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art     
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  艺术
    A Study of Chinese Ancient "Art of Lines
    中国古代“线的艺术”研究
短句来源
    From Integration to Disintegration: An Analysis of the Development of the Contemporary Ceramic Art in China
    从一体化到分化——中国现代陶瓷艺术发展历程的分析
短句来源
    Chinese Decorative Art Tradition and Its Contemporary Cultural Value
    中国装饰艺术传统及其当代文化价值
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    Primitive Decoration Art Research
    原始装饰艺术研究
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    On Relations Between Literature and Art
    论文学与艺术的关系
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  美术
    The Art Education Thoughts of Lowenfeld and Eisner and Chinese Art Education
    罗恩菲德和艾斯纳美术教育思想与当代中国美术教育
短句来源
    The Research Art Education Ideas of Chen Zhi Fo
    陈之佛美术教育思想研究
短句来源
    Inquiries into Lv Sibai in the Context of Chinese Art Education in the 20~(th) Century
    在20世纪中国美术教育情境中的吕斯百
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    Lun Xun and Western Expressionism Art
    鲁迅与西方表现主义美术
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    An idea for the General Curriculum of Art Education
    大美术教育专业课程设置构想
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  艺术的
    On Relations Between Literature and Art
    论文学与艺术的关系
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    Thinking and Practice in Mural Art
    壁画艺术的思考与实践
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    The Influcnce of European and American Cultures upon Jingdezhen's Ceramic Art
    试论欧美文化对景德镇陶瓷艺术的影响
短句来源
    Enemies of Modern Art
    现代艺术的敌人
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    ORIGINALITY-LIFE OF CLOTHING ART
    服装艺术的生命在于独创
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  文艺
    Art language and the structural element together form the art visualization which is the particular reflection of life.
    艺术语言和构成元素共同塑造艺术形象,艺术形象是文艺反映生活的特殊方式。
短句来源
    The Change of Poem and Painting: Reading Laocoon to Discuss the Relation Between Poem and Painting of Modernistic Art and Literature
    诗画之变——读《拉奥孔》论现代主义文艺诗画关系
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    Folk Literature and Art Resources in Fuding Area
    福鼎民间文艺资源初探
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    Trend of Thought in Literature and Art during the May 4th Movement and Modern Art Educational Patterns
    五四时期的文艺思潮与现代美术教育模式
短句来源
    Cultural Interaction: Two MAS and Eight Weird Persons in Yangzhou——Research into the development of literature and art in the Qing Dynasty
    文化互动:“扬州二马”与“扬州八怪”——考察清代文艺发展的一个视角
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  art
In this paper, we review the state-of-the-art of ring signature, summarize the study of ring signature schemes in the literature and investigate their relationships with other existing cryptographic schemes.
      
In this paper, we present a survey on the state of the art knowledge on this topic, which is incomplete, and indicate some new trends for further research.
      
The state-of-the-art of structural integrity technology for high temperature applications is reviewed.
      
In this paper, the state-of-the-art parallel computational model research is reviewed.
      
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The porcelainous sculpture by Yin Yipeng puts emphasis on the unification of figures and psychic force, It is the skillful combination of art and workmanship, and is the organic union of art and ceramic materials.

尹一鹏的陶瓷雕塑注重于外形效果与人物精神世界刻画的统一,以求整体感,是艺术与技巧的自然交融,艺术与材料的有机结合。

The paper briefly traces back to the aesthetic views about the "beauty of simplicity" in ancient China, and demonstrates the art of the blue-and-white porcelain with the aesthetic characteristics of freshness, liveliness, simplicity, and elegance, and shows our consciousness of the traditional appreciation of beauty. Finally it also points out that these characteristics are mainly influenced by the classic aesthetic views by by Zhangz's "simplicity is beauty" in the aesthetic of Taoist school.

本文简述了我国古代有关“素朴美”的美学观点的源流,并进而论证了青花瓷艺术所具有的清新、明快、素朴、淡雅的美感特征,反映了我们民族传统的审美意识的要求。认为青花瓷审美特征的形成,主要是受到我国古典美学以庄子为代表的道家美学中的“以素朴为美”的美学思想影响。

Abstractionist painting is the avant-garde of the modernist art, representing a major breakthrough of 20-century painting. However, a sufficient study on it is still lacking in China. This essay first expounds the significance and the position of abstraction in painting, and then the nature of abstractionist painting lying in the non-existence of particular object. The principal purpose of painting is the creation of beauty which requires the expression of the painter's feeings perceived directly through...

Abstractionist painting is the avant-garde of the modernist art, representing a major breakthrough of 20-century painting. However, a sufficient study on it is still lacking in China. This essay first expounds the significance and the position of abstraction in painting, and then the nature of abstractionist painting lying in the non-existence of particular object. The principal purpose of painting is the creation of beauty which requires the expression of the painter's feeings perceived directly through the audience's senses. Such a kind of beauty should not appeal to thinking, but directly to intuitional perception. The essay puts forth the view that the renovation of the concept of painting will free the artists of their boundless energy and initiative, conducive to major artistic breakthrough and the emergence of contemporary masterpieces.

抽象主义绘画是现代派艺术的代表,是廿世纪绘画发展的重大突破,但在我国尚缺乏必要的研究。本文首先论述了抽象在绘画中的意义和地位,其次,论述了抽象主义绘画的本质是它的无对象性,并指出绘画的主旨是创造美,必须以直观的方式表达作者的情性。这种美不应当是思索出来的,应当是由感受而得到的。文章认为绘画观念的刷新将为艺术家们释放无穷的能量,可以使绘画艺术有重大的突破,产生现时代的杰构。

 
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