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rock painting
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  岩画
     Primitive consciousness that the rock painting reflects──Thinking again of the artistic origin
     岩画体现的原始人类的自觉意识──艺术起源的再思考
短句来源
     Yinshan Rock Painting and Mongolian Cultural Tradition
     阴山岩画与蒙古族传统文化
短句来源
     The Culture of Rock Painting in the Helan Mountains
     贺兰山岩画文化
短句来源
     Mount Helan rock painting and ancient hunting culture
     贺兰山岩画与古代狩猎文化
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     A Preliminary Study on the Rock Painting in Tibet
     西藏涂绘岩画的初步研究
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  岩彩画
     Rock Painting: Inheriting and Carrying forward Traditional Culture
     岩彩画:传统文化的继承和发扬
短句来源
     Rock Painting:an Amazed Art Reversion
     岩彩画:一种奇异的艺术返祖现象
短句来源
     An Analysis of“Colored”Rock Painting
     浅析“岩彩画
短句来源
     With the modernization trend of the Chinese art circle, there has appeared "rock painting", a new form of painting, which, superficially speaking, may result from the revolution of materials and renovation of techniques.
     中国画坛在由传统走向现代的大趋势下 ,出现了“岩彩画”这一新的绘画样式。 从表面上看 ,岩彩画的出现 ,是由于绘画材料的变革和相应技法的翻新。
短句来源
     Rock painting is not only a piece of newly-born art but also carrying forward traditional culture. It will be the focus in the field of painting and will be inevitable for changing ideas at the new historic stage of the development for the painting in China.
     与传统工笔重彩画有很大的差别,岩彩画既是一个新生物,又是传统文化的继承和发扬,它将成为美术界关注的焦点,是中国美术发展到新的历史阶段观念更新的必然。
短句来源
  “rock painting”译为未确定词的双语例句
     Signs and Symbol of Primitive Rock Painting Arts
     原始岩画艺术的符号与象征
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     On Rock Painting Art and Its Influence upon Chinese Modern Art Design
     论岩画艺术及其对中国现代艺术设计的影响
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     Distinctive Features of Yinshan Mts Rock Painting A Comparative Study of It with Western Rock Painting
     阴山岩画造型特征比较分析
短句来源
     The Rock Painting in the Primitive Society
     原始社会壁画艺术浅析
短句来源
     the 3rd chapter focuses on language and culture, namely ,mythology ,legend, story, proverb, arts, e.g. rock painting, structure & function of funeral and marriage, nature worship, totem worship & ancestor worship and shamanism .
     第三章从语言、婚姻文化、丧葬文化、口头文学与艺术以及他们的动植物崇拜直至萨满教的结构、功能、特点等对驯鹿鄂温克人带有浓厚民族特点的精神文化进行了分析和论述。
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  rock painting
The Zürich EHT accelerator mass spectrometer was then used to determine the radiocarbon age of this prehistoric rock painting.
      
Southern African San Rock Painting as Social Intervention: A Study of Rain-Control Images
      
An exfoliated fragment of a rock painting from Lesotho was analyzed by differentiated backscatter spectrometry to obtain the paint thickness, which ranged from about 2 to 6.5 μm, and its empirical formula for stopping power calculations.
      
The analysis of the variables controlling the weathering indicate that salt and wetting-drying weathering are responsible for granular disintegration and flaking, which lead to rock painting deterioration.
      


Vast pastoral areas in North Xinjiang abound in rock paintings,on whichnumerous animals are distributed,such as horses,oxen,sheep,camels,deer, wolves, tigers, bears, dogs, pigs and snakes There are different fea-tures in various places owing to differet water and grass conditions.For ins-tance,the Altai Mountains are most abundant in horses, sheep and deer, andthe Taerbahatai and Baerluke Mountains are abundant in oxen and camels.TheTienshan and Alatao Mountains are plentiful in horses and sheep,whereas...

Vast pastoral areas in North Xinjiang abound in rock paintings,on whichnumerous animals are distributed,such as horses,oxen,sheep,camels,deer, wolves, tigers, bears, dogs, pigs and snakes There are different fea-tures in various places owing to differet water and grass conditions.For ins-tance,the Altai Mountains are most abundant in horses, sheep and deer, andthe Taerbahatai and Baerluke Mountains are abundant in oxen and camels.TheTienshan and Alatao Mountains are plentiful in horses and sheep,whereas Bal-ikun and Hami in the east of the Tienshan Mountains are rich in horses andcamels, As history develops, som breeds,such as tigers and dromedarees,have now become extinct, and some have been improved. So the rock painti-ngs have shown the geographical features of the distribution of various ani-mals.

从新疆北部牧区的岩画中显示出:由于水草条件不同,各地动物分布具有不同特点,如阿尔泰山以马、羊、鹿最多;塔尔巴哈台山、巴尔鲁克地区以牛、驼骆为多;天山和阿拉套山以马、羊为多;东部天山的巴里坤、哈密等地则以马、骆驼为多。同时,随着历史发展,虎和单峰驼等消失了,有的品种改良了。

In this paper we discuss how to build a data bank of the prehistoric rock art from Angola, which might enable us to build up an inventory designed for computer exploration, and how to organize a precise and concise description of the registered material. The description must be precise in order that it is ruled by conventions which guarantee the uniformity of the approach to the figures. And the description should be concise because the analytical character imposed by the system used itself. In some cases,...

In this paper we discuss how to build a data bank of the prehistoric rock art from Angola, which might enable us to build up an inventory designed for computer exploration, and how to organize a precise and concise description of the registered material. The description must be precise in order that it is ruled by conventions which guarantee the uniformity of the approach to the figures. And the description should be concise because the analytical character imposed by the system used itself. In some cases, we have faced unsolvable problems related to "macroscopic" information, namely when sites for which there are neither descriptions nor drawings of the figures These were mentioned in the literature. Some conclusions might be drawn from this paper: (1) First of all, we have to reformed the representation of our knowledge in order to input it into the machine and get faster and clear answers. (2) Making the descriptive and systematic vocabulary uniform is a crucial condition in order to compare the data. (3) The rigorous observation and description of a document must precede any explanation or interpretation. (4) The archaeologist must resort to a mental framework very different from the traditional one when he intends to register the data produced by his research. That condition involves the adoption of a preformed record with explicit convention and implying the production of a systematic vocabulary, in contrast to what happens when using a free text. (5) The inventory of prehistoric rock paintings and engravings from Angola had to be restricted to the instances to which the proposed methodology could be applied.

本文讨论了怎样建立安哥拉史前艺术数据库的问题,其方法和原则适用于对其他艺术文档、地质文档建立数据库的场合。为了将原文档中的图形和不规范的、即兴发挥的描述转换成能精确、简便反映图形的计算机代码,必须创立描述性的、系统的词汇标准。在建库过程中,须对原文档进行严格的观察和描述,并重新组织其内容,按计算机代码填充。本文给出了部分实例,供读者将计算机描述符与原图形进行对比。

1. The author questioned basing the origin of Chinese ancient sports on folklores and mythologies,and believed this kind of researches lack rational analysis because the materials they used may only be regarded as folklores. 2. The author disagreed with Chinese sports historians who put forward that human being's primitive sports activities could trace back to 50,000 or even 500,000 years ago, who thought rock painting couldn't be taken as the earliest archaeological evidence of Chinese ancient sports...

1. The author questioned basing the origin of Chinese ancient sports on folklores and mythologies,and believed this kind of researches lack rational analysis because the materials they used may only be regarded as folklores. 2. The author disagreed with Chinese sports historians who put forward that human being's primitive sports activities could trace back to 50,000 or even 500,000 years ago, who thought rock painting couldn't be taken as the earliest archaeological evidence of Chinese ancient sports and archaeologists had found few evidence to prove that sports exist in China in prehistorie times. 3. Inscriptiens on bones or tortoise shells couldn't be regarded as sports historiography for activities they provided had no sports characters, thus couldn't be brought into catagory of sports or atheletic grapple. Viewing from archaeology, real sports can only trace back to the Later Zhou Dynasty.

1.对以民间传说与神话资料作为中国古代体育起源的依据提出了质疑,认为这种研究在把握资料上缺乏理性分析,这些资料只能作为传说来看待。2.对中国体育史学家提出的人类原始的体育活动方式可以追溯到5万年到10万年甚至50万年以前提出不同意见。认为岩画不能作为中国古代体育最早的考古学证据,考古学家几乎没有发现任何证据证明史前时代的中国有体育存在。3.甲骨文不能作为体育史学提供证据,它所提供的一些活动不具备竞技的特点,不能纳入体育或竞技格斗的范畴。从考古学的观点来看,真正的体育只能追溯到后周时代。

 
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