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classical
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  经典
    On the Classical Reinterpretation of Chinese Modern Literature
    略论中国现代文学的经典重读
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    Open Classical Education and Literary Ecology in New Century
    开放的经典教育与新世纪文学生态
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    On destruction and reconstruction of "Family" ethic—Change of the conception of "family" in classical modern Chinese literary works
    “家”伦理的崩毁与重建——中国现代文学经典中“家”的观念之变迁
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    it use the methods and rules of classical narratology, avoid the political and subjectivity of feminine literature criticism.
    它引入经典叙事学的方法和规则,为女性主义文学批评的“话语”研究提供了科学、客观的理论体系,避免了女性主义文学批评的政治色彩和批评主观性。
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    Considering the great multitude of classical texts of diary-style and epistolary stories in Chinese literary history,researches on them are not as fruitful as they should.
    学术界对中国现代日记体、书信体小说的研究匮乏,这种研究现状与现代日记体、书信体小说曾经蔚然成风并且留下诸多经典文本的文学史史实不相符合。
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  古典
    The Classical Tendency of Chinese Modern Literature
    中国现代文学中的“古典倾向”
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    Classical Novel of China Development General Survey
    中国古典小说发展概观
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    The Cultural Spirits of Chinese Classical Poetry
    中国古典诗歌的文化精神
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    Emergence of Historical Study of Chinese Classical Drama in the Beginning of 20th Century
    20世纪初期古典戏曲史学的形成
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    Realm and the Beauty of Chinese Classical Comedy
    境与中国古典喜剧美
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  古典的
    Classical Modern Aria-Comments on some modern poems in Taiwan
    古典的现代咏叹——台湾部分现代诗浅识
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    Breakout of the Classical Spirit -Look at the Evolution of Bian Zhi-lin's Mentality from his Prophase Poesy
    古典的突围——从前期诗歌创作看卞之琳心路历程
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    Classical Shell vs Modern Soul——Zhang's Writing Techniques
    古典的壳 现代的魂——谈张爱玲小说的创作手法
短句来源
    The New Classical Modern School of Seeking for Self-Cultivating and Self-Perfecting——On Jian-Zhen’s Essay
    新古典的现代性灵派——简媜散文论
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    Therefore drew a conclusion that the love mode of " sexual charm, talent, passion " did not take off classical rational tradition yet, but have more development than the love ideal of " well-matched pair " of love novels of former generations.
    由此得出,才子佳人小说“色、才、情”三者合一的爱情模式,虽仍不脱古典的理性色彩和传统,但比前代小说“郎才女貌”的爱情观念有所发展。
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  “classical”译为未确定词的双语例句
    Problems Existed in the Study of Classical Literature at Present Time
    当前古典文学研究中存在的问题
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    The Development of Classical Science and HanFU
    经学与汉赋的发展
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    Wang Guowei's Research on Chinese Classical Drama and Modern Academic Paradigm
    王国维戏曲研究与现代学术范式
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    Sense of Style and a Classical Chinese Literature Teaching
    文体意识与中国古代文学教学
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    The significance of the classical literary movement in the Tang Dynasty
    唐代古文运动的意义
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  classical
Tilting modules for classical groups and howe duality in positive characteristics
      
We express them in terms of generatorsEij ofU(gl(n)) and as differential operators on the space of matrices These expressions are a direct generalization of the classical Capelli identities.
      
Classical invariant theory for finite reflection groups
      
We give explicit systems of generators of the algebras of invariant polynomials in arbitrary many vector variables for the classical reflection groups (including the dihedral groups).
      
As an application of the results we prove a generalization of Chevalley's restriction theorem for the classical Lie algebras.
      
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On a sound basis of his knowledge in great amount of Chinese classical works, the author, in this paper, discriminates between truth and falseness

本文依据大量古藉资料,以说理的态度,对脍灸人口的文天祥的《正气歌》中三处异文(“下”、“渎”、“忧”三个字)进行辨析并得出结论。从而维护了这篇古文献的真实性和完整性。实际上对古藉研究的态度以及文天祥创作时的背景和思想感情作了探讨。

Not only did Huang Kan make a brilliant achievement in the field of ancient forms, phonology and meaning of written language, but had a good knowledge of the Confucian Classics. As a young boy, he began to learn Classical works. When he was old enough, he was more diligent in the study. Mr. Huang was almost able to learn the Confucian Classics and their explanatory notes by heart, and thus laid the firm foundation of his career. "The thirteen Confucian Classics Annotated by Huang Kan" coagulated his painstaking...

Not only did Huang Kan make a brilliant achievement in the field of ancient forms, phonology and meaning of written language, but had a good knowledge of the Confucian Classics. As a young boy, he began to learn Classical works. When he was old enough, he was more diligent in the study. Mr. Huang was almost able to learn the Confucian Classics and their explanatory notes by heart, and thus laid the firm foundation of his career. "The thirteen Confucian Classics Annotated by Huang Kan" coagulated his painstaking labor. In the book, he used various marks and exegeses which expressed his original insight to the Confucian Classics. Some marks are comparatively clear, while others are waiting to be reasoned out further, so as to understand the form and arrangement of the book. The writer of this article has conducted trial in the aspect. Huang Kan's attitude towards the Confucian Classics was simple and unadorned. He respected and credited ancient teachings, never felt proud by treating ancestors improperly, strongly opposed the customs of boasting and exaggeration.Therefore Mr. Huang Kan has set an example for us to follow.

黄侃先生不但小学成就卓著。经学造诣也很深。他从小就读经书,长大后更是孜孜不倦,经文、注文烂熟于心,这是他治经的扎实基础。《黄侃手批白文十三经》一书凝聚了他一生治经的心血,他用各种符号以及文字笺识在书中,体现出他对经文的独到见解。有些符号意思较明朗,有的尚待进一步推求,以明其体例。本文作者在这方面作了一些尝试。黄侃治经态度朴实,尊信教训,不以虐古为荣,值得我们效法。

This article attempts to make an initial comprehensive exploration of the rhetoric effects of the form words in classical Chinese from four aspects of speech manner, speech force, speech sound and the vividness of speech. It reveals and illustrates the specific character in colour and rhythm in standard written Chinese literary language from a new angle.

本文丛语态、语势、语音、语趣四个方面对文言虚字的修辞效应作了一次综合性的探讨。通过这些探讨,从一个新的角度揭示汉民族文学语言所特有的语彩和韵味。

 
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