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imagism
相关语句
  意象主义
    The Imagism finds support in the oriental poetry for its poetic theory. The biggest influence of the oriental translation on the Imagism lies in the usage of image, space and juxtaposition of syntax.
    意象主义运动在东方诗歌里寻求到理论的支持,东方译诗对意象主义诗歌运动最大的影响是意象的运用、句法的切割和并置。
短句来源
    Imagism in the early 20th century moves the English and Americanpoetry into a new era.
    二十世纪初的意象主义运动标志着英美诗歌进入了新的篇章。
短句来源
  意象派
    2) How is Eliot' s term "objective correlative" related to Pound' s principles of Imagism?
    二、艾略特提出的“客观关联物”(“objective correlative”)与意象派之“意象”有何关系?
短句来源
  “imagism”译为未确定词的双语例句
    Imagism and Its Compounding Forms in Poetry
    诗歌中的意象与意象组合
短句来源
    Chinese poetic image has larger scope and is subtler than the image in Imagism.
    中国古代诗歌的意象比西方意象派的意象概念范围更广,意义更微妙。
短句来源
    The process of thought in imagism way includes two transformations, first objective mental image to subjective image, then subjective image to emotional image, which is the end of the process.
    从心理表象到情感意象的转化,情感意象的诞生是心象思维运行的最终结果。
短句来源
    from the angle of aesthetics, image is the smallest aesthetic unit in poetry. Images in poem construct a wholesome effect, which is imagism by different ways of combination.
    从美学角度看,意象是诗的最小审美单位,一首诗中的各个意象通过不同组合方式达到一种整体效果,即产生诗歌的意境。
短句来源
    As one key part and level o f traditional Chinese aesthetics and consisting of time and space, mood embodies Chinese aesthetic idea and wisdom, and is a combination and highest level of traditional expressionism and Imagism.
    意境作为中国传统美学的重要范畴和艺术至境 ,是由时间关系和空间关系之间的联系所构成的独特时空体 ,它凝结着国人的审美理想和生存智慧。 意境是一个完整的结构整体 ,是时间与空间的艺术整合 ,是传统言意论与意象论思想的融合和升华。
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As one key part and level o f traditional Chinese aesthetics and consisting of time and space, mood embodies Chinese aesthetic idea and wisdom, and is a combination and highest level of traditional expressionism and Imagism. This structure influences other aesthetic elements and embodies systematic poetic function. And connotation of timeliness is the key to explain mood. [

意境作为中国传统美学的重要范畴和艺术至境 ,是由时间关系和空间关系之间的联系所构成的独特时空体 ,它凝结着国人的审美理想和生存智慧。意境是一个完整的结构整体 ,是时间与空间的艺术整合 ,是传统言意论与意象论思想的融合和升华。这一结构作为基础制约着其中各个审美要素及相互关系 ,也使其诗学功能的发挥呈现出系统性。在意境阐释中 ,系统论思想方法仍是有效的理论利器 ,而对意境中时间性含蕴的发掘当是关键所在。

The concept of image in ancient Chinese poetics had gone through a long process before it established its important place. By contrast, the category of image in the West came into being later than its Chinese counterpart and it was influenced by Chinese classical imagism and Chinese poetry. In particular, the poetic opinion and production of the imagism was profoundly affected by Chinese poetry. And at the same the poetic opinion of the imagism influenced the development of Chinese new poetry....

The concept of image in ancient Chinese poetics had gone through a long process before it established its important place. By contrast, the category of image in the West came into being later than its Chinese counterpart and it was influenced by Chinese classical imagism and Chinese poetry. In particular, the poetic opinion and production of the imagism was profoundly affected by Chinese poetry. And at the same the poetic opinion of the imagism influenced the development of Chinese new poetry. The bi-directional communication and influence of image category in China and the West determine the same characteristics of the poem image, i.e. the semiotication of ideas, the symbolization of figures, the multivocality of fuzziness, and the successivity of tautology, which shows the poetic value and cultural function of the image category.

意象在中国古代诗学中经历了一个漫长的发展过程而逐渐确立了其重要地位,西方的意象范畴发展较晚而又受到中国古典意象论和中国诗歌的影响,尤其是意象派的诗学主张和诗歌创作与中国古代诗歌的影响密不可分,而意象派的主张又反过来影响了中国新诗的发展。中西意象范畴的双向交流和影响确定了诗歌意象的共同特性,即表象符号化、比兴象征性、模糊多义性和复现传承性,由此显示了意象范畴的诗学价值和文化功能。

The ultimate end of the literature is the eternity of human's life.This purpose can be realizeal,only through imagism and symbolism of human.From this point, the literture talent is not only an ability to create and express the aesthetic image,but also a kind of impulse and eagerness of life eternity,The writer is an expert who carries out life eternity in literature sign.

文学的终极目的是人的生命的永恒,这个目的只有通过人的生命意象化和符号化才能实现。从这个意义上说,文学才能不仅仅是审美意象的创造和表现的能力,而且是一种生命永恒的冲动和渴望。应该说,文学家是肩负生命永恒的使命在文学符号中行走的高手。

 
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