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artistic conceptions
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  意境
     4. The translation theory treating the translators as its main body is the first important principle that Pound followed to translate Chinese classical poetry, thus the reoccurrence of the particular intention and emotion along with the reconstruction of the artistic conceptions turned out to be the main characteristics that Pound owned to translate the Chinese poems into English.
     4.以译者为主体的翻译理论是庞德翻译中国古典诗歌所遵循的首要原则,于是意义和情感的再现,意境的重构就成了庞德汉诗英译的主要特征。
短句来源
     This paper mainly discuss the originality of architecture environment design and the various meanings and artistic conceptions which is architecture environment expressed.
     本文主要讲述建筑环境设计创意的重要性和建筑环境所表达的 各种意境和意义.
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     It is required by the dvelopment of art in the new century to analyze and study artistic conceptions.
     几千年来一直是绘画工作者和学习绘画的人不断追求和向往的境界,深入分析和研究意境是新世纪艺术发展的需要。
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     Discrimination on “Different Trees with the Same Flowers” ——Contrast analysis between the artistic conceptions of Wordsworth's and Wangwei's poetry
     “异树同花”之辨析——王维与华兹华斯诗歌意境的比较分析
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     A Study of the Beauty of Images and Artistic Conceptions in Advertisements
     广告意象美与意境美初探
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  艺术感悟
     Zhang Yimou, through his movies, reveals his sharp philosophical thoughts, unique artistic conceptions, anti-traditional style, preference for pluralisty and diversity, deep reflection on traditional Chinese history and cultures, and calling for attention to humanity and the existence of human.
     张艺谋的影片以敏锐的哲学思考、独特的艺术感悟 ,一反传统的局囿 ,关注多元与差异 ,透过人物命运对中国传统历史文化进行着深刻的反思 ,呼唤人性和对人的存在的关注。
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  “artistic conceptions”译为未确定词的双语例句
     The Creation of Artistic Conceptions in The Strange Stories from Liaozhai
     《聊斋志异》的造境艺术
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     Artistic Conceptions of Moon and Buddha
     月境与禅境
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     After doing these, this article tries to discuss over the pomes from two aspects: the innovation of artistic conceptions and the selection of the words.
     在此基础之上,从意象的创造与语言的锤炼两个方面对其艺术特色进行了分析论述。
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     This paper , gives a specific analysis and argumentation from four aspects to show how Xie was influenced by Buddhism : 1 The Vimalakirti style of life and the choice of the mountains and waters . 2 Amitayus pureland and the artistic conceptions of the mountains and waters . 3 Nirvana and sudden grasp and the thought from the mountains and waters .
     本文论述了谢灵运受佛教影响的四个方面,即:1、维摩诘式的生活方式与山水之择 2、净土思想与山水之境 3、涅槃顿悟与山水之思 4、般若空观与山水之理。
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     Philosophical Origin of the Formation of Artistic Conceptions
     意境形成的哲学基础探源
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Sponsored by the Bureau of Design, MURCEP and ASC, a symposium was held Feb. 3-7, 1985 in Beijing, in which the problem of flourishing architectural creation was discussed. More than 30 persons attended the meeting, with Dai Nianci, Vice-Minister of MURCEP and President of ASC, at the chair. Chairman Dai points out that the cause of the stereotypes in architectural design involves many respects, including method of creation, system of organization, design fee, etc., among which architect's conception is the...

Sponsored by the Bureau of Design, MURCEP and ASC, a symposium was held Feb. 3-7, 1985 in Beijing, in which the problem of flourishing architectural creation was discussed. More than 30 persons attended the meeting, with Dai Nianci, Vice-Minister of MURCEP and President of ASC, at the chair. Chairman Dai points out that the cause of the stereotypes in architectural design involves many respects, including method of creation, system of organization, design fee, etc., among which architect's conception is the key problem, He proposes five points to be emphasized: emancipation of the mind to breakthrough from the conventions; realization of the policy of "letting hundred schools of thought contend;" enhancement of architectural theory, including introduction of foreign trends; reformation in structure of design institutes; support towards the flourishing of architectural design from all parties concerned, including organizations of construction, planning, administration and public opinion.Zhang Mi, Assc. Prof, of Architecture, Tianjin Univ. emphasizes that: the value of architecture should be reacknowledged to break away from the utilitarian view; individualization should be persisted as the fundamental principle in design so as to attain diversification; innovation should be acknowledged as the fundamental law of development, and stereotyped and rigid modes be cleared away; new artistic conceptions and individual theories should be established basing on the sense of relativity.Hou Youbin, Assc. Prof, of College of Arch. Engineering, Harbin, holds that: establishment of systematic conception of architecture is important to change views towards architecture. (See article below.)Ma Guoxin, architect of Beijing Inst. of Arch. Design, points out that it will not suffice to only call for flourish in architectural design, but should orient to modernization, to the world, and to the future.Architect Zhang Yaozheng of Design Inst. of Industrial Bldgs., Shanghai proposes that the great contribtions of architecture to the society and human culture should be propagated based on the present situation of architects. The potentiality of architects, as well as the arduousness and value of their work, is far from being fully comprehended. Only with the acknowledgement and support from the society, can flourish in architectural design be realized.Cheng Zihua, Assc. Prof, of Dept. of Arch., Qinghua Univ., proposes that system analysis, cybernatics, and information theory should be applied to architecture.

在当前建筑业改革(包括设计改革)的新形势下,为了进一步探讨如何繁荣建筑创作,更好地适应城乡两个文明建设的需要,建设部设计局和中国建筑学会于2月3日至7日召开小型学术座谈会,邀请部分中、青年建筑师、专家学者,从建筑理论、方针、政策、设计思想、创作方向和设计体制等方面,集中研究建筑设计如何创优创新,改变建筑造型一般化的现状,提高建筑作品的经济、社会、环境效益。现摘要刊载会议发言(以发言先后为序),全文登几篇会议论文,供读者参考。

A 'new stream' has emerged from Chinese compositions. The main force of itis a group of young composers who are in the period of maturity. During the pastfew years, they have showed great telent in composing, and began to attract wideattertion, home and abroad. The 'new stream' has three distinctive feetures. Firstly, it has partly brokenwith the one-sided notion of the essence and social function of music. For a longtime in the past, the viewpoint of heteronomy has occupied a dominant position inChinese composing....

A 'new stream' has emerged from Chinese compositions. The main force of itis a group of young composers who are in the period of maturity. During the pastfew years, they have showed great telent in composing, and began to attract wideattertion, home and abroad. The 'new stream' has three distinctive feetures. Firstly, it has partly brokenwith the one-sided notion of the essence and social function of music. For a longtime in the past, the viewpoint of heteronomy has occupied a dominant position inChinese composing. Some works of the 'new stream' show young composers areseeking for exploitation and control of space and lime of sound. This attitude ofcomposing is, in fact, derived from autonomy. The adoption of some principles ofautonomy, however, does not mean that the composers totally reject heteronomy.They only regard it as a good complement. And this may eventually point to anew conception of music for Chinese composers. The 'new stream' also indicates that composers have begun to emphasize themultilayer and many-sided fuctions of music, not only the instructive aspect of it. Secondly, in the work of the 'new stream', the composers display thier aotiveexploitation of combining modern compositional technique in the west with Chinesenational spirits: a variety of tone-rows; distinctive style of melody; new logic ofharmonic structure; the expanssion of tonality; the breakthrough of conventionalmusical forms. Thirdly, the 'new stream' composers exploite the national spirits in subjectmatter, language and artistic conception, on a higher level of aesthetic consciou-sness. For the sake of a healthy development of the 'new stream', in the opinion ofthe writer, composers should get a better grasp of the complex nature of musicallanguage, try to avoid loosly organized structure of thier music and pay more atter-tion to current sublet matter, in the meantime, the public, especially the musiccritic circles should show more concern for the 'new stream' composers.

建国三十六年来,我国音乐事业既积累了丰富的经验,也留下了许多深刻的教训。这是时代给予我们的一笔可观的财富。但一切感性经验,当它未被整理、上升为理性认识之时,都具有零散的性质,其价值是有限的。只有对以往的经验和教训进行认真的回顾与思考,加以梳理与总结,从中探寻出若干规律性的认识,它们才能转化为对当前音乐事业的发展具有巨大价值的精神财富。这就是特设“回顾与思考”这一专栏的目的。我们热切希望广大音乐学者、音乐工作者和广大读者为此而踊跃撰稿。本刊愿为持各种不同意见的稿件提供园地。

Yu Guangzhong, a Chinese poet with Taiwan-Hongkong background, enjoys a high reputation in the contemporary world of poetry. This paper attempts to explore his artistic style through three of his poems: "Bitter Heat" , "Home Village Anxiety" and "Pearl Necklace" . In the author's opinion,Yu's poems are characterized by truthful sentiments, literary flavour, rich imagination, and marvellous thinking.Because of his skilfulness in producing original images from reality, the main features of his poems are...

Yu Guangzhong, a Chinese poet with Taiwan-Hongkong background, enjoys a high reputation in the contemporary world of poetry. This paper attempts to explore his artistic style through three of his poems: "Bitter Heat" , "Home Village Anxiety" and "Pearl Necklace" . In the author's opinion,Yu's poems are characterized by truthful sentiments, literary flavour, rich imagination, and marvellous thinking.Because of his skilfulness in producing original images from reality, the main features of his poems are the real beauty of artistic conception similar to the beauty of architecture, and painting and music of the finest kind.

我国台湾—香港诗人余光中在当代诗坛中享有盛誉。本文试从其《苦热》、《乡愁》和《珍珠项链》三诗探讨其艺术特色。笔者认为余氏的诗感情真挚,诗艺精湛,想象丰富,联想奇特,善于在现实中捕捉新意泉,创造诗的意境美、建筑美、绘画美和音乐美。

 
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