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contemporary writer
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  现代作家
     Pain: the Tiptop Color of Life──On the Creation of Chinese Contemporary Writer in the Depressed Time and the Treatment Function of Literature
     痛苦:生命的最高颜色──中国现代作家苦闷期创作与文学的“治疗”作用
短句来源
     The backgroud of studying abroad and the thirst for building On the building consciousness of contemporary writer
     留学背景与建设渴望——试论现代作家的建设意识
短句来源
     This paper tries to avoid the normal literature criticism to Sons and Lovers, and analyses newly the British contemporary writer——Lawrence’s Sons and Lovers through feminine point of view.
     尝试回避对《儿子与情人》的常规性文学评论,从女性视角出发,对英国现代作家劳伦斯的自传小说《儿子与情人》进行全新分析。
短句来源
  当代作家
     Glory and Immortal: Talking about Contemporary Writer and Thire Spirit
     光辉与不朽——论当代作家及精神
短句来源
     Writing to the Culture Revolution is an important content that the contemporary writer of China , different writer colony his way to write have nothing in common with each other too.
     对文革的书写是中国当代作家创作的一个重要内容,不同的作家群体其书写的方式也各不相同。
短句来源
     This thesis compares the two writers from the three angles of human nature , primitive vitality and folk, and through the comparative research from the three angles, we attempt to find the deep soul harmony on creating between Shen Congwen and Mo Yan, and try to research into the connecting and Changing of some literature themes on contemporary writer Mo Yan .
     本文便从人性、原始生命力、民间三个角度对这两位作家进行比较研究,并试图从这三个角度的比较研究中发现沈从文与莫言在创作上的深刻的心灵默契,探讨某些文学主题在当代作家莫言身上的承传与流变。
短句来源
     "The novel titled Blowing-out Well" is one of the most convincing works of German contemporary writer Martin Walser.
     《迸涌的流泉》是德国当代作家马丁·瓦尔泽的最令人信服的一部小说。
短句来源
     Chinese contemporary writer Wang Anyi's "Song of Eternal Sorrow" (hereinafter referred to as Wang text) is Chinese contemporary literature classic.
     中国当代作家王安忆的《长恨歌》(以下简称王氏文本)堪称中国当代文学的经典之作。
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  “contemporary writer”译为未确定词的双语例句
     Xiang Bengui is a famous contemporary writer of Miao nationality in our country.
     向本贵是我国当代著名苗族作家。
短句来源
     As a famous contemporary writer in China literary circles, Fang Fang was classified as a representative writer of new realistic novel for her novelette scenery which was published in 1987. But the comment circles pay more attention to her new realistic writing style, such as writing of zero feeling, naturalism, original ecology, every day life.
     作为中国当代文坛著名作家,方方因1987年发表中篇小说《风景》被归为新写实小说流派,评论界关注最多的是其新写实写作风格,诸如“零度情感写作”、“自然主义”、“原生态”,“日常生活”等等。
短句来源
     L in four aspect as follow: course of his prose creation, major detail of his compose, his art style and the compare with his contemporary writer in creation style.
     本文拟从梁实秋的散文创作历程、主要创作内容、艺术风格及与同时代作家的创作风格比较四个方面分析梁实秋的散文创作特点。
短句来源
     The award of Nobel Prize for literature to Patrick white in 1973 confirmed his reputatioii as a famous contemporary writer of the English-speaking world.
     1973年诺贝尔文学奖授予帕特里克.怀特,确定了他在英语世界当代著名作家中的地位。
短句来源
     The Catcher in the Rye is the only novel of the contemporary writer J.
     《麦田里的守望者》是美国当代著名作家J.
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  contemporary writer
This module will look at that acknowledged vein of influence from the point of view of the practising contemporary writer.
      
Enlivened byAtwood's unfailing sense of humour, the interviews present an invaluable view of a distinguished contemporary writer at work.
      


This essay is a summing up of a major branch of deconstructive criticism——theantithetical criticism born in the United States in 1970s and an elaboration on itsmain feature,negation of tradition and anxiety over the traditional influence.Harold Bloom,the main advocate,put forth the six revision ratios as principlesfor belittling the forerunners and strengthening the contemporary writers,and thistenet is verified by his argument and the obscure metalanguage conveying theargument.

本文总结了消解式文艺批评的一个重要支派,即70年代产生在美国的逆反式批评的来龙去脉及其主要特征:对传统的否定和对传统影响的“焦虑”;论述了其代表人物哈罗德·布鲁姆提出的旨在贬低前人而扶植今人的六条原则,即“修正比”。无论思想内容还是文风,都能印证其观点的标新立异,以新胜旧,厚今薄古的最终宗旨。

Breaking through conventions of historical explanations, this article analyses,in three aspects(literary concepts, means, and specific expressions of"literature for life's sake")how Buddhist influence helped to form a new aesthetic view in Xu Dishan's early works.This article elaborates how different Xu Disan's aesthetic tastes are from other contemporary writers', prouiding references for his readers to feel the link between litcrature and religion in Xu's early works.

本文打破传统的历史阐释框架,从“为人生”的文学观念、为人生的方法、为人生创作的独特表达方式三方面,剖析佛教文化给许地山早期的创作,开拓出了一片怎样与众不同的美学新天地,它为人们正确理解文学与宗教间的关系提供了借鉴。

Abstract In China,there was no treatise of literary criticism until the Wei and Jin Dynasties.Cao Pis“On Literature”is the first work of this kind.In his“On Literature”,Cao Pi points out that the common obstruct in literary criticism is admiring ones own works and those of ancient writers but depreciating those of others and contemporary writers.This is because few people understand that different writers are good at different areas.Cao Pi tries to classify literary works into eight categories according to their artistic features and make fair comments on the writers.The most significant point Cao Pi brings out in“On Literature”is that literature is so valuable that it can even help the administration of the country.Cao Pis views have strong influence on the development of literature in the Jianan Period and literary criticism onwards....

Abstract In China,there was no treatise of literary criticism until the Wei and Jin Dynasties.Cao Pis“On Literature”is the first work of this kind.In his“On Literature”,Cao Pi points out that the common obstruct in literary criticism is admiring ones own works and those of ancient writers but depreciating those of others and contemporary writers.This is because few people understand that different writers are good at different areas.Cao Pi tries to classify literary works into eight categories according to their artistic features and make fair comments on the writers.The most significant point Cao Pi brings out in“On Literature”is that literature is so valuable that it can even help the administration of the country.Cao Pis views have strong influence on the development of literature in the Jianan Period and literary criticism onwards.

在我国的文学批评史上,一直到了魏晋,才有专门论文的作品,其中最早的就是曹丕的《典论·论文》了。曹丕在《论文》中指出人们在批评文学作品时很容易有“崇己抑人”和“贵古贱今”两种障蔽,他认为作家有个人才性的限制,如果不明白这点,在批评别人的时候,就很容易有上述障蔽;他根据作品的形式和艺术特点,把文学作品分成八类,并尝试对当代作家作出较公允的评价。尤为可贵的是曹丕在《论文》中对文学的价值推崇备至,认为文章是“经国之大业”,这对建安以后文学蓬勃的发展有极大的影响,而文学批评的观念也自此逐渐发展起来

 
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