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red mansion dreams
相关语句
  《红楼梦》
     Ten Points of Red Mansion Dreams
     《红楼梦》考释十题
短句来源
     Investigation and Elucidation of Classical Allusions of Red Mansion Dreams
     《红楼梦》名物典故探微
短句来源
     Coordinative Conjunctions in Red Mansion Dreams
     《红楼梦》中的并列连词
短句来源
     In the novel Red Mansion Dreams, many classical allusions from popular objects reflect the historical background, laws and regulations, social customs and even the author's artistic intention.
     《红楼梦》中大量的名物典故反映了当时的历史背景,典章制度,社会风俗以及作者的创作意图。
短句来源
  “red mansion dreams”译为未确定词的双语例句
     When people read the sentence “假作真时真亦假” in Red Mansion Dreams, they usually translate it into morden Chinese “If falsehood is supposed to be truth, truth is bound to be falsehood.”
     人们把“假作真时真亦假”翻译为“若把假的当作真的,那么真的也就成为假的”;
短句来源
  相似匹配句对
     Red
     艳丽之红
短句来源
     Red
     38℃的红色
短句来源
     On the Implications of The Red Mansion Dream
     论《红楼梦》书名之寓意
短句来源
     Symbolism of "The Dream of Red Mansion
     《红楼梦》象征主义创作方法初探
短句来源
     Coordinative Conjunctions in Red Mansion Dreams
     《红楼梦》中的并列连词
短句来源
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Ever since its birth, the classic novel Red Chamber Dream has been accepted as an object of study by many different fields of scientific research, each of them leavingmuch behind for any one of the other fields to work out because the novel borders on andthus assumes the various features and factors of literature, Confucianist classics and downto-earth learning' Herein lies the vatality of the studies on Red Mansion Dream. By boundary nature is not meant that the novel itself is full of chaos...

Ever since its birth, the classic novel Red Chamber Dream has been accepted as an object of study by many different fields of scientific research, each of them leavingmuch behind for any one of the other fields to work out because the novel borders on andthus assumes the various features and factors of literature, Confucianist classics and downto-earth learning' Herein lies the vatality of the studies on Red Mansion Dream. By boundary nature is not meant that the novel itself is full of chaos and disorder, howsoever. Viewedfrom the angle of methodology, the studies on Red Mansion Dream comprise two worlds,namely, the world of restoration of facts and the world of interpretation of implicationstherein.

《红楼梦》自诞生以来,被当成各种属性的文本,它在不同的学科领域被接受,而对于任何一个学科来说,《红楼梦》的阅读现象都呈现出一种边界性。这根源于文本《红楼梦》的边界性,它本身具有小说学、经学、朴学的因素。这种边界性正是红学的生机之所在。边界性不等于混乱与无充,从方法论看,红学具有两个世界;事实还原的世界和意义诠释的世界。

ith the deep going development and liberation of the studies on Hong Lou Meng, or Red Mansion Dream, China's academic circles no longer cover up or evade the problem that there are in the classical Chinese novel Red Mansion Dream distinctive traces of Buddhist ideology that “reality is a phantom and vice versa”and Taoist ideology of “being contended with a simple life and indifferent to fame or wealth”. This paper, by making a concrete analysis and interpretation of these ideologies,...

ith the deep going development and liberation of the studies on Hong Lou Meng, or Red Mansion Dream, China's academic circles no longer cover up or evade the problem that there are in the classical Chinese novel Red Mansion Dream distinctive traces of Buddhist ideology that “reality is a phantom and vice versa”and Taoist ideology of “being contended with a simple life and indifferent to fame or wealth”. This paper, by making a concrete analysis and interpretation of these ideologies, comes to the conclusion that the fundamental essence of the novel is that it publicizes Confucianist social outlook with the help of Buddhist ideology and Taoist ideology.

在《红楼梦》中,释家的“色空”观念、道家的“淡漠”意识,都有明显的表现。对此,当前学术界已不再掩饰和回避,这是“红学”的深入与解放。本文的主要内容,是通过对小说上述思想的具体诠释与剖析,说明其基本精神完全在于借释、道之说以宣扬儒家的社会主张。

The tragic composition of Hong Lou Meng, or Red Mansion Dream can be viewed from three angles: the tragedy of the Jia's, the tragedy of Daguanyuan Garden, and the tragedy of Jia Baoyu himself. The three are not quite the same in nature, but the tragic apperception they form expresses the universality of tragedy

《红楼梦》的悲剧可以从三个层面去考察:贾府的悲剧、大观园的悲剧和贾宝玉的悲剧。这三层悲剧的性质不尽相同,它们一起所形成的悲剧意蕴,表明了悲剧的普遍性质

 
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