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culture
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  文化
    Cultural Conflict and Development of Ci-verses——Research on the Relationship between the Commercial Culture and Ci-verses in Tang and Song Dynasties
    文化冲突与词的演进——唐宋词与商业文化关系研究
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    On Culture of Jiangnan and Literture in Tang Dynasty
    江南文化与唐代文学研究
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    Literary Narration in the Context of Consumptive Culture
    消费文化语境中的文学叙事
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    The Syncretizing Culture between Religion and Drama in China
    宗教与戏剧的文化交融
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    Study on Confucian Culture and Writers During New Period
    儒家文化与新时期作家研究
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  文化的
    Three Transformings of Chinese Culture and Origin of Comparative Literature in China
    中国文化的三次转型与中国比较文学源流
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    In the practice of the prose creation,Liang shiqiu affirmed to the full the value of humanistic spirit in the Chinese traditional culture and persisted in pursuing distinctively the language art of Chinese traditional prose.
    在散文创作实践中,梁实秋充分肯定中国传统文化的人文精神价值,执著于对中国传统散文语言艺术的独特追求。
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    The aesthetic ideal of Utopia determines the standpoint of culture and value from Beijing writers.
    乌托邦式的审美理想决定了京派作家的文化价值立场,从反现代文明和反现代文化的角度出发,最终又部分复归于现代文化批判的视角。
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    They advanced a theory favoring extreme nationalism,called for the reconstruction of national culture and rebuilding of national spirit.
    他们从学术和文化上提出了“民族至上、国家至上”的理论,呼吁民族文化的重构与民族精神的重造,其主要观点是:引进、宣扬、阐释西方社会中崇尚武力的文化思想;
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    As two important systems in Chinese traditional culture,the specific connection has become an important phenomenon in the developmental history of ancient Chinese culture and forcefully proves the fact that traditional Confucian Doctrine governs ancient Chinese culture.
    乾嘉学风与小说炫耀才学风尚。 作为中国传统文化中极重要的两个系统,明清儒学与明清小说的这种特定联系,成为中国古代文化发展史的重要现象,具有丰富的文化底蕴和文学理论蕴涵,也是传统儒学统治中国古代文化的有力说明。
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  修养
    The Root of Affection and the Emptiness of Affection——Contrastive Study on the Religious Culture of Various Girls in "The Dream of Red Mansion" and Baoyu's Becoming a Monk
    “情本”与“情空”——《红楼梦》诸艳的宗教修养与宝玉出家的对比性研究
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    On the Music Culture of Jian'an Poets
    试论建安诗人的音乐修养
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    The Discussion about the Contribution of Tang Tao to the Article Study——Take the Example of Culture of the Article
    论唐弢对文章学的贡献——以《文章修养》为例
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    In the third part, I expatiate the zone culture environment of Wuyue , in order to see the influence that maked by Qibiaojia's family culture environment and the zone culture environment on Qibiaojia's cultural attainment and his cultural activity.
    第三节阐述江南吴越地区的地域文化环境。 由此可以了解其家庭文化环境和地域文化环境对祁彪佳的文化修养及文化活动的影响。
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    The culture quality of Zang Kejia's prose came from his cultivation in language, tradition and humanism spirits.
    臧克家散文的文化品位来源于他的语言品位、传统修养和人格精神。
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  “culture”译为未确定词的双语例句
    On China's Culture & Arts Management System in the New Age
    新时期中国文艺管理体制研究
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    The Chinese Culture and Strategic and Ancient Literature
    中国兵学与古代文学
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    The Theory Skeleton of Liang Shiqiu's Aesthetic Culture View ——The New Humanism of Peter White
    梁实秋审美文学观的理论支架——白璧德的新人文主义
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    Origin of the Populace Literature during the New Culture Movement
    论新文化运动间平民文学的源流
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    Characteristics of China Contemporary Literature under Mass Culture Background
    试述大众文化背景下的中国当代文学的特征
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  culture
The activity profiles of the intracellular and extracellular crude extracts showed that the antibiotic producing culture produces two or more compounds, one being intracellular (antifungal), other being extracellular (antibacterial).
      
Stability analysis of equilibrium for microorganisms in continuous culture
      
The problem of equilibrium of non-linear dynamic system for microorganism in continuous culture is considered in this paper.
      
Using the osteoblast culture technique, we detected cell behaviors on the biomaterial in vitro by SEM, and the cell affinity of the composite was found to be higher than that of the PLA scaffold.
      
The influence of woodland soil bulk density on the growth and distribution of fine root system of main planting tree species in the Weibei Loess Plateau was investigated by means of pot culture and field survey.
      
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In the late '50s and early '60s, the literature in Taiwan underwent a long period of westernization,By '70s,its trend returned to hometown and tradition,This forms a cycle.In the Mainland, the literature was promoted in the late '70s by the so-called hazy poems、which spelt a westernization trend later expanded by the tendency toward the stream of consciousness. whereas in 1983, a group of hazy poets loudly advocated the traditional spirit, which led to a drive for tracing the root in the friction circle. This...

In the late '50s and early '60s, the literature in Taiwan underwent a long period of westernization,By '70s,its trend returned to hometown and tradition,This forms a cycle.In the Mainland, the literature was promoted in the late '70s by the so-called hazy poems、which spelt a westernization trend later expanded by the tendency toward the stream of consciousness. whereas in 1983, a group of hazy poets loudly advocated the traditional spirit, which led to a drive for tracing the root in the friction circle. This seems again a cycle. A comparison between these two cycles to find out their identity and difference can not only discover the difference in history, culture and society, but also some deep-structure elements in the literary develop-ment.

台湾文学在五十年代后期、六十年代中曾发生过很长一段时期的文学“西化”,到七十年代,文学的走向又“回归乡土”,“回归传统”。大陆文学在七十年代末被所谓“朦胧诗”运动所推动,后来又为意识流运动所扩大的文学“西化”倾向,到了一九八三年,一批“朦胧诗人”高喊“传统精神”,小说界又是“寻根”热潮,似乎也绕了个圆圈。对比这两个“圆圈”,发现它们之间的共处、珠相,不但可以发现历史、社会、文化等的共相、差别,还能由此寻见文学发展的深层因素。

This paper generalizes the literature phenomena in Hong Kong during the period from the last years of Qing Dynasty to the eve of Sino-Japanese War (about 1874-1936 A.D.) and discusses the process of its germination and sprouting. The paper divids this period into three stages. The first stage is the last years of Qing Dynasty. Some newspapers in vernacular Chinese were published ' then and the new-vernacular literature was born at the right moment, which was characterized by a nature of nationalism for its being...

This paper generalizes the literature phenomena in Hong Kong during the period from the last years of Qing Dynasty to the eve of Sino-Japanese War (about 1874-1936 A.D.) and discusses the process of its germination and sprouting. The paper divids this period into three stages. The first stage is the last years of Qing Dynasty. Some newspapers in vernacular Chinese were published ' then and the new-vernacular literature was born at the right moment, which was characterized by a nature of nationalism for its being against imperialists on the one hand and being against the reign of Manchurian government on the other. The second stage is the initial years of the Republic. The new-vernacular literature thoughts were quietly taking shape on this small island in spite of the clamour and attacks coming from the literary school of National Cultre Heritage and all others who represented the thoughts of the conservative literary schools. And, then, came the sprouting stage. Under the influence of May 4th New Culture Movement and of the new-vernacular literature works, the literary writers and scholars in Hong Kong, with Lu Xun's encouragement, advanced through hard struggle and finally pushed the green shoots up out of the mud and soil and an army of new-vernacular literature thus appeared all of a sudden.

本文概述了从清朝末年到中国人民的抗日战争前(约1974—1936)香港的文学现象,探讨香港文学萌芽生发的过程。香港文学的萌芽生发时期可大致分为三个阶段,即:晚清,华文学报纸出现,文学亦随之应运而生,它具有反帝反清的民族意识;民初,国粹派和一切旧文学、旧文化思想势力喧嚣攻击新文学运动,而新文学和新思潮却在这个小岛悄悄诞生;在五四运动和新文学的影响下,在鲁迅先生的鼓舞下,香港新文学作者努力学习,在与旧文学势力、封建文化势力的斗争中,顽强奋斗,破土而出,异军突起。

Cross talk is a colorful form of Chinese folk art.Colloquialism features its style of presentation,which is markedly distinct from written language,it has to provoke laughter from its auditors so that its moral of encouraging the good and warning against the evil easily comes through to them as they are lost in aesthetic enjoyment.Therefore it is obliged to use all sorts of rhetorical devices to create humour and irony,and given the characteristics of its language,it resorts to some devices which are alien to...

Cross talk is a colorful form of Chinese folk art.Colloquialism features its style of presentation,which is markedly distinct from written language,it has to provoke laughter from its auditors so that its moral of encouraging the good and warning against the evil easily comes through to them as they are lost in aesthetic enjoyment.Therefore it is obliged to use all sorts of rhetorical devices to create humour and irony,and given the characteristics of its language,it resorts to some devices which are alien to other forms of art.Ellipsis and deliberate wrong statenment,which this paper singles out for discussion,are two of them.Both devices are used to enhance the eomicality of the laughing-stock so as to fulfil the purpose,amidst the laughter of the auditors,of ridiculing and flailing at social evits,exposing human frailties for correction,and enriching national culture.

相声是民间艺术中绚丽的花朵,作为一门独特的语言形式,以其较强的口语化特点形成一些与书面语言相异的艺术特色。它必得让观众笑,在笑声中惩恶扬善,得到美的享受,所以动用一切手段,创造出幽默与讽刺的语言风格。在此基础上,又因其语言的特殊性,相应地产生一些只在相声语言里才能出现的修辞手段,本文撮举出的省略与故意说错即是其中两种,借以提炼笑料构成包袱,在听众的笑声中完成讽刺针砭丑恶社会现象、昭示人物性格缺陷来促人改正,以及弘扬民族文化的任务。

 
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