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stone sculpture
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  石刻
     Synthesis of the Silicon Polymer Coating for Stone Sculpture
     硅聚合物石刻涂料的合成
短句来源
     Study on the Silicone Acrylate Emulsion Coatings for Protection of Stone Sculpture
     石刻保护有机硅-丙烯酸酯乳液涂料的研究
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     Characteristics of the Stone Sculpture Groups of the Southern Song Dynasty in Dongqian Lake
     东钱湖南宋石刻群的艺术特征
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     The culture of three gorges’ stone sculpture contains a monarch complex that can not be neglected.
     三峡石刻文化中蕴涵着一种不容忽视的帝王情结。
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     Focused on the criticism and response of architect about Luyeyuan Stone Sculpture Museum in the viewpoint of tectonic expression, this paper discusses the essential difference between tectonic expression of material and expression of material, while facing the boundary and the question of validity of tectonics.
     本文针对鹿野苑石刻博物馆引发的关于“建构表现性”的批评和回应,结合作品分析,探讨了“材料的建构表现性”与“材料表现性”的关系,提出了“建构”理论的边界和有效性问题。
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  石雕
     Aesthetic Culture and Protection of Stone Sculpture Art of Dong Minority
     侗族石雕艺术的审美文化及其保护
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     Linear theory analysis for plane dropping of a stone sculpture package
     石雕包装面跌落线性理论分析
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     Folk Art of Stone Sculpture
     民间石雕艺术
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     THE QINGTIAN STONE SCULPTURE,S MATERIALS AND CONCEPTION
     浅谈青田石雕造型材料与构思
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     The Evolution of Stone Sculpture in Chinese Buildings
     中国建筑石雕的演变历程
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  “stone sculpture”译为未确定词的双语例句
     Stone sculpture Archives of Yunnan Minority Language History
     云南少数民族文字历史石刻档案述评
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     SUPERFICIAL COMMENT ON THE RELIEF STONE SCULPTURE OF THE HAN DYNASTY
     汉代画像古刻浅议
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     Seed Emulsion Coating for Preventing the Weathering of Stone Sculpture Along Hills
     摩岩石刻防风化种子乳液涂料
短句来源
     A Comparison between the Pictures on Copper Mirror and Carved Stone Sculpture in Eastern Han Dynasty
     东汉铜镜和画像石的图像比较
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     Monarch Complex of Three Gorges’ Stone Sculpture
     三峡石刻的帝王情结
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  stone sculpture
Walking directions As you walk out of the rose garden, walk directly west to the big stone sculpture by Richard Beyer.
      
Our algorithm is tested on two real images, a stone sculpture and part of the Three Graces.
      
In 1992 Stephen Loring curated an exhibition of Inuit stone sculpture from the Smithsonian collections at the Canadian Embassy.
      
A stone sculpture without military value may extend the life of my art as social event.
      


Natural damage to ancient stone sculptures or cultural relicts,especial the biodeterioration,has become a new research topic.The Liang stone sculptures during the Liang Dynasty in the suburb of Nangjing,which are a group of limestone sculptures and inscripted tablets of the Liang tombs,built in the period of 522-526 AD,have been enrolled in the list of National Cultural Heritages of China.The Liang stone Sculptures have been situated in the open air for more than 1400 years since they...

Natural damage to ancient stone sculptures or cultural relicts,especial the biodeterioration,has become a new research topic.The Liang stone sculptures during the Liang Dynasty in the suburb of Nangjing,which are a group of limestone sculptures and inscripted tablets of the Liang tombs,built in the period of 522-526 AD,have been enrolled in the list of National Cultural Heritages of China.The Liang stone Sculptures have been situated in the open air for more than 1400 years since they were built.The damages to them belong to a kind of karst geomorphological phenomena,This paper presents a micro-morphological approach to the study on weathering of the stone sculptures.I. Observation on micro morphology of produced by natural damage.A. Observation in situLiang stone sculptures include stone sculptures of the mausoleums of Xiao Dan,Xiao Hui,XiaoJing and Xiao Xiu,The main types of sculptures are Bixie (a symbolic divine beast as evil-spirits exorciser),ornamental colums and inscripted tablets.The main types of the damage phenomenon can be classified in accordence to section morphology into: a) Solutional fissures and furrows,mainly along the suture line;b) Solutional pits, c) Meandering furrows, distributed on sculpture below the buried surface,d) Selective corrosional features.In order to understand the penetrating character of the fissures,we measured the weathering(solution) fissure along suture line on Xiao Hui' s Sculpture.The parameters measured included:a) Width of fissure mouth,b) The depth of the fissure with plug gauge of 0. 5mm and 0.1mm,The measured data show a trend that the wider the fissure mouth,the deeper the total fissure.We also calculated the outer angle and the inner angle between the corroded fissures ong rock walls,where the inner angle refers to the angle between rock walls of the fissure from 0.5mm to 0.1mm wide and the outer angle from mouth to 0.1mm wide.The data indicate that:a)Inner angles are smaller than outer angle generally,b) There is a trend that the larger the total depth of the fissure,the larger thd outer angle will be.The main results of the observation in situ are summed up as follows:a) The damage to sculpture surface is mainly due to the solution with several section types,b) The solution fissure formed along suture line is an initial fatal damage,which may cause the disintegration of the whole sculpture,c) There is a difference between the surface damage on the burried line and that below the line.d) There are lichen and algal covered surfaces with obvious biodeterioration.B.Lab ObservationWe identified the epi-and endolithic lichen and alage collected from the sculpture surface.The lichens identified are Caloploca sp.;Collama sp.,Diploschistes actinostomus,Lecanora muralis;and Verrucarin sp.,The algae include Gloeocapsa sp.and the species from the order of Chamaesiphomales and Chroococales.With optical stereo microscape observation,the micro solutional fissures with chasmolithic algae along suture line can be observed.The chasmolithic algae may form the patched solutional pits and the related relict micro steps with a height of about o.1 ̄0. 3mm.Calcite vein often forms a ridge with micro corrosion furrow on both sides.Algal coating may become full of crack with the tension of mucus while in dry season.With observation on certain minor solutional features under Scanning Electronic Microscope (SEM),the related ultral corrosional features were identified as follows:a) Bore-hole with diameter around 10μm formed by fungi filament of lichen,b) Ultral etched pits on minor patched erosional pits,composed of networks of ultral furrows which 1.5 ̄3μm wide.Under SEM,we observed the ultral features of the normal solution surface.The main characters are that:a) Ultral solutional pits are basically along the cleavage plane of calicite or fissure among calcite grains, b)There are still organisms and a few bioerosinal features,c) Calcite grain or micrite may loosen or even come off during the weathering (solution) processes.II.Discussion A. Micro-morphologic mechanism of natural damage The basi

从地貌学角度较系统地分析了梁代石灰岩石刻表面自然毁损的微侵蚀机制,本文指出,雨水沿缝合线渗流,经多种地衣及兰藻、绿藻等生物作用而大大加强了溶蚀作用,导致石刻的崩解,并讨论此种特殊微侵蚀形态的形成机制在地貌学理论研究中的意义。

This article is focused on the synthesis of interpenetrating polymer network (IPN) of epoxy resin and polyacrylic ester which can be used as the material of stone sculptures along hills preservation. The primary and subsidiary factors that influence the coacervation rate, emulsion stability,waterproofness, and water absorption rate of emulsion adhesive film were discussed, and the technological conditions were then optimized. The product was tested by infrared absorption spectroscopy and basic property...

This article is focused on the synthesis of interpenetrating polymer network (IPN) of epoxy resin and polyacrylic ester which can be used as the material of stone sculptures along hills preservation. The primary and subsidiary factors that influence the coacervation rate, emulsion stability,waterproofness, and water absorption rate of emulsion adhesive film were discussed, and the technological conditions were then optimized. The product was tested by infrared absorption spectroscopy and basic property analysis.

研究摩岩石刻保护材料聚丙烯酸酯-环氧树脂互穿聚合物网络乳液的合成,讨论影响凝聚率,乳液稳定性和乳液胶膜耐水性、吸水率的因素,得到最佳工艺条件。

According to the result of investigation and historical records,the stone sculpture of Yunnan minority languages is discussed with the concentration on Yi,Dai,Bai and Naxi languages.And a careful exploration is made to the inscription in Yunnan minority languages and the creation,formation,structure and distribution of stone sculpture on rock cliffs, whose history and value are also studied.

本文依据翔实的调查材料和文献资料,以彝文、傣文、白文、纳西文石刻档案为重点,全面探讨云南少数民族文字碑刻(包括墓碑、山神碑、山界碑、日历碑、源流碑、建寺碑等)和摩岩石刻的产生、形制、构成和分布诸问题,并对其历史研究和利用价值进行了深入的述评。本文的研究不仅可以揭示云南古代少数民族文字石刻档案的重要历史价值。还在于增强人们的档案保护意识,更好地发掘、抢救和利用这一宝贵的少数民族历史文化遗产

 
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