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artistic
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  艺术
    Expounding on Trial the Practice Meaning of Hegel's Artistic Cognition
    试论黑格尔艺术认识范畴的实践性内涵
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    A Study on the Occurrence of Individual Artistic Intelligence
    个体艺术智能的发生研究
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    On the Motives of Artistic Creation in Ancient China
    中国古代的艺术创作动因论
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    On the Requirements for Artistic Creation in Ancient China
    中国古代的艺术创作条件论
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    Enlightenment from Artistic Design in America and Japan
    美日艺术设计教育探讨
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  艺术性
    Artistic Character of Picture Composition
    构图的艺术性
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    On Religious and Artistic Qualities of Western Art
    论西方艺术的宗教性与艺术性
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    Further more, there are many problems in the art teaching: art teaching doesn't emphasize the characteristic of art appreciation and lacks artistic quality;
    而且,艺术教学中存在着许多问题:艺术教学没有突出艺术审美特征,缺乏艺术性
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    the content of art teaching doesn't contain enough art, the measure of teaching lacks artistic quality;
    艺术教学的教学内容艺术含量不足,教学方式缺乏艺术性
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    In the second part, the author discusses the artistic quality of teaching measures from seven aspects: the artistic quality of teaching scene, the artistic quality of teaching rhythm, the artistic quality of teaching space, the creativity of art teaching, the uniqueness of art teaching, the intuitionisticness of art teaching and the sensibility of art teaching;
    第二部分具体从教学情境的艺术性、教学节奏的艺术性、教学空间的艺术性、艺术教学的独特性、艺术教学的创造性、艺术教学的情感性、艺术教学的直观性七个方面探讨了教学方式的艺术性;
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  艺术的
    Network multimedia art in the different form existence can affect the artist and the artistic dissemination simultaneously to receive the audiences.
    网络多媒体艺术以不同的形式存在,它的艺术特征不仅会影响艺术家和艺术的传播,同时对受众也将产生深远的影响。
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    Without the domestic resources of modernity, the pursuit of artistic modernization must lead to the “fetishism” that appeared in modern western art.
    在没有本土现代性资源的条件下追求艺术的现代化,必定出现西方现代艺术的“拜物教”。
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    Elementary Exposition on Artistic Aesthetic
    试论艺术的审美
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    Esthetic activities and artistic trends in the new century
    新世纪审美活动与艺术的走向
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    On Fu Lei's Artistic Subject and Aesthetic Presentation
    试论傅雷的艺术主体思想——兼谈艺术的审美表现
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  “artistic”译为未确定词的双语例句
    The Computer and Quantification of Literary and Artistic Appreciation
    电脑与文艺鉴赏的定量化
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    The Similarity between Susannek,langer's Semiotic Aesthetics and the Chinese Traditional Artistic Conception Theory
    论符号学美学与中国传统意境理论的相似
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    Image and Artistic conception
    意象与意境
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    The Development of Thoughts of Ancient Artistic Talents in China
    中国古代文艺人才思想的发展
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    The Process of Artistic Design and the Pursuit for Humanity
    设计历程与人性化追求
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  artistic
Results suggest that the glottal geometry has a critical relationship with phonation (especially for vocal efficiency), and therefore important significance to understanding artistic voice and clinical voice management.
      
An important feature of our approach is its ability to preserve the artistic quality of clips in the produced cartoon animations.
      
Change in artistic expression related to subthalamic stimulation
      
The evaluation of facial images, artistic standards, cephalometry, and anthropometry are discussed.
      
Pyrolysis gas chromatography-mass spectrometry of natural resins used for artistic objects
      
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A comprehensive studio of the methodology adopted in contemporaryresearch work in literature and art indicates four major trends,i.e,1.thatfocussing on psychology in literary and artistic creation;2.that concentratingon literary and art works perse;3.that stressing the communication process between the author and andience;and 4,that laying emphasis upon the socialconditions for literature and arts.The contemporary research in this respectshould apple these methods in a comprchensive manner and study literature...

A comprehensive studio of the methodology adopted in contemporaryresearch work in literature and art indicates four major trends,i.e,1.thatfocussing on psychology in literary and artistic creation;2.that concentratingon literary and art works perse;3.that stressing the communication process between the author and andience;and 4,that laying emphasis upon the socialconditions for literature and arts.The contemporary research in this respectshould apple these methods in a comprchensive manner and study literature andarts as a whole,with Marxism as the ideological guide.

综观中外现代文艺研究的方法,基本趋向有四:一是重文艺创作心理的研究,二是重文艺本体的研究,三是重文艺接受过程的研究,四是重文艺的社会条件的研究.现代文艺学应以马克思主义为指导,综合运用这些方法,把文艺作为一个整体来研究.

Abstract The paper consists of four parts. Part I aims at talking about the relationship between traslating and emotion A translator can acquire the artistic charm of the original by sensing the author's reeling. Part Ⅱ focuses on the relationship of translation and linguistic profeciency. Part Ⅲ deals with translating and polishing.To read aloud may help translators find weak points in their versions. Part TV discusses the ways of translating the title of a poem.

译艺漫笔四章冯颖钦JottingsonFourTranslationSkills,byFengYingqin¥Abstract:Thepaperconsistsoffourparts.PartIaimsattalkingabouttherelatio...

There are different motives of artistic creation in ancient China, viz.,those of voicing one's feelings and expressing one's emotions; those of self-entertaining and entertaining others;and those of for the benefit of the country and society. The motive of voicing one's feelings differs from that of expressing one's emotions, but they are related to each other. They had given a positive impetus in the development of ancient art. However, either of them have some drawbacks. If the two are to be cut apart...

There are different motives of artistic creation in ancient China, viz.,those of voicing one's feelings and expressing one's emotions; those of self-entertaining and entertaining others;and those of for the benefit of the country and society. The motive of voicing one's feelings differs from that of expressing one's emotions, but they are related to each other. They had given a positive impetus in the development of ancient art. However, either of them have some drawbacks. If the two are to be cut apart or even treated antithetically, an erroneous trend in artistic creation will be created. The motives of self-entertaining and entertaining others outstandingly embody the aesthetic nature of the art. Under this outlook, aesthetics is assiduously pursued, which continuously pushes to renovate the content, form and means of artistic expression. However, if creation is simply motivated by personal temperament and interest, the content tends to be vague and shallow, and the form and style tend to be over-stilted. The creation tries to please people intentionally, which lnevitably leads to fawning on vulgarism and mean taste. The motive of for the benefit of the country and society focuses on the influenece of the works on society. It is against formalism, and approves of the tradition of "art for life", but it has another side:leading a life by pursuing personal fame and gain. Utilitarianism is also an lmpetus to artistic creation. Only in the case when deeply-embedded feelings are amalgamated with the characters which meet the aesthetic need of the people, call successful works be produced. The motive of artistic creation reflected on the artists often reveals sophisticated situations.

中国古代关于创作动因论的理论主要有言志缘情说、畅神娱人说、经世致用说等几种。“言志”说和“缘情”说既有不同,又有联系,都对我国古代艺术的发展起了积极的作用,但又都存在某种缺陷,如果把二者割裂甚至对立,就会导致艺术创作错误倾向的产生。“畅神”说和“娱人”说,突出地体现了艺术的审美本质。在这种创作观的指导下引起的孜孜不倦的审美追求,推动着艺术内容、形式和手法的不断更新。但仅为个人情趣、爱好而创作,也易造成思想空泛、过于雕琢形式的弊端;一心想取悦于人,还必然会媚俗,格调低下。“经世致用”说,着眼于艺术的社会影响,形成反对形式主义、主张为人生而艺术的传统,但也有为个人名利或谋生的。功利也是艺术创作的推动力,但只有蕴含深沉的情感,能与艺术创作应满足人们的审美需要的性质相融合,才可能产生成功的作品。艺术创作的动因,表现在一个艺术家的身上,往往显现复杂的情况。

 
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