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porcelain
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    Aesthetic Study of Jingdezhen Greenish White Porcelain of the Song Dynasty
    宋代景德镇青白的审美研究
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    A Discussion on the Design of Travelling Porcelain
    旅游设计浅论
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    Ancient Porcelain Planys New Music
    古新曲(英文)
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    Exploring the Porcelain Art of Changsha Kiln
    长沙窑绘题材考
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    Pottery Puppet, Porcelain Image and Modern Pottery
    陶偶、像与现代陶艺
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  瓷器
    ROLE OF WESTERN STYLE PAINTING ON CHINESE PORCELAIN IN THE 18TH CENTURY ECONOMIC,ART AND CULTURAL INTERACTION BETWEEN CHINA AND WEST COUNTRIES
    关于中国外销瓷器绘画的西化在18世纪中西经济美术文化交流与互动中的作用
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    The Picks of Texture Patterns on Porcelain of Song Dynasty in Henan
    河南宋代瓷器纹样装饰摭谈
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    The Art from Porcelain to Cave Dwelling——A Dialogue between Two Anthropologists(23)
    从瓷器到窑洞的艺术——人类学学者访谈录之二十三
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    JINGDEZHEN YUAN MING DYNASLY PORCELAIN PAINLING ANDBADASHANREN'S FLOWERS BIRDS PAINLING
    景德镇元明瓷器绘画与八大山人花鸟绘画
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    Concept Porcelain:the Fantastic Vogue
    时尚的异想世界——概念瓷器
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  陶瓷
    On the Role of Subjective Moods in Porcelain Designment
    浅谈主观情绪在陶瓷设计中的作用
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    Market and the Design of Pottery and Porcelain Products
    市场与陶瓷产品设计
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    Fibre Art Education and Handicraft Construction in China——On the Development of Fibre Art Education from Porcelain Art Education
    中国纤维艺术教育与手工文化建设——从陶瓷艺术教育看纤维艺术教育的推广
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    The application and manipulation of the high-temperature shuttle of gas kiln in process of firing art porcelain creation
    燃气高温梭式窑在艺术陶瓷创作中的应用及烧成操作
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    On the Systematic Design of Porcelain Products
    论陶瓷产品系统化设计
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  “porcelain”译为未确定词的双语例句
    Traditional Porcelain Art and Modern Life
    传统陶艺与现代生活
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    Development and Application of Pottery and Porcelain Art in Western Hubei Province
    鄂西陶艺开发应用探析
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    On Consciousness of Material in Pottery and Porcelain Works Creation
    论陶艺创作的材料意识
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    Traditional Blue and White Porcelain
    传统青白
短句来源
    THE STUDY ON DESIGN AND LAYOUT OF BLUE AND WHITE PORCELAIN DECORATIVE ARTS
    青花瓷装饰艺术的构图布局研究
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  porcelain
The influence of rhodococci on highly porous ceramics based on celsian and cordierite porcelain was studied by X-ray diffraction and IR spectroscopy.
      
Morphology of prezoea in the porcelain crab Pachycheles stevensii (Decapoda: Anomura: Porcellanidae) reared under laboratory con
      
The experiments were performed with different gases (H2, D2, He, and Ar) in a theta-pinch device with a porcelain vacuum chamber and an excitation coil 15 cm in diameter and 30 cm in length.
      
Mechanical activation strongly influences the sintering of pressed articles made of a powdered titanium-nickel alloy and its compositions with dental porcelain.
      
Thermoluminescence dating of the ancient Chinese porcelain using a regression method of saturation exponential in pre-dose techn
      
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The paper made comments on some works of Zhou Guo -- zhen, porcelain sculptor, which represent his own artistic style, and also gave a brief introduction of his creative course. It pointed out that the porcelain figures by the sculptor haye shaped the characteristics in which one can read inherent beauty from the "rough"appearance. And these characteristics also showed the Chinese fine tradition of arts in which more spirits are preferred to the forms. His sculpture is not simply copying from the...

The paper made comments on some works of Zhou Guo -- zhen, porcelain sculptor, which represent his own artistic style, and also gave a brief introduction of his creative course. It pointed out that the porcelain figures by the sculptor haye shaped the characteristics in which one can read inherent beauty from the "rough"appearance. And these characteristics also showed the Chinese fine tradition of arts in which more spirits are preferred to the forms. His sculpture is not simply copying from the nature but also seeking and creat- ing out of the nature.

本文评论了陶瓷雕塑家周国桢的具有代表性的瓷雕作品,并对其创作经历作了简介。作者认为:周的动物瓷雕具有一种“拙中见巧”的风格特征,体现了中国艺术那以意境见长而不拘泥于自然形态的优良传统。

The author in the article made comments on Professor Hu Xianya's great artistic attainments he has achieved in the Chinese traditional pain- ting and which he puts on the coloured drawing and pattern of pottery and porcelain;his simple and vigorous artistic style;and how he creat- vely applies the traditional technics to the porcelain decoration.

文章评价了胡献雅教授在国画和瓷器彩绘艺术上的造诣;国画笔墨简练,寓繁于简,意境深遂,寓实于虚,形成雄厚简练的艺术风格;创造性地以熟练的国画技巧,绘制了大量精美的彩瓷,运笔自然,色彩鲜明,与器型结合贴切,有着独特的彩绘技法。

The paper briefly traces back to the aesthetic views about the "beauty of simplicity" in ancient China, and demonstrates the art of the blue-and-white porcelain with the aesthetic characteristics of freshness, liveliness, simplicity, and elegance, and shows our consciousness of the traditional appreciation of beauty. Finally it also points out that these characteristics are mainly influenced by the classic aesthetic views by by Zhangz's "simplicity is beauty" in the aesthetic of Taoist school.

本文简述了我国古代有关“素朴美”的美学观点的源流,并进而论证了青花瓷艺术所具有的清新、明快、素朴、淡雅的美感特征,反映了我们民族传统的审美意识的要求。认为青花瓷审美特征的形成,主要是受到我国古典美学以庄子为代表的道家美学中的“以素朴为美”的美学思想影响。

 
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