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classical poetry     
相关语句
  古典诗歌
     After the 1930s, the theory of poetic form of modern poetry came closer to the traditional Chinese classical poetry, and the theoretical exploration of the forms of modern poetry retreated from the center of modern poetics.
     20世纪30年代以后,现代诗歌诗式理论在依托资源方面发生了意见分歧,现代诗歌体式的建立最终向中国古典诗歌回归,一方面显示了现代诗学与传统的接续,一方面也使得现代诗式的理论探讨逐渐退出了现代诗学的中心位置。
短句来源
     Chinese classical poetry is the gem of Chinese literature, particularly noted for its simplicity, subtleness and its rich connotation.
     中国古典诗词是中国文学的瑰宝,以含蓄、简约和微妙见长。 中国古典诗歌是建立在一系列具体、特定的细节描写上的。
短句来源
     Chinese classical poetry is the treasure of world literature.
     中国古典诗歌是世界文学的瑰宝。
短句来源
     New Cognition About Classical Poetry's Image Types and Structures
     古典诗歌意象类型和结构的新认识
短句来源
     The implication of utterances in the Chinese classical poetry and the aesthetic spirit of integration of heaven and man in the Chinese culture
     中国古典诗歌话语蕴藉与“天人合一”的中华审美文化精神
短句来源
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  古典诗词
     Practically,five-step teaching patterns in classical poetry includes chanting and interpreting,asking and thinking, speaking and debating, commenting and summarizing,reading and memorizing.
     “五步教学法”教学模式是对古典诗词教学实践的理性概括,它包括诵与译、问与思、说与辩、评与结、读与记五个步骤。
短句来源
     Classical Poetry Teaching of Middle School
     中学古典诗词教学——诗词的意境鉴赏
短句来源
     Chinese classical poetry is the gem of Chinese literature, particularly noted for its simplicity, subtleness and its rich connotation.
     中国古典诗词是中国文学的瑰宝,以含蓄、简约和微妙见长。 中国古典诗歌是建立在一系列具体、特定的细节描写上的。
短句来源
     The Compensation Technique Used in C/E Translation of Classical Poetry
     中国古典诗词英译的补偿翻译手段
短句来源
     Image is an important concept in Chinese classical literature theory, and it originates from aesthetic appreciation of classical poetry .
     意象是我国古典文论中一个重要的概念,它来源于对古典诗词的审美,又被大量运用于对古典、现代诗歌的分析中。
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  古典诗学
     Modern Explanation of Classical Poetry
     古典诗学的现代阐释
短句来源
     Modern Annotation of Chinese Classical Poetry
     中国古典诗学逻各斯中心的现代解构
短句来源
     Poetry Expressing Zhi" is the foundation of classical poetry theory .With the effect of Chinese literary discourse tradition for thousands of years ,Yan-Yi(言与意), Bi-Xing(比与兴) and Wen-Zhi(文与质)have also changed in discourse structure . So , based on the theory of object-affected, metaphorical concepts , polysemy and fuzziness, it developed ancient Chinese poetics discourse mode.
     “诗言志”是古典诗学的奠基之石,影响着几千年来的中国文学话语传统,使得话语构成中的言与意、比与兴、文与质发生某些嬗变,从而形成了以感悟式、隐喻化、多义性、模糊性为代表的中国古代话语模式。
短句来源
     The western modernist poetry and Chinese classical poetry affect the conceptions, the way of thinking, the tactics of Chinese modernist poetry.
     中国现代主义诗学在中国古典诗学的纵向制约与西方现代主义诗学的横向影响的双重作用下 ,在诗歌观念、诗思方式、诗学策略等方面产生了从古典诗学到现代主义诗学的种种变异
短句来源
     Aesthetic appreciation has the following two major aspects in the theory of classical poetry: image and imagination.
     意象和意境是古典诗学理论两个重要的审美范畴。
短句来源
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  古典诗歌的
     Understanding of Density in the Chinese Classical Poetry in Light of Image and Structure
     从意象与结构看中国古典诗歌的疏密
短句来源
     A good understanding of them is helpful to precisely grasp the aesthetic processes of Chinese classical poetry and to analyse and appreciate them better.
     审美距离具体表现为空间距离、时间距离和时空距离。 认识和理解审美移情和审美距离,对于准确地把握中国古典诗歌的审美情感过程,对于分析和鉴赏中国古典诗歌,不无裨益。
短句来源
     A review of the development of the Chinese poetry in several historical periods shows that the mian and indispensable characteristics of the Chinese classical poetry have been its openness, unique and harmonious meters and its pursuit of realm of lofty thoughts.
     通过简略考察中国诗歌史上几个主要时期的发展变化情况 ,可以发现 :内容开阔 (而非狭隘封闭 )以及对高境界的追求 ,独具的、和谐优美的韵律 ,凝练而通俗的语言 ,一直是中国古典诗歌的主要特征 ,也是诗歌不可或缺的基本特质。
短句来源
     Based on the features of poetry and teaching needs, this thesis is trying to apply content analysis, investigation method, and comparative analysis to discuss the teaching of classical poetry from perspectives like the significance of classical poetry teaching in the secondary school, retrospect and introspection, analysis of current teaching situation, and new methods for teaching.
     本论文是在诗歌特质与教学需要的大前提下,运用内容分析法、调查法和比较分析法从中学古典诗歌教学的现实意义、回顾与反思、教学现状分析、教学出路探讨等四方面来讨论古典诗歌的教学。
短句来源
     The Characteristics of Metaphor in Chinese Classical Poetry in View of Chinese Language and Culture
     从语言文化看中国古典诗歌的隐喻特征
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  classical poetry
Stephen Owen, The Making of Early Chinese Classical Poetry 262.
      


Through the analysis of the Movement to Revive the Song Poetry in the Qing Dynasty in various perspectives,this paper tries to find out the features of the theory of Chinese classical poetry reflected in this movement.It maintains that the Movement has adopted the flexible and lively poetic system of the Song poetry and that its theory is a renewal as well as a condensation of Chinese classical poetics,which is...

Through the analysis of the Movement to Revive the Song Poetry in the Qing Dynasty in various perspectives,this paper tries to find out the features of the theory of Chinese classical poetry reflected in this movement.It maintains that the Movement has adopted the flexible and lively poetic system of the Song poetry and that its theory is a renewal as well as a condensation of Chinese classical poetics,which is saturated with feudal moral principles on poetry and handled with the classical poetic paradigm.it aims at the refined personality,expresses the nature of poetic beauty,follows the norm of poetic composition and at the same time tries to be experimental and creative.It advocates“Learn from the past to enrich oneself;read to improve the expressive ability in composing poems,”and constructs the theoretical pattern of“combining the verses of the scholar with those of the poet.”It also displays the aesthetic charm of uniting personal character with artistic style,inspiration with scholarship,the Tang poetic style with the Song poetic style,and verse with prose.

本文从多种角度来考察清季宋诗运动的理论意义,由此探寻古典诗学重要特征。认为,宋诗运动选择了富有变化的活性的宋诗诗艺体系既是古典诗学的更新,又是古典诗学的凝聚。其诗论深濡封建义理诗教,操握古典诗艺法式;追求脱俗人格,表现诗美本色;顺应诗歌的表现惯例,又力求诗艺的通变创新;学古以丰富养份,读书以修炼诗式,建构起“学人之言与诗人之言合”的理论框架,体现了集人品与艺品、才情与学理、唐诗与宋诗、诗歌与散文为一体的美学意趣。

Aesthetic transference and distance are the two main aesthetic psychology of human aesthetic feeling. A good understanding of them is helpful to precisely grasp the aesthetic processes of Chinese classical poetry and to analyse and appreciate them better.

审美移情和审美距离,是人类审美情感中两种主要的审美心理。所谓审美移情,是以对审美对象的感知为基础的,即把主观情感转移到所感知的客观事物中;所谓审美距离,是指审美观照和审美欣赏必须与审美对象保持一定的距离,这一定的距离,就是一种“若即若离”的关系。审美移情具有三种形式:接近移情、比喻移情和对比移情;审美距离具体表现为空间距离、时间距离和时空距离。认识和理解审美移情和审美距离,对于准确地把握中国古典诗歌的审美情感过程,对于分析和鉴赏中国古典诗歌,不无裨益。

AbstractThe Chinese classical poetry craze in the end of 20th century showed a flourish of aesthetic judgment of the masses.But it also had some weaknesses:being mediocre individually and microcosmically though magnificent in scale,being to some extent lethargic in style though experienced in the writing technique ,and being weak in aesthetic force though elegant in printing and ornate in diction.The question before us is how to create the real masterpieces in the appreciation of classical poetry?...

AbstractThe Chinese classical poetry craze in the end of 20th century showed a flourish of aesthetic judgment of the masses.But it also had some weaknesses:being mediocre individually and microcosmically though magnificent in scale,being to some extent lethargic in style though experienced in the writing technique ,and being weak in aesthetic force though elegant in printing and ornate in diction.The question before us is how to create the real masterpieces in the appreciation of classical poetry?

20世纪末叶的中国古典诗词鉴赏热势头异常强劲,显示出群体审美生命汇聚成的大格局,大气象,同时也暴露出自身的缺憾:鉴赏阵容宏观上的波澜壮阔,挟裹着鉴赏个体微观上的勉强平庸;趋于成熟的老辣硬朗的鉴赏风格,也若淡若浓地染了些秋老叶黄的暮气;似乎造得圆熟精美、辞采翩翩的鉴赏文本,总是激荡不起强悍的审美冲击力。面对烟花爆竹一般骤然响彻又归于沉寂的鉴赏热,值得追问的是:如何才能造出无愧于中国诗词鉴赏史的名赏和大赏?

 
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