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body writing     
相关语句
  身体写作
     The body writing and female literature
     身体写作与女性文学
短句来源
     As a special culture phenomenon,body writing endowed with consuming culture has close relationship with western feminism,Chinese traditional culture.
     “身体写作”作为一种特殊的文化现象,是消费文化的一个明显征候。 这种现象与西方女权主义、中国的传统文化以及现时的消费文化有着千丝万缕的联系。
短句来源
     inter-text writing view, body writing in the era of consumerism; and re-writing of Chinese cultural identity in the era of globalization.
     主要讨论了白色写作与零度写作观 ,文本间性的写作观 ,消费时代的身体写作 ,最后探讨全球化时代中国身份的“重新书写”。
短句来源
     Body Writing's Philosophy Intension
     身体写作的哲学内涵
短句来源
     From Body Discourse to Body Writing
     从“身体话语”到“身体写作
短句来源
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  躯体写作
     Female Discourse·Body Writing·Androgyny--Comment on Psychoanalytic Feminism
     女性话语·躯体写作·双性同体——精神分析女性主义文学批评述评
     The Significance and Error of "Body Writing" in Today's Female Literature
     当下女性文学“躯体写作”的意义和误区
短句来源
     The construction of female poetic discourse take body writing as its pivot point and logical starting point.
     女性诗歌以躯体写作作为话语建构的支点和逻辑起点。
短句来源
     However owing to the private writing unconsciously pride in extreme body writing, its visual angle has been changing more and more simply and its significance of literature has been disappearing gradually.
     然而,不知不觉中,它以过于极端化、私人化的"躯体写作"为标榜,视角单一,阻碍了文学应有的意义生成;
短句来源
     the second representation is the influence of feminist literary theories upon feminist writing, especially the body writing in 1990s;
     第二表现在女性主义文论对女性写作特别是对二十世纪九十年代女性躯体写作的影响;
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  身体书写
     Absurd and Ugly Body Writing Strategy in Zhang Ailing's"Withered Flowers"
     《花凋》中怪诞、丑陋的身体书写策略
短句来源
     From " private novel" to " body writing",women novels of the new generation are of active significance of the undoubted cultural revolt,but fatal bias also exists in them.
     从“私语小说”到“身体书写”,90年代新生代女性小说具有不可质疑的文化反抗的积极意义,但也包含着致命的偏狭。
短句来源
  身体言语
     The Fortune of "Body Writing" in Present China
     身体言语在当代中国的命运
短句来源

 

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    In the history of Chinese contemporary literature, sex narration", which was disguised in the writing of revolutionary feeling" and class friendship" for the first 30 years, then developed into the sex enlightenment writing" in the 80s, and evolved into female body writing" and lust writing" in the 90s, underwent the two stages of deconstruction against holiness" and elucidation and restoration". Correspondingly, there have emerged five genres of narration discourse: state myth discourse",...

    In the history of Chinese contemporary literature, sex narration", which was disguised in the writing of revolutionary feeling" and class friendship" for the first 30 years, then developed into the sex enlightenment writing" in the 80s, and evolved into female body writing" and lust writing" in the 90s, underwent the two stages of deconstruction against holiness" and elucidation and restoration". Correspondingly, there have emerged five genres of narration discourse: state myth discourse", enlightenment discourse", power discourse", monologue discourse", and symphony discourse".

    在中国当代文学史上 ,从前 30年中被打扮成“革命感情”、“阶级友谊”到 80年代的“性启蒙” ,再到 90年代商业经济背景下的女性身体写作与欲望写作 ,“性叙事”的生成与发展经历了一个“消解神圣”与“除蔽还原”的过程。与之相应 ,也出现了五种叙事话语形态———国家神话、启蒙话语、权力话语、私语独白、复调话语

    Since the mid 80s, women′s poetry has been in a state of extreme activity and utter loneliness. A galaxy of women poets kept producing new and great works, in the style of body writing, to vent women′s sex instinct and thirst suppressed at the bottom of their heart and fettered in their subconsciousness for centuries long, with a view to rewriting the women′s history of “being covered” and “being said” as that of “being fully open” and “being verbally active”. These works convey an extremist protest and...

    Since the mid 80s, women′s poetry has been in a state of extreme activity and utter loneliness. A galaxy of women poets kept producing new and great works, in the style of body writing, to vent women′s sex instinct and thirst suppressed at the bottom of their heart and fettered in their subconsciousness for centuries long, with a view to rewriting the women′s history of “being covered” and “being said” as that of “being fully open” and “being verbally active”. These works convey an extremist protest and rebellion against the system, conception, and discourse of man chauvinism and demonstrate the positive meaning of cultural rebellion interwoven with modernism and post modernism. However, such style of “female body writing” also indicates an inevitable paradox and mortal provinciality.

    女性诗歌自 80年代中期以来 ,一直处于一种极为活跃又极为寂寞的状态。一批女诗人不断推出新作力作 ,以敞开女性血肉真实的“躯体写作”语言方式 ,惊世骇俗地抒泻着女性千百年来一直压抑在心中、死灭于潜意识里的性爱本能欲望的冲动与渴求 ,力图将女性“被遮蔽”、“被言说”的历史 ,改写成“完全敞开”、“主动言说”的历史 ,表达了对男权制度、男权意识、男权话语的一种极端化抗议与颠覆 ,显示出一种现代主义与后现代主义交互渗透的文化反抗的积极意义。但这种“女性肉体写作方式”也包含着不可逃避的悖论与致命的偏狭

    In Chi Li's current works, there is an obvious inclination in her observing male, which can be divided into three kinds: the perspective of the female character, the perspective of the female character and the narrator, and the perspective of the female narrator. Different perspectives lead to different attitudes towards male. Her works turn the traditional female's status in the novels, who used to be observed, into the ones of observing male. This is the transcendence of female body writing which...

    In Chi Li's current works, there is an obvious inclination in her observing male, which can be divided into three kinds: the perspective of the female character, the perspective of the female character and the narrator, and the perspective of the female narrator. Different perspectives lead to different attitudes towards male. Her works turn the traditional female's status in the novels, who used to be observed, into the ones of observing male. This is the transcendence of female body writing which makes the femal novels extricate itself from a passive and isolated position.

    池莉近作显示出强烈的审视男性的倾向 ,并提供了三种打量男性的视角 :女性主人公视角、女性主人公兼叙述人视角以及女性叙述人视角 ,不同的视角表达对待男性的不同态度。它们使女性由通常的被看变为观看他人 ,是对女性“躯体写作”的超越 ,同时使女性言说得以摆脱被动和隔绝的状态。

     
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