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   art 在 戏剧电影与电视艺术 分类中 的翻译结果: 查询用时:0.208秒
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art     
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  艺术
    The Research on the Art and Culture of Chizhou Nuo Opera
    池州傩戏艺术及其文化研究
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    Akward Predicament of Art Film Development in Contemporary China
    当代中国电影的艺术困境
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    Seeking the Joint of Social Reality and Art Idea: Analysis of Huang Jianxin Directing Art
    寻找社会现实和艺术理想的契合点——黄建新导演艺术分析
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    Movie Art Orientation by the Theory of the Classic Movie
    经典理论对电影的艺术定位
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    The unique characteristic of television art
    试论电视艺术的独特性
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  美术
    Review On Art Designing
    电影美术的历程
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    Discussion on the Trend of Current Art Designing
    试论当代电影美术的发展趋势
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    On Art Design in the Real Scene Shooting of Teleplay
    论电视剧实景拍摄中的美术设计
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    The Mystery of Picasso:A Masterpiece of Film d' Art
    电影与美术:《毕加索的秘密》
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    the purpose and the degree of edge of experiment about the avant-gardeThe experiment on the artistic form of the Chinese contemporary avant-garde theatre is discussed in respects of the script, the direction, the performance and the stage art in the 1st chapter.
    第一章从剧本、导演、表演、舞台美术等四个方面论述中国当代先锋戏剧在艺术形式上的实验性。
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  艺术的
    The unique characteristic of television art
    试论电视艺术的独特性
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    Gao Xingjian——The Traitor of China Drama Art
    高行健——中国话剧艺术的叛逆者
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    Impacts of digital technology on film and TV art
    数字技术对影视艺术的影响
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    A brief discussion of the characteristic service of audiovisual art of movies and televisions in libraries of colleges and universities
    浅析高校视听影视艺术的特色服务
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    The Distance between Television Art and Pure Art
    论电视艺术与纯粹艺术的距离
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  文艺
    Influence of the Ming literary and art trend on the development of the traditional opera
    明中叶文艺思潮对戏曲发展的影响
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    On Development of Chinese Theatrical Art——Concurrently on the Influence of MAO Ze-dong's Art Thoughts on Chinese Theatrical Art
    略论戏曲艺术的发展——兼论毛泽东文艺思想对戏曲艺术的影响
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    Chinese opera makeprogress itself with flourishing Chinese literature and art, and it attempt to establish itsself-character in the form and content of every success production.
    中国歌剧在繁荣中国文艺舞台的同时,也在推动自身的进步,每一部成功的新作品在形式和内容上都进行着中国歌剧自我品质确立的探索和尝试。
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    Characteristics Description on the Post Aesthetic Structure at Present Literature & Art TV
    当前文艺电视的后审美结构特征描述
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    Comments on traditionail opera and the trend of thought in literature and art during Ming-Qing dynasties
    戏曲评点与明清文艺思潮
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    In this paper, we review the state-of-the-art of ring signature, summarize the study of ring signature schemes in the literature and investigate their relationships with other existing cryptographic schemes.
          
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    It is one of the articles in the series of "A Study of the Directing Techniques of Wu Yi-Gong. It demonstrates the artistic directing structure, i.e. the structure of the prosaic poetry. In" Rainy Night at Bashan', the director places the conflict between man and society while emphasizing the daily life of ordinary people, thus achieving a striking contrast of two components of art. In "Reminiscences of a Town", the director's talent is revealed to the full and therefore a model of an artist is established....

    It is one of the articles in the series of "A Study of the Directing Techniques of Wu Yi-Gong. It demonstrates the artistic directing structure, i.e. the structure of the prosaic poetry. In" Rainy Night at Bashan', the director places the conflict between man and society while emphasizing the daily life of ordinary people, thus achieving a striking contrast of two components of art. In "Reminiscences of a Town", the director's talent is revealed to the full and therefore a model of an artist is established. Flashback is used in "The Sister" and "A University in Exile". The technique is further developed in "The Families" in which daily life is emphasized by direct conflicts of characters. At the same time, the philosophical rendering of the story makes the play even more effective.

    本文是作者“吴贻弓导演艺术研究”系列之一,论述了吴贻弓导演艺术的结构模式,即精致的双层散文诗体式结构。《巴山夜雨》将人与社会的巨大冲撞推向背景,作为艺术表现的暗方,而把剧中人平凡而琐碎的日常生活置于艺术表现的明处,构成一明一暗的双层艺术结构。《城南旧事》将之修炼得更为精致,成为一种艺术的典范。《姐姐》、《流亡大学》产生错位把握。《阙里人家》对之作出创造性的发展,置于明处正面表现的日常生活,增添了人物直接冲突的因素,同时哲学的某种性格进入了艺术,使结构艺术更趋完善,具有学术和操作的双重艺术价值。

    Based on the well-received performances of plays in alternative theatre both at home and abroad, the author discusses and analizes the artistic characteristics and production of plays in "alternative theatre" as a way of existence in dramatic art.

    以国内外优秀的小剧场戏剧演出实例为对象,分析研究作为戏剧艺术的一种生存方式的“小剧场戏剧”的艺术特征和创作规律。 “小剧场戏剧”与“大剧场戏剧”、“实验戏剧”及“通俗戏剧”之间概念关系讨论。 “小剧场戏剧”的戏剧空问特质及其在演出进程中的艺术价值体现。 “小剧场戏剧”中表演问题的要害。

    Ethnographic film originated at the end of the 19th century. The original aim of ethnographic film was of " ethnographic salvage" and to protect the "living fossils" of primitive life or ancient cultures. And then, working with applied anthropology, ethnographic film served all the areas of anthropology and comparative cultural studies. It has contributed greatly in propagating the thoughts of anthropology and compartive cultural studies. Ethnographic film making started in Freace, and then became popular in...

    Ethnographic film originated at the end of the 19th century. The original aim of ethnographic film was of " ethnographic salvage" and to protect the "living fossils" of primitive life or ancient cultures. And then, working with applied anthropology, ethnographic film served all the areas of anthropology and comparative cultural studies. It has contributed greatly in propagating the thoughts of anthropology and compartive cultural studies. Ethnographic film making started in Freace, and then became popular in Europe. It grew matured in the U.S. and developed fast there. Although as an academic film, ethnographic film has also greatly influenced the nature and Style of art, commercial and fiction film-making. Ethnographic film is a great driving force in both of the theoretical development of anthropology and filmmaking.

    发端于十九世纪末的人类学电影肇始于“文化救险”和保护文化“活化石”的目的,后来同应用人类学一起,服务于人类学和文化研究的各个领域,为人类学和比较文化思想的传播作出了巨大贡献。人类学电影滥觞于法国,后流行于欧洲,在美国最后成熟并获极大发展。人类学电影不仅是学术电影,而且影响到了艺术影片,商业影片甚至故事影片的内容与风格。不论对人类学理论的发展和电影理论的发展,它都有着无可比拟的推动力和影响。

     
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