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   pottery 在 美术书法雕塑与摄影 分类中 的翻译结果: 查询用时:0.451秒
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pottery     
相关语句
  陶器
    Aesthetics of Folk Pottery
    民间陶器审美论略
短句来源
    YAZHOU POTTERY
    古老而青春焕发的牙舟陶器
短句来源
    The origin of Chinese pottery has been discussed according to experimental data.
    根据实验数据讨论了中国陶器起源。
短句来源
    It was pointed out that pottery appeared 10,000 years ago in the sites such as Xianrendong of Wannian,Jiangxi Province and Nangzhuangtou of Xushui,Hebei Province may be one of the earliest pottery in our country.
    指出在 10 ,0 0 0年前的江西万年仙人洞和河北徐水南庄头等遗址出现的陶器可能就是我国最早的陶器之一。
短句来源
    Furthermore,the contribution of pottery culture and its evolution to Chinese civilization has been discussed.
    并在此基础上讨论了陶器文化及其发展对中华文明的贡献
短句来源
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  陶瓷
    The important value how on earth that pottery is designed in ceramic art?
    陶瓷设计在陶瓷艺术中到底有多重要的价值?
短句来源
    The Application of Traditional Decorative Art in Modern Pottery Decoration
    传统装饰艺术在现代陶瓷装饰中的应用
短句来源
    Market and the Design of Pottery and Porcelain Products
    市场与陶瓷产品设计
短句来源
    Design Philosophy of Modern Pottery Design in Finland
    芬兰现代陶瓷设计理念
短句来源
    Contemporary Pottery Art in Hong Kong
    当代香港陶瓷艺术
短句来源
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    POTTERY,DESIGN AND HUMANISM
    、设计与人文精神
短句来源
    Study of Arts and Crafts of Mayan ' s Pottery
    玛雅工艺美术研究
短句来源
    Pottery Puppet, Porcelain Image and Modern Pottery
    偶、瓷像与现代
短句来源
    Pottery: Dances of Heart and Hand
    心与手的舞蹈——土艺术
短句来源
    Mutual Existence of Human Beings and Pottery
    人互变(英文)
短句来源
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  陶艺
    Saperficial View on Modern Pottery Art
    浅谈现代陶艺
短句来源
    LUSTRE OF MODERN CHINESE POTTERY
    中国现代陶艺之光
短句来源
    Pottery Art and Environment
    陶艺与环境
短句来源
    The choice while treking——In the face of modern art of China's contemporary pottery art
    跋涉中的选择——面对现代艺术的中国当代陶艺
短句来源
    A Meditation on Modern Art Pottery and Traditional Cultural Resources
    现代陶艺与传统文化资源的思考
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      pottery
    Decontamination of radioactive waste solutions using pottery
          
    The sorption of microamounts of Eu spiked with 152,154Eu on the artificial stone, pottery, was studied at varoius conditions.
          
    Three kinds of pottery (red, black, and white), in addition to the raw material (potter's clay) of the red kind, were tested.
          
    The pottery shows high sorption power with respect to the radiotracer depending on the kind of pottery.
          
    The uptake percentages gradually increase with the contact time, weight of pottery, or pH of the aqueous solution, attaining saturation at certain values.
          
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    The author in the article made comments on Professor Hu Xianya's great artistic attainments he has achieved in the Chinese traditional pain- ting and which he puts on the coloured drawing and pattern of pottery and porcelain;his simple and vigorous artistic style;and how he creat- vely applies the traditional technics to the porcelain decoration.

    文章评价了胡献雅教授在国画和瓷器彩绘艺术上的造诣;国画笔墨简练,寓繁于简,意境深遂,寓实于虚,形成雄厚简练的艺术风格;创造性地以熟练的国画技巧,绘制了大量精美的彩瓷,运笔自然,色彩鲜明,与器型结合贴切,有着独特的彩绘技法。

    In ancient China, the development of pottery making can be divided into five major periods: early Neolitmic, middle Neolithic, late Neolithic, Xia to Spring and Autumn,and Warring States to Han. In the Neolithic Age, the potters liked to use clay with high viscosity as material, and during the early and middle parts of this period, doing by hand was the most popular method for the shaping process. Duuring the late period,wheels and models became popular, and the temperature was higher than that of the...

    In ancient China, the development of pottery making can be divided into five major periods: early Neolitmic, middle Neolithic, late Neolithic, Xia to Spring and Autumn,and Warring States to Han. In the Neolithic Age, the potters liked to use clay with high viscosity as material, and during the early and middle parts of this period, doing by hand was the most popular method for the shaping process. Duuring the late period,wheels and models became popular, and the temperature was higher than that of the early and middle periods.In the Xia dynasty, many different kinds of pottery came to be invented, such as white pottery, hard pottery and glazed pottery.Southern China was different .from Northern China in many respects.In Northern China, the potters preferred red clay, and in Gansu and Qinghai,models and color potteries werehighly developed, and the Central Plains also used more models than in other areas, but in Shandong, wheel-made and egg-shell potteries were very famous.In Southern China, there were more white potteries than in Northern China, and they were featured by the inclusionof charcoal, shell and some other material. In technology, the Southern potters favored the use of putting-the-pieces-together and reduction methods.

    中国古代制陶工艺的发展可分新石器时代早期、中期、晚期、夏至春秋、战国至汉五大时期。新石器时代普遍采用普通易熔粘土为原料,早、中期主要采用手制法成型,晚期流行轮制法和模制法;长期烧成温度较低,主要采用氧化气氛烧成,晚期流行还原气氛烧成。夏代至春秋快轮制陶技术处于低潮阶段;硬陶、白陶的烧成温度达到1000—1050℃。战国至汉普遍采用轮制法,汉代出现低温铅釉陶。中国古代制陶工艺可分北方地区、南方地区两大类型。北方类型以普通易熔粘土为原料时多选择红粘土;甘青文化区采用模具敷泥法,彩陶制作工艺高度发达,中原文化区流行模制法,山东文化区快轮制陶技术和渗碳工艺发达,蛋壳黑陶制作工艺空前绝后。南方类型白陶明显多于北方类型,夹炭陶和夹蚌陶具有南方特色;泥片贴筑法和蛋壳彩陶制作工艺具有独特风格;还原烧成技术水平高于北方类型。

    This paper emphatically describes the emotional thinking of ceramic arts and the relaLic hip between emotion and coloring. The origin of coloring emotion cannot be separated from people's psychological reaction of visual senseand consciousness towards the changeable nature. This reaction cannot exist only in the studio pottery itself, but also should place ceramic arts in the whole of various artistic environment.

    本文着重阐述了陶瓷艺术情感的思考以及情感与色彩之间的关系。色彩情感的产生离不开人们对于变万化的大自然的视知觉的心理感应。这种感应不仅仅只保留在艺术陶瓷的本身,而应全方位、多角度把陶瓷艺术置身于各种艺术环境整体之中。

     
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