of his.

本文探讨尤金·奥尼尔的悲剧美学思想。奥尼尔的悲剧作品总是蕴涵着作者对人性和人生的乐观态度。他认为悲剧产生的是喜而不是悲的艺术效果,因为它充分肯定人的尊严及其存在的精神价值。它给人带来振奋和激励,并使人变得超脱,使生活变得崇高。奥尼尔的剧作正体现了这样的特色

 
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