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coloring
相关语句
  色彩
    Artistic Coloring of Reiteration and Feminine Awareness of Yi'an Ci
    叠字的艺术色彩与易安词的女性意识
短句来源
    The Mystical Coloring of Jia Ping-ao's Novel Shaanxi Opera
    试论贾平凹小说《秦腔》中的神秘色彩
短句来源
    With Chinese traditional cultural coloring, and effected by the enlightening of the May 4th movement, his "harmony" embodies the pursuit of aesthetic modernity.
    他的“和谐”,不仅带有中国传统文化色彩,同时也受到了五四启蒙精神的影响,体现了审美现代性的追求。
短句来源
    The activities, composition of personnel, scale and influence, political coloring and theoretical propositions differed, which in turn promoted the over-all development and participation in the social life of literature.
    其活动方式、人员构成、规模影响、政治色彩、理论主张有异 ,从另一方面推动了文学的全面发展和对社会生活的整体介入。
短句来源
    WT5”BZ]This paper discusses the personal factors of the poetic sentimental coloring formation of Li He,an outstanding poet in the Tang Dynasty,from sociology and psychology.
    从社会学、心理学角度探讨了唐代杰出诗人李贺诗歌感伤色彩形成的人格因素。
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  “coloring”译为未确定词的双语例句
    Personal factor of Li Hes poetic sentimental coloring formation
    李贺诗歌感伤色彩形成的人格因素
短句来源
    His literary works characterized by illusion coloring show his understanding of Chinese dream literature and his absorption of western modern psychology.
    这些虚幻迷离而闪烁着奇光异彩的梦幻作品,是作家对中国传统梦文学形式的体悟,以及对现代西方心理科学的汲取,浑融成独属于个人的艺术呈现。
短句来源
    By analyzing the three different versions in emotional coloring,the way of disposing the materials,and the disposing of the works of the heroine,the narration features of biographies are researched in great detail.
    三个文本在感情色彩的渲染方式、传记材料的使用方式及传主的作品在传记文本中的处理方式等各具有典型特征。 对三个文本的叙事特征做理论性分析在某种程度上对现有传记文学理论做了例证性阐释。
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  coloring
Is there a normalPk coloring usingr colors for a given graph? This problem is called the (k, r) path chromatic number problem of graphs.
      
The choice number of a graph G, denoted by xl(G), is the minimum number k such that if a list of k colors is given to each vertex of G, there is a vertex coloring of G where each vertex receives a color from its own list no matter what the lists are.
      
The experiments were performed with the callus cultures of the cells of ginseng (Panax ginseng), red root puccoon (Lithospermum arythrorhizon), and macrotomia coloring (Macrotomia euchroma) onboard the orbital station Mirand American Space Shuttle.
      
Effect of coloring impurities on the absorption in neodymium phosphate laser glass at a lasing wavelength
      
Generalization of a theorem of Kotzig and a prescribed coloring of the edges of planar graphs
      
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Cao Yu was influenced by Christian culture from childhood. Thunderstorm' s strong Christian colouring stems from the Christian mentality of repentance, tragic spirit tinted by a guilty conscience and the characters' mystical fates in this play. Due to the strong coloring, the play is permeated with profound tragic implications,and these roles are endowed with a mixed and rich inner world. However, the overly mysterious tragedies of the roles weaken the attack of this play against the dark society of that...

Cao Yu was influenced by Christian culture from childhood. Thunderstorm' s strong Christian colouring stems from the Christian mentality of repentance, tragic spirit tinted by a guilty conscience and the characters' mystical fates in this play. Due to the strong coloring, the play is permeated with profound tragic implications,and these roles are endowed with a mixed and rich inner world. However, the overly mysterious tragedies of the roles weaken the attack of this play against the dark society of that time.

曹禺自小就受到基督教文化的影响,《雷雨》以皈依基督的忏悔心态、罪感文化的悲剧精神、神秘残忍的悲惨命运,构成了剧作中浓郁的基督教色彩,它使剧作洋溢着深沉的悲剧意蕴,也使人物的内心显得更为复杂生动,而人物过于神秘的悲剧命运,削弱了剧作对黑暗社会的批判力量。

Living in the periol of engendering large- scale tragedies, Lu Xun, who is a thinker, had to ponder overthe tragic reality because of the social responsibilty or he was forced to. In 1935, Ln Xun put forward a topic on Tragedy thatHas Nearly Nothing. In the works, Lu Xun puts the tragic social factors into the descriptions of daily trifles, expressing hissorrowful feeligs of that period. The tragic figures in his works have the weak personality. To exaggerate the rebellious spiritof their character would deviate...

Living in the periol of engendering large- scale tragedies, Lu Xun, who is a thinker, had to ponder overthe tragic reality because of the social responsibilty or he was forced to. In 1935, Ln Xun put forward a topic on Tragedy thatHas Nearly Nothing. In the works, Lu Xun puts the tragic social factors into the descriptions of daily trifles, expressing hissorrowful feeligs of that period. The tragic figures in his works have the weak personality. To exaggerate the rebellious spiritof their character would deviate from the tragic aesthetic features. Though his tragedy is "has nearly nothing", the tragic ef-fect is complete. What's more, in the works, Lu Xun purposely makes the plot simple and overturns the tradtional narrativestructur. With the hely of descriptions of characters, scenes, psychology and details, Ln Xun heightens the tragic coloring.

生活在一个产生大规模悲剧的时代,社会责任感迫使着思想家鲁迅对悲剧现实作出自己的思考。1935年鲁迅提出了“几乎无事的悲剧”的命题。创作中,鲁迅把悲剧的社会因素溶于日常小事的描绘,传达他对那个时代悲哀的深味。他笔下的悲剧人物有自身软弱的个性,夸大他们反抗的个性,就背离了其悲剧审美特征。他的悲剧虽“几乎无事”,但悲剧效果却是彻底的。鲁迅还有意淡化情节,颠覆传统的叙事结构,多惜助人物、场景、心理、细节的描写来增强悲剧色彩。

The literary debates in the occupied Northeast China and Northern China are , by nature, classified into the directions of exploring of literary development and inquiring into the internal structure literature, which both have respective local features. The formercan also be subdivided into two the basic direction and realistic pursuits of literary development. The similarities and differences in the two regions evidenced the enormoushard efforts by writers and critics for the construction of regional literature...

The literary debates in the occupied Northeast China and Northern China are , by nature, classified into the directions of exploring of literary development and inquiring into the internal structure literature, which both have respective local features. The formercan also be subdivided into two the basic direction and realistic pursuits of literary development. The similarities and differences in the two regions evidenced the enormoushard efforts by writers and critics for the construction of regional literature and proved its significant value in their literary history in their own right. The emergence of literary associations in the two regions corresponded to the rules of literary development. The activities, composition of personnel, scale and influence, political coloring and theoretical propositions differed, which in turn promoted the over-all development and participation in the social life of literature.

东北、华北沦陷区文学论争 ,就其性质类型而言 ,可分为探索文学发展方向、研究文学内部结构因素诸方面 ,且具有相应的地域色彩 ,前者又可分为文学发展的基本方向和现实道路两个层面。两地论争的异同 ,表明了作家、批评家为地域文学建设所付出的艰辛而巨大的努力 ,并显示了其特有的文学史价值意义。而两地区文学社团的涌现 ,回应了文学发展的规律。其活动方式、人员构成、规模影响、政治色彩、理论主张有异 ,从另一方面推动了文学的全面发展和对社会生活的整体介入。

 
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