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Among other things, we prove that, for a compact K?hler-Einstein complex surface (M, J, g0) with negative scalar curvature, (i) if g1 is a Riemannian metric on M with λM(g1) = λM(g0), then
      
It is shown that the higher the slag basicity, the stronger the hydration interactions in alkaline binder compositions causing their hardening, all other things being equal.
      
It is shown that, other things being equal, the response of the system to the light wave is greatest when the period of the interference intensity pattern is of the order of twice the thickness of the layer.
      
Apparently, the calculation formulas for the rate of thermophoretic transfer have a wider range of validity than those previously obtained, all other things being equal.
      
It is demonstrated that the main factor defining the electron loss in magnetic traps in the collisionless limit is the departure of fast electrons from magnetic traps to the boundaries of the structure among other things.
      
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The two words-- "dual" and "half" appeared very often in the poems of Chen Bai-sha. They seemed to serve as a key to the mansion of his thinking. In the eyes of Chen Bai-sha, everything can be divided into two "halves" . This attribute of things is the starting point in dealing with all kinds of things in the world, and it is impossible to stress on either one of them and neglect the other. It was from this philosophical basis that the half-waken half-drunk life outlook of Chen Bai-sha was shaped,...

The two words-- "dual" and "half" appeared very often in the poems of Chen Bai-sha. They seemed to serve as a key to the mansion of his thinking. In the eyes of Chen Bai-sha, everything can be divided into two "halves" . This attribute of things is the starting point in dealing with all kinds of things in the world, and it is impossible to stress on either one of them and neglect the other. It was from this philosophical basis that the half-waken half-drunk life outlook of Chen Bai-sha was shaped, so was it with his half-abstract, half-concrete world outlook, founded on the "ways" and his academic standpoints of intermingling different schools.

白沙诗中喜欢用“两”和“半”,这两个字似乎可以作为打开白沙思想大厦的一把钥匙。在他看来,一切事物都可以剖为两半,对待任何事物都要从这一属性出发,不能执其一端。从而形成了他半醒半醉的处世哲学,以道为本,半虚半实的宇宙观以及清风两头、异学中和的学术观。三者又是互为因果的。处世哲学决定于他的宇宙观,宇宙观又直接受学术观影响。研究陈白沙思想,要从实际出发,不能非此即彼。白沙先生揉合诸家锐意创新,开创岭南学派新风,对今天改革开放很有现实意义。

Bai-sha's poems are written to declare his ambitions, convey his emotions and express his thoughts. A poetic style of both being fanciful and elegant on the one hand and being simple and profund on the other is formed through the influence of Objective Idealism. When he enjoyed himself without caring an iota of worldly things, he wrote poems in a marvellous, elegant and comfortable style. His poems of this part include those written for exposition, those written in a leasurely way and those to imitate...

Bai-sha's poems are written to declare his ambitions, convey his emotions and express his thoughts. A poetic style of both being fanciful and elegant on the one hand and being simple and profund on the other is formed through the influence of Objective Idealism. When he enjoyed himself without caring an iota of worldly things, he wrote poems in a marvellous, elegant and comfortable style. His poems of this part include those written for exposition, those written in a leasurely way and those to imitate Tao Yang Ming's "ode to chrysanthemum" and idylls. However, when he showed his whole-hearted devotion to the Royalty and ancestry or when he was concerned about the sufferings of the common people in the street, he wrote poems in a style of frankness, simplicity and profoundness. Among his poems of this part, some eulogize the Royalty, others sympathize heartily with the common folks, still others have in mind his dear mother. In short, his poetic style is full of variety. Just as what he says in one of his theories of poetry, " Either swift or sluggish, either loud or soft, either like flying clouds or like flowing rivers, they sound so different with the variation of the poet's feeling and emotion" .

白沙诗皆达志、抒情、写怀之作。由于受客观唯心主义世界观的影响,形成了既空灵俊逸又平实渊深的诗风。当其不以世俗为念,自得其乐,则其诗高妙、飘逸而轻灵。这部分诗包括论道诗、闲适诗及仿陶的咏菊诗、田园诗等。当其爱及君亲,仁及众庶,则其诗平实、实质朴而渊深。这部分诗有歌颂君主的,有关心民众疾苦的,有忧念亲母的。总之,他的诗风正如他在一篇诗论中说的,或疾或徐,或洪或微,或为飞云,或为川驰,声之不一,情之变也。

The depth of a piece of literary works depends on a writer's capability of penetrating through the Surface of the seemingly common and routine daily life to acquire its hidden social, historical implication and philosophy. Therefore, the contents of the works can be enriched and the connotation of its theme be deepened. The acquisition of the works depth relys on the thorough understanding of life and its complexities by the writer and his courage to reveal the truth. A clear consciousness of history also plays...

The depth of a piece of literary works depends on a writer's capability of penetrating through the Surface of the seemingly common and routine daily life to acquire its hidden social, historical implication and philosophy. Therefore, the contents of the works can be enriched and the connotation of its theme be deepened. The acquisition of the works depth relys on the thorough understanding of life and its complexities by the writer and his courage to reveal the truth. A clear consciousness of history also plays an essential part in increasing the depth of the works, for the purpose of which a writer should look at things around him not only from the angle of history but also from that of the contemporary time so as to discover the hidden implication and inspiration of history.

作品的深度是指作家在创作中以深邃的目光,透过表面、平常的生活、人物或事件,发掘深藏在其中的社会、历史或时代的深层意蕴与哲理,从而扩展了容量,加深了主题内涵。作品深度的获得有赖于作者对生活及其矛盾斗争的深刻认识、理解与勇于揭示。要使创作更有深度,作家必须具有清醒的历史意识,不仅是“历史地看问题”,而且是注意从新的时代思维的角度去发现历史启示和内在含蕴。

 
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