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artistic nature     
相关语句
  艺术性
     The Unity of Scientific Nature and Artistic Nature in Translation
     翻译中科学性与艺术性的统一——从文学翻译和科技翻译的特点看翻译的性质
短句来源
     An analysis on scientific and artistic nature of decision making based on its scientific system
     决策的科学性与艺术性:基于决策科学体系的分析
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     1. Whether there exists artistic nature in the EST translation?
     1. 科技翻译是否存在艺术性
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     2. Why there exists artistic nature in the EST translation?
     2. 科技翻译中存在艺术性的原因;
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     3. How the artistic nature demonstrates in the EST translation?
     3. 科技翻译中艺术性的表现形式。
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  艺术性质
     Religious Interpretation of Different Artistic Nature of The Book of Songs and Elegies of Chu
     《楚辞》、《诗经》不同艺术性质的宗教阐述
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     On the other hand is the artistic nature of translation.
     另一方面是翻译的艺术性质
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     The effects of these kinds of character components can be traced in his ci poetry: The aspiration of hero is the hard core of Chen Liang's ci poetry, the character attribute of thinker gives Chen Liang' ci poetry the profound reason and good sense venation , the identity of merchant piece causes Chen Liang to love this kind of shape , and to some extent recognizing ci poetry artistic nature and its social function.
     这三种人格成分对陈亮词的影响都是有线索可循的:英雄之志、豪杰之情是陈亮词的基干,思想家的人格特质给陈亮词以深刻的义理脉络,商人的身份则使陈亮对这种跌宕有致的长短句的形式颇为喜爱,对词的艺术性质、社交功用、娱乐功能也有一定程度的认识。
短句来源
     while "artistic action theory" is a dynamic demonstration of the artistic nature with human existence as its ontology, and also a specific grasp of such a dynamic process.
     而“文艺活动论”则是对以人的生存为本体的艺术性质的动态展示、也是对这一动态过程的具体把握。
短句来源
  艺术本质
     Aesthetics Methodology and Artistic Nature Viewpoints ——Aesthetic Nature of Art through the Eastern and Western Classical Aesthetics
     美学方法论和艺术本质观——从东、西方古典美学看艺术的审美本质
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     On Benjamin's Concept of Artistic Nature and Development
     论本雅明的艺术本质和发展观
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     Creative Feature and Artistic Nature of Dunhungs Inscription
     椎轮大辂:论敦煌词的创作特征与艺术本质
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     On the Western Aesthetic Trilogy Concerning Artistic Nature(Part Ⅰ)——Artistic Nature:From the Natural Noumenon Aesthetics to Epitemologic Aesthetics
     西方美学关于艺术本质的三部曲(上)——艺术本质论:从自然本体论美学到认识论美学
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     On the Western Aesthetic Trilogy Concerning Artistic Nature(Part 2)——An Exposition on the Artistic Nature of Human NoumenonAesthetics
     西方美学关于艺术本质的三部曲(下)——人类本体论美学艺术本质
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  艺术本质论
     On the Western Aesthetic Trilogy Concerning Artistic Nature(Part Ⅰ)——Artistic Nature:From the Natural Noumenon Aesthetics to Epitemologic Aesthetics
     西方美学关于艺术本质的三部曲(上)——艺术本质论:从自然本体论美学到认识论美学
短句来源
     On the Western Aesthetic Trilogy Concerning Artistic Nature(Part 2)——An Exposition on the Artistic Nature of Human NoumenonAesthetics
     西方美学关于艺术本质的三部曲(下)——人类本体论美学艺术本质论
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      artistic nature
    The artist, by his artistic nature, must be an "obedient disciple" to the tradition that inspires him, and, at the same time, a "violator" who renders what inspires him in an individual form.
          
    Here, the dysfunctional quality of the machine, together with the artistic nature of the inscriptions, open up a poetological perspective which revolves around the motif of understanding.
          
    Virginia is aware of the artistic nature of everyday objects and activities, and is particularly sensitive to color.
          
    Sculpting and Architecture can provide new directions for teaching artistic nature of solid and shape modeling.
          


    This paper is devoted to how Heideger,developed and discarded the traditional metaphy thinking, and how he established the existent ontology in his own style as well, how he exposed the relatienship between the artistic nature-and-existence and the truth of existence, Heideger thought that the nature of arts can thoroughly be realired by way of presenting a veriety of words of arts which are farniliar to us, since no matter whether it is “characte carrier”“sensory complec”or “physical material”,...

    This paper is devoted to how Heideger,developed and discarded the traditional metaphy thinking, and how he established the existent ontology in his own style as well, how he exposed the relatienship between the artistic nature-and-existence and the truth of existence, Heideger thought that the nature of arts can thoroughly be realired by way of presenting a veriety of words of arts which are farniliar to us, since no matter whether it is “characte carrier”“sensory complec”or “physical material”, none of these three ways of traditional sensory-and-understanding arts can be good enough to understand the self-supp. The existent truth of artistic works can only be revealed by way of mastering work of arts in an artistic way. Therefore, the artistic nature is the way of the existent truth of the objects portrayed in the works of arts, which is opening.\

    本文论述了海德格尔是如何扬弃传统的形而上学思维 ,以及如何建立自己独具特色的存在本体论 ,并揭示了艺术本性与存在及真理的关系 ,他认为 ,艺术的本性是不能用把呈现在眼前的各种艺术作品的标志集中在一起的方式来彻底把握的 ,因为无论是“特征的载体”“感觉的复合”和“有形的质料”这三种传统的知解艺术的方式都不可能达到对艺术品的自足性的把握 ,而只有通过艺术地掌握艺术品的方式 ,才能揭示艺术品的存在真理 ,因此艺术的本性乃是艺术品中描绘对象的存在真理敞开发生的一种方式。

    Having culturally analysed the two genres of "Rustic Films "and "Urban Films", the paper presents the characteristics of Chinese Neo - Realistic Film in the 1990's; (1)an orientation of selecting a subject to look real life in the face and inclination to choose folk materials, (2) a humanistic ideal that attempts to bridge tradition and modernity, (3) an implementation of popular artistic tactics to suit pop culture trends at that time. On one hand, Chinese Neo - Realistic Films adheres to the artistic nature...

    Having culturally analysed the two genres of "Rustic Films "and "Urban Films", the paper presents the characteristics of Chinese Neo - Realistic Film in the 1990's; (1)an orientation of selecting a subject to look real life in the face and inclination to choose folk materials, (2) a humanistic ideal that attempts to bridge tradition and modernity, (3) an implementation of popular artistic tactics to suit pop culture trends at that time. On one hand, Chinese Neo - Realistic Films adheres to the artistic nature of all film, on the other hand, it tries to extend into the range of mirroring the many facets of real life.

    文章对于九十年代中国的新写实电影从“乡村电影”、“城市电影”的二翼进行文化分析。阐述新写实电影:①直面现实生活的民间化题材取向;②企望沟通传统与现代的人文主义怀想;③适应大众文化时代的通俗化艺术策略。其思潮既是试图回归本体、寻求电影就是电影的自律运动;又是拓展电影表现视界,探寻艺术/文化精神新跨越的主体自觉运动。

    Yan Yu advanced the Theory of Ingenious Comprehension to explain the law and the aesthetic nature of poem by drawing an analogy between poem and Zen. The righteousness of this way is that Zen is a kind of values with aesthetic or artistic nature. Here, Yan Yu emphasized this nature of Zen to express the aesthetic essence of poem. It made literature go out of the shadow of morality and metaphysics and come back to the aesthetic standard.

    严羽提出“妙悟”说 ,通过“以禅喻诗”的方式说明诗歌的艺术规律和审美特征。“以禅喻诗”的合法性在于 ,禅是一种具有审美、艺术化倾向的价值观。在此 ,严羽正是强调了禅的这一特征 ,以突出诗歌的审美本质 ,使文学从道德和本体的决定下走出 ,并复归审美本位

     
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