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wash painting
相关语句
  水墨画
     Wash Painting's Influence to Graphic Design
     水墨画对平面设计的影响
短句来源
     Comparison between Watercolour Painting and Wash Painting
     水彩画和水墨画比较
短句来源
     Influence of Yangzhou's Eight Eccentric Painters on Taiwan's early wash painting
     扬州八怪对台湾早期水墨画的影响
短句来源
     This thesis further takes the procceed of ink and wash painting in both China and Malysia as an example to illustrate the equal importance of international culture communication and national culture study.
     其后,本文又进一步以中国及马来西亚的水墨画之发展为例说明国际间文化交流与民族文化研究同等重要。
短句来源
     The Reflection on the Current Conditions and Development of Modern Ink and Wash Painting
     现代水墨画现状及发展的思考
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  水墨
     Interior Design and Traditional Wash Painting Spirit
     室内设计与传统水墨精神
短句来源
     Association of the Development of the Chinese Figure Wash Painting in the 20th Century
     形与意关系的转化——20世纪水墨人物画发展脉络联想
短句来源
     Cartoon Image and Experiment with Chinese Wash Painting
     卡通图像与水墨实验
短句来源
     In second part, I describe the completeness of color system and the beginning of wash painting.
     第二部分描述了色彩体制的完备与水墨兴起的倪端。
短句来源
     With the development of design/the Joint between wash painting andgraphic design more and more closely is a big trend.
     随着设计的发展,水墨与设计做更密切的结合肯定是一个大趋势。
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  “wash painting”译为未确定词的双语例句
     On the Esthetic Basis for the Mergence of Chinese Ink and Wash Painting with Poetry
     论诗画融合的美学依据
短句来源
     Theory of true spirit conveyance:rules that govern image building and form shaping in Chinese ink and wash painting
     传神论:中国画的创作意象和造形法则
短句来源
     The Conlemporay Meaning of Ink and Wash Painting
     略论中国画“笔墨”的现代意义
短句来源
     Since later century , Chinese society hare changed very much . So , aesthetic theory and art form have adjusted with transformation colourful returning become a important theme for Chinese ink and wash painting .
     但自上个世纪以来,中国社会发生了翻江倒海的剧变,随之而来的,审美取向与艺术形式也不能不适应于这种变化。
短句来源
     In first part, I set forth the production and development of color and wash painting.
     本文第一部分阐述了色与墨的产生与发展。
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Based on an investigation of the long process as well as the artistic practiCe of the mergence of Chinese ink and wash painting with poetry in the history of Chinese art, this paper expounds the things in common in the two, and is of opinion that both of them are expressinnal arts which call for the mutual promtion of the real and the unreal, but each of them has an attraction for complementarity from the other because of difference in material medium, hence the esthetic basis for the mergence of the two....

Based on an investigation of the long process as well as the artistic practiCe of the mergence of Chinese ink and wash painting with poetry in the history of Chinese art, this paper expounds the things in common in the two, and is of opinion that both of them are expressinnal arts which call for the mutual promtion of the real and the unreal, but each of them has an attraction for complementarity from the other because of difference in material medium, hence the esthetic basis for the mergence of the two. The paper goes further to elaborate the "Soil" and "climate" for the evolution of the artistic tradition of the mergence of Chinese ink and wash painting with poetry.

本文在考察了中国艺术史上诗画结合的过程之后,依据中国诗画结合的艺术实践,论述了中国诗画艺术原理的共通性:都是表现艺术,都讲究“虚实相生”,以及他们之间物质媒介不同的差异性与追求互补的吸引力,从而以此为中国诗画融合的美学依据。进而阐述了中国诗画融合艺术传统形成的“土壤”和“气候”。

This article expounds the important position occupied by true spirit conveyance in Chinese ink and wash painting esthetics,designates true spirit as the very core of artistic spirir of Chinese painting in particular and Chinese arts in general,and elucidates the arristic characteristics and creation formulas of Chinese figure painting under the guidance of the principle of true spirit conveyance.

本文论述了传神在中国绘画美学中的重要位置,“神”是包括绘画在内的中国艺术精神的核心,并阐述了在传神的原则提导下,中国人物画的艺术特点和创作方法

The scholar painting is defined on the basis of the composing idea and aesthetic appeal,not on the form of expressin,of the painting.Theoretically and historically,the scholar painting includes the wash painting as well as the fine bruch painting,which are the two trunks on the big tree of Chinese painting.

文人画是指创作思想和审美情趣而言 ,并不是指在表现形式上属于水墨还是工笔。无论从理论上讲还是从历史事实上讲 ,文人画不仅包括了水墨画 ,也包括了工笔画 ,水墨画和工笔画是中国画这棵大树上两个干粗叶茂的分枝。

 
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