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century    
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  世纪
    A Study of Chinese Aestheticism in the 20~(th) Century
    20世纪中国审美主义思想研究
短句来源
    Since entering the 21st century,with the change of the history culture,the contemporary Chinese aesthetics has also entered in a new history time.
    进入21世纪以来,随着历史文化的变迁,当代中国美学也步入了一个新的历史时期。
短句来源
    The practical aesthetics has been become gradually the new practical aesthetics in the nineties of 20th century.
    实践美学在20世纪90年代发展成为新实践美学。
短句来源
    Liberalism and Chinese Aesthetic Spirit of the 20th Century
    自由主义与20世纪中国美学精神
短句来源
    Wang Guowei's Aesthetic Theory and Chinese Aesthetics in the 20th Century
    王国维美学与20世纪中国美学
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  世纪的
    Aesthetics of Life: A New Form of Aesthetics in 21th Century
    生活美学:21世纪的新美学形态
短句来源
    The Worldwide Significance of Chinese Aesthetics in the 21st Century
    中国美学在21世纪的世界性意义
短句来源
    Progresses of the Study of Confucian Aesthetic Ideology in the 21st Century
    儒家美学思想研究在21世纪的新进展
短句来源
    Nietzsche's aesthetic modernity influenced existentialism and postmodernism deeply in the 20th century.
    尼采的审美现代性思想对20世纪的存在主义和后现代主义有着深远的影响。
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    Being a great doctrine of 20th century, cultural anthropology aims to the study of human culture, and provides activated carriers for the study of aesthetics by means of the unique fieldwork.
    致力于研究人类文化的文化人类学作为20世纪的一大显学,以其独特的田野调查的方法,形而下地给美学研究提供了活化载体。
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  百年
    Reviewing and Recalling of the Chinese Aesthetics of the Last Century
    中国百年美学的历史回顾与反思
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    Commemoration on Chinese aesthetics in 20th century
    中国美学百年
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    While the modern Chinese literary critics are having hot discussions of the transformation from traditional literary theories to a modern one and the meditations upon the twentieth century, this thesis, from the viewpoints of cultural poetics, is set to explore the up-to-date significance and contribution of Zong Baihua's aesthetic perspectives and manifestations in the process of the modernization of Chinese aesthetics.
    本文从“文化诗学”角度切入接近这位美学老人,正是期望在当今学界“传统文论现代转换”大讨论和“百年反思”热潮的背景下,发现宗白华的美学思想及其表现形态在中国美学现代性过程中所做的贡献和新的意义。
短句来源
    During the past century, Chinese aesthetics experienced three changes on methodology.
    近百年来 ,中国美学在方法论上经历了三次转变。
短句来源
    Chinese classical aesthetics has a long history and shows profound spirits. However, "centennial aesthetics" born in the 20th century was influenced directly by western aesthetics system.
    中国古典美学源远流长、博大深厚 ,然而 ,2 0世纪以来的“百年美学”却是西方美学体系直接影响下的产物。
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Calderón-Zygmund singular integral operators have been extensively studied for almost half a century.
      
Drug Development in the 21st Century: Medicines, Man and Receptors
      
THE SHAPE OF MEDICINES TO COME: PHARMACEUTICALS IN THE 21ST CENTURY
      
The pharmaceutical sciences are advancing rapidly in the post-genomic era of the 21st century with the completion of the human genome, as well as those of many other organisms including bacteria and parasites, and the rapid advances in proteomics.
      
Pancreatic cancer is not only common, but also extremely difficult to treat, for which it has been called "the challenge of the twenty-first century".
      
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Abstract Under the influence of the “aesthetic revolution” from the ecological perspectie,aesthetics itself must draw wisdom from ecology.The marxist's generative ontology has provided the necessary humanistic view for the related enlightment and value background for its own aesthetics.Based on this view,the aesthetic activities can find their motivations in the rhythmic activities of life itself,providing living standards drawing from the principle of “nature generated from human life”,setting the ontological...

Abstract Under the influence of the “aesthetic revolution” from the ecological perspectie,aesthetics itself must draw wisdom from ecology.The marxist's generative ontology has provided the necessary humanistic view for the related enlightment and value background for its own aesthetics.Based on this view,the aesthetic activities can find their motivations in the rhythmic activities of life itself,providing living standards drawing from the principle of “nature generated from human life”,setting the ontological criterion for the spiritual beauty,discovering the ecological significance for the humanity generated from natural beauty,thus providing the rational support for the numan efforts towards the ecological civilization,raising the essential issue for the Chinese aesthetics study in the 21st century.

面对生态思潮对“美学革命”的呼唤,美学自身必须从生态学吸取智慧。立足于马克思的生成本体论的人本生态观,可以给美学相应的学理启示和价值诱导。基于人本生态观的美学,可以在生命活动的节律感应中找到审美活动的生态本原,以“自然向人生成”的根本规律确立审美价值的生态尺度,从生态进化和人性生成的高度对精神之美进行本体性定位,并揭示自然之美对于人性生成的生态意蕴。这种生态化的美学,有可能对人类走向生态文明的努力给予更加切实的学理支持,因此理应是21世纪中国美学理论走向所面对的重大课题

Among the psycho - acsthetic schools of 20th century, Bullough's doctrine of "psychological distance"could be said to hav exerted great influence on Mr ZHU Guang - qian's theory of early period, On the basis ofBullough's doctrine, Mr ZHU not noly criticized Croce's teachings of intuition which belonged to formalism, reasonably explaining psycholoical conditions for arousing aesthetic feelings, but also qpplied "distance" to thestudy of tragedy and the probe into aesthetics of life, with the result of pushing...

Among the psycho - acsthetic schools of 20th century, Bullough's doctrine of "psychological distance"could be said to hav exerted great influence on Mr ZHU Guang - qian's theory of early period, On the basis ofBullough's doctrine, Mr ZHU not noly criticized Croce's teachings of intuition which belonged to formalism, reasonably explaining psycholoical conditions for arousing aesthetic feelings, but also qpplied "distance" to thestudy of tragedy and the probe into aesthetics of life, with the result of pushing the theory on tragedy a big stepforward in a dialectical and synthetic way, and expounding life from aesthetic point of view which realised themutual transformation between life and art, lence life in art as well as art in life.

在20世纪心理学美学诸流派中,布洛的"心理距离说"对朱光潜先生早期美学思想影响至深。朱先生不仅据此批判了克罗齐形式主义的"直觉说",合理的解释了美感发生的心理条件;而且应用"距离"于悲剧的研究和人生美学的探索,使悲剧理论在辨证综合的道路上前进了一大步,并对人生、生活作了美学的诠释,将艺术人生化,人生艺术化,完成了"人生──艺术"之间的双向过渡。

We must pay attention to the present fate and spirit of Chinese people and care for the human circumstances and development for Chinese aesthetic in the 21st century. Research should be done on the relationship of human and nature, human and society,human and hirnself,helping the contemporary people exploit themselves and their life. The thinking system of traditional aesthetics has generated and constructed on the basis of experiencing, paying close attention to and thinking about human value and meaning...

We must pay attention to the present fate and spirit of Chinese people and care for the human circumstances and development for Chinese aesthetic in the 21st century. Research should be done on the relationship of human and nature, human and society,human and hirnself,helping the contemporary people exploit themselves and their life. The thinking system of traditional aesthetics has generated and constructed on the basis of experiencing, paying close attention to and thinking about human value and meaning of life. So life implication in Chinese traditional aesthetics is the nutriment from which contemporary aesthetics should absorb.

21世纪的中国美学必须关注当代中国人的命运和精神,关心人的境遇和发展,必须着重研究人与自然、人与社会、人与自身之间的关系如何取得动态的和谐发展,帮助当代人学会从美学的角度去发现和开发自己与生活。要实现当代美学的转型,就必须恢复美学曾一度失落的人文品格和人文精神,《审美与生存》一书突出地提出并论证了中国传统美学是一种人生美学,拓展了中国美学研究的当代视城。中国传统美学蕴藏着极为丰富而瑰丽的人生底蕴,特别富有人文品格和人文精神,这是中国当代美学应当继承宏扬的思想资源。中国传统美学的思想体系是在体验、关注和思考人的存在价值和生命意义的过程中生成和建构起来的,它具有极为鲜明突出的重视人生并落实于人生的特点。因而,中国传统美学所具有的人生意蕴,乃是中国当代美学应该汲取的养料。

 
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