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    Not only design department within corporation but also independent design company began to adopt the virtual pattern of product design that based on network.
    为了适应这种发展变化,提高产品创新能力,无论是驻厂设计部门,还是独立设计公司都开始采用基于网络的虚拟产品设计模式。
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    Selected Works of the Graduates of 2000 of the Sculpture Department of Xi'an Fine Art College
    西安美术学院雕塑2000届毕业生作品选
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    Column of Teachers and GraduateStudents in Design Department ofGuangxi Academy of Arts
    广西艺术学院设计简介
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    Design of Product and Display from the Industrial Design Department of The Art & Design Institute, Wuhan University of Technology
    武汉理工大学艺术与设计学院工业设计产品与展示设计
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    Works by Teachers from Department of Art and Design, School of Fine Arts Zhejiang Normal University
    浙江师范大学美术学院艺术设计教师作品
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    Environmental Art Design Works from Art and Design Department of Beijing Institute of Clothing Technology
    北京服装学院艺术设计环境艺术设计作品
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    For this reason, the National Technology Department started the "863" Special Item of developing Electric vehicles (EV).
    为此,国家科技启动了十五863电动汽车重大专项。
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All their specimens are deposited in the insect specimen laboratory of the Department of Resources, Southwest Forestry College (Kunming, China).
      
Its rice quality has almost reached the A-level Editable Rice of Agriculture Department of China, and its average production reaches 400-500 kg/(666.7 m2).
      
Nine cases of adult right lobe LDLT were performed in our department from September 2002 to August 2005 and the clinical and following-up data were reviewed.
      
According to the domestic diagnostic standard on pulmonary fungous infection, clinical data on 58 patients with the infection in our department were analyzed.
      
To investigate the biological behavior of GIST, we collected 83 cases of gastric and 62 cases of small intestinal GIST from the Department of Pathology of the Chinese PLA General Hospital.
      
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In order to make design education meet the needs of the society and seek design education system with Chinese characteristics, the Education Department of the Culture Ministry held a conference in Guangzhou on Chinese design education at the turn of the century. Du Changshen, Vice-director of the Education Department of the Culture Ministry .made a speech at the opening ceremony. Yi Dingbang, president of Guangzou Academy of Fine Arts delivered a speech on Eight-point Comments on Design Education....

In order to make design education meet the needs of the society and seek design education system with Chinese characteristics, the Education Department of the Culture Ministry held a conference in Guangzhou on Chinese design education at the turn of the century. Du Changshen, Vice-director of the Education Department of the Culture Ministry .made a speech at the opening ceremony. Yi Dingbang, president of Guangzou Academy of Fine Arts delivered a speech on Eight-point Comments on Design Education.

由中华人民共和国文化部教育司主持召开、为期一周的“跨世纪的中国设计艺术教育——全国高等美术院校设计艺术学科建设理论研讨会暨作品展示会”于1995年12月18日至23日在广州美术学院召开。为使设计教育适应社会需要,总结经验,交流成果,研究和探讨有中国特色的设计艺术教育体系,使我国的设计艺术教育尽快赶上国际先进水平,与会代表认真、热烈地就以下议题展开充分的讨论: 1.设计艺术学科的基础教育研究;2.设计艺术学科的名称及内涵;3.如何建设有中国特色的设计艺术教育体系;4.设计艺术教育的粮本特征及与美术教育的联系与区别;5.20世纪设计教育思想的回顾;6.当代世界设计艺术与设计教育动态;7.中国设计艺术教育如何面向世界:8.设计艺术人才市场的预测;9.设计艺术教育如何面向市场,适应社会主义经济建设的需要;10.设计艺术教育的管理和在设计艺术教育中实行学分制问题; 本次大会除组织单位文化部教育司外,有中国美术学院、中央工艺美术学院、中央美术学院、鲁迅美术学院、广州美术学院、四川美术学院等21所全国美术院校设计学科的72名主管领导和学科带头人、专家、学者参加。会议期间共收到学术论文36篇,各院校参加作品400多件。本刊将...

由中华人民共和国文化部教育司主持召开、为期一周的“跨世纪的中国设计艺术教育——全国高等美术院校设计艺术学科建设理论研讨会暨作品展示会”于1995年12月18日至23日在广州美术学院召开。为使设计教育适应社会需要,总结经验,交流成果,研究和探讨有中国特色的设计艺术教育体系,使我国的设计艺术教育尽快赶上国际先进水平,与会代表认真、热烈地就以下议题展开充分的讨论: 1.设计艺术学科的基础教育研究;2.设计艺术学科的名称及内涵;3.如何建设有中国特色的设计艺术教育体系;4.设计艺术教育的粮本特征及与美术教育的联系与区别;5.20世纪设计教育思想的回顾;6.当代世界设计艺术与设计教育动态;7.中国设计艺术教育如何面向世界:8.设计艺术人才市场的预测;9.设计艺术教育如何面向市场,适应社会主义经济建设的需要;10.设计艺术教育的管理和在设计艺术教育中实行学分制问题; 本次大会除组织单位文化部教育司外,有中国美术学院、中央工艺美术学院、中央美术学院、鲁迅美术学院、广州美术学院、四川美术学院等21所全国美术院校设计学科的72名主管领导和学科带头人、专家、学者参加。会议期间共收到学术论文36篇,各院校参加作品400多件。本刊将选登部分论文和会议照片。中国美术学院出版社等数家出版单位参加了会议,本刊特约记者赵燕也参加了会议并进行了采访组稿。

From the exploration of spatial potentiality to the architectonic dialogue on new/old relationship, the education on the adaptive reuse of historical buildings has changed from the concern of general aspects to architectural architectuonics. This shift has offered the thinking at materials and construction levels, enhances the practicability of the adaptive reuse of historical buildings. It is the educatonal objective and prospect of the Graduate School of Department of Architecture at Chengkung University....

From the exploration of spatial potentiality to the architectonic dialogue on new/old relationship, the education on the adaptive reuse of historical buildings has changed from the concern of general aspects to architectural architectuonics. This shift has offered the thinking at materials and construction levels, enhances the practicability of the adaptive reuse of historical buildings. It is the educatonal objective and prospect of the Graduate School of Department of Architecture at Chengkung University.

从空间潜力开发到建筑构成新旧对话,历史性建筑再利用教育逐渐从广泛的关注改变成本质性的建筑构成术,提供历史性建筑用何种材料建造以及用何种构法兴筑等面向的思考,提高历史性建筑再利用的可行性,成功大学建筑研究所把历史性建筑再利用当成是建筑教育的目标与期望。

Along the region of Xuzhou and Zaozhuang which connects the two provinces of Jiangsu and Shangdong is rich in folk arts such as the succinct paper- cutting of Pizhou,the simple embroidery of Sihu,the black and white clay sculpture of Southern- Shandong and so on. They all have a vast reser- voir of the unique characteristics of nation's traditional culture. Their existence and development give us a profound enlightenment,i.e. as a part of Chinese traditional culture,the folk arts can never be withered away...

Along the region of Xuzhou and Zaozhuang which connects the two provinces of Jiangsu and Shangdong is rich in folk arts such as the succinct paper- cutting of Pizhou,the simple embroidery of Sihu,the black and white clay sculpture of Southern- Shandong and so on. They all have a vast reser- voir of the unique characteristics of nation's traditional culture. Their existence and development give us a profound enlightenment,i.e. as a part of Chinese traditional culture,the folk arts can never be withered away by our social industrialism,the metropolitan construction and the death of old folk artists. Thus the related experts and departments concerned should take the matter seriously,collect, arrange,develop and renew it immediately.

在苏鲁接壤的徐州、枣庄一带 ,民间艺术丰富多采 ,粗犷的邳州民间剪纸 ,质朴的四户刺绣 ,黑白相生的鲁南泥玩等 ,都具有独特的民族传统文化特色。它们的存在和发展 ,为我们提供了深刻的启示 :作为中华民族优秀文化传统的一部分 ,民间艺术绝不能因为当代中国工业化和城乡都市建设以及老艺人的故去而任其消亡。提请有关专家和部门予以足够的重视 ,迅速加强搜集、整理、开发和更新。

 
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