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artistic
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  艺术
    On the Influence of Metaphysics of Wei and Jin Dynasties On the Artistic Dialectics in Literary Mind Elaboration
    论魏晋玄学对《文心雕龙》艺术辩证法的影响
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    On the Artistic Structure of Zhuang Tzu's prose
    试论庄子散文的艺术结构
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    On the Artistic Or iginal ity and For eign Influence Reflected in Wu Yanren's Novel
    吴趼人小说艺术的创新与外来影响
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    Language of“Force”and Arrangement of“Force”——One of the Artistic Discussion of July Poetic School
    “力”的语言“力”的排列—七月诗派的艺术探索之一
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    On Artistic Style of Chen Baichen's Comedies
    论陈白尘喜剧的艺术风格
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  艺术性
    Modern Chinese Artistic Essay:Choices and Reconstruction
    中国现代艺术性散文的选择与重构
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    Artistic Quality of Eloquence: Taking Xue Bao-chai's Popularity with Her Mates
    从薛宝钗的人缘看口才的艺术性
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    An Analysis of the Ideological Content and Artistic Quality of Diaries of a Madman
    浅析《狂人日记》的思想性和艺术性
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    The Artistic Achievement of Lin Jingxi's Poems and Comparison between Lin Jingxi's Poems and XieAo's Poems
    林景熙诗歌的艺术成就及与谢翱诗歌艺术性之比较
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    The preliminary study was not only pure literary and artistic research,but attempt to do a deep research for na- tional mentality,national culture and national history.
    这一初步研究绝不仅仅是一种纯文学性和艺术性的研究,而是企图指向对新疆各民族的民族心理、民族文化和民族历史最深层的研究——对一种民族文化之根的挖掘和探索。
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  艺术的
    On the Artistic Or iginal ity and For eign Influence Reflected in Wu Yanren's Novel
    吴趼人小说艺术的创新与外来影响
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    A Boat Sailing across the Street and the New Artistic Conception of Contemporary Prose
    《小街驶过乌篷船》与当代散文艺术的新意象
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    On the Artistic Intuition of Wang Tongzhao's Early Novels
    论王统照早期小说对艺术的直觉性
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    Combination of story and poetry as Wang Anyi's artistic model
    在故事与诗的交汇中行进——王安忆小说艺术的基本建构方式
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    Artistic Sublimation and Human Torture
    艺术的升腾和人性的拷问
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  “artistic”译为未确定词的双语例句
    Contemporary China‘s Literary and Artistic Thoughts and Different Schools
    中国当代文艺思想及其流派
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    Taine's influence on Maodun's literature and artistic viewpoint of his early stage
    略论丹纳对茅盾早期文艺观的影响
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    On the Method of Literary and Artistic Appreciation——Review of Modern Chinese Theories of Literary and Artistic Appreciation (5)
    文艺鉴赏方法论——中国现代文艺鉴赏理论述评之五
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    Inquiry about the Current Marriage Ethics in Literary and artistic Works
    当代文艺作品中关于婚恋伦理的质询
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    Some disputes on the artistic method of The Diary of the Madman in the past fifty years
    五十年来关于《狂人日记》创作方法的论争
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  artistic
Results suggest that the glottal geometry has a critical relationship with phonation (especially for vocal efficiency), and therefore important significance to understanding artistic voice and clinical voice management.
      
An important feature of our approach is its ability to preserve the artistic quality of clips in the produced cartoon animations.
      
Change in artistic expression related to subthalamic stimulation
      
The evaluation of facial images, artistic standards, cephalometry, and anthropometry are discussed.
      
Pyrolysis gas chromatography-mass spectrometry of natural resins used for artistic objects
      
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The paper proceeds from four aspects: screen-poetization, character portrayal, revelation of author's emotion, and play's rhythm, which bring to focus the distinction in artistic styles between Bai Hua and Yi Nan, a twin pair on China's literary arena. Both of them pursue the ideal of poetizing the screen, but following different ways.Bai Hua tends to depict life as ardently poetic; whereas Yi Nan excels at digging into life's essence. Bai Hua's characteristic images are magnificent and sublime, Yi Nan's...

The paper proceeds from four aspects: screen-poetization, character portrayal, revelation of author's emotion, and play's rhythm, which bring to focus the distinction in artistic styles between Bai Hua and Yi Nan, a twin pair on China's literary arena. Both of them pursue the ideal of poetizing the screen, but following different ways.Bai Hua tends to depict life as ardently poetic; whereas Yi Nan excels at digging into life's essence. Bai Hua's characteristic images are magnificent and sublime, Yi Nan's solemn and profound. From Bai Hua erupt the turbulent torrents of fiery passions, with not a single trace of reserve. However, from Yi Nan. we see an elegant objective picture, behind which flow silent deep feelings.Bai Hua's buoyant tempo suggests a powerful mountain eagle soaring into the blue. Yi Nan's is a meandering crook reminiscent of sea-gulls circling elegantly around.The paper went deep into various fields, including motif, technique, as well as authors' personal experiences, aiming at a convincing explanation of their artistic difference.

文章从电影诗化、人物形象塑造、作家思想感情的流露及剧作节奏等几个方面,论述了我国文坛上一对孪生兄弟白桦叶楠在电影创作上艺术风格的不同。作者认为,白桦叶楠都追求电影诗化,但表现形式不同,白桦往往赋予生活以浓烈的诗意,叶楠则善于挖掘并表现生活的底蕴,白桦笔下的人物形象雄奇壮丽,叶楠笔下的人物深沉凝重;白桦的作品,是激昂慷慨之情溢于言表,一泻无余,唯恐言之未尽,叶楠是蕴含深情于客观描绘之中,不动声色,惜墨如金,白桦的剧作节奏明朗轻快,像山鹰扇动坚强有力的翅膀搏击长空,叶楠的剧作节奏低迥委婉,有一种象海鸥飞行的轨迹。文章详细地分析了白桦叶楠创作风格的不同,并从作家的创作思想、写作方法及个人经历等诸多方面探讨了这种不同的原因。

The Flowery School marks an important artistic school in the history of China's ci poetics, exerting a far-reaching impact upon the later ci poetry. This paper aims to analyse some of its special technical merits, such as, employing images for emotional conveyance, portraying various minute aspects of the life, fine workmanship in selecting typical scenes and delicate emotions, and its superb technique in expressing the ardent and uncontaminated love. Citing the poems by Wen Tingjin and Wei Zuan as its...

The Flowery School marks an important artistic school in the history of China's ci poetics, exerting a far-reaching impact upon the later ci poetry. This paper aims to analyse some of its special technical merits, such as, employing images for emotional conveyance, portraying various minute aspects of the life, fine workmanship in selecting typical scenes and delicate emotions, and its superb technique in expressing the ardent and uncontaminated love. Citing the poems by Wen Tingjin and Wei Zuan as its examples, the paper also expounds the artistic style of the Flowery School, that is, an exquisite interlacing of gaudy colours with quiet elegance, adding splendour to each other and fused into the overall graceful motif.

花间派是我国词学史上的一个重要的艺术流派,它对后世词的创作,具有深远的影响。本文分析了花间词的若干表现手法。善于窝情于形象之中,善于描绘不同的生活画面,善于截取典型场景,善于捕捉细腻入微的思想感受,善于抒发朴质而强热的儿女情思。文中还以温庭筠和韦庄的作品为例,阐述了花间词派的艺术风格,即在统一的婉约倾向中浓淡相间,辉映成趣。花间词派是具有一定的美学价值的。

The author disagrees with those literary critics who deny ttha Literary Mind Elaboration received any influence from the metaphisical philosophy of Wei and Jin Dynasties. He advances his own original view in this paper that themetaphysical philosophy in Wei and Jin Dynasties succeeded in carrying forward the dialectics put forth in the Three Metaphysics Classics and, in termsof methodology, exerted significant influence on Liu Xia's work, Literary Mind Elaboration.This influence has its prominent evidence in...

The author disagrees with those literary critics who deny ttha Literary Mind Elaboration received any influence from the metaphisical philosophy of Wei and Jin Dynasties. He advances his own original view in this paper that themetaphysical philosophy in Wei and Jin Dynasties succeeded in carrying forward the dialectics put forth in the Three Metaphysics Classics and, in termsof methodology, exerted significant influence on Liu Xia's work, Literary Mind Elaboration.This influence has its prominent evidence in the process in which the "Tao as Essential" theory and the aesthetic concept of "Natural Interest" tookshape. The metaphysical influence also demonstrates itself in helping formthe idea of unity of opposites in the work. Besides,"Diff erentiation between Lang-uage and Meaning" held by metaphysics exerted considerable effects on thetheory and methodology of the work. Therefore, the metaphysical philosophy of Wei and Jin Dynasties should be considered a major source of artistic dialectics fin this work.In order to provide a basis, both subjective and objective, for Liu Xia to accept metaphysical influence, the author of this paper also elaborates on the development of literature and criticism, as well as the academic learning in Qi and Liang Dynasties.

本文不同意文学批评史家们否定《文心雕龙》受玄学影响的意见,认为魏晋玄学发挥了“三玄”中的辩证思想,在方法论上给《文心雕龙》以重要影响。这突出表现在《文心雕龙》“以道为本”理论构架的形成和“自然之趣”艺术观的形成上,也表现在它的对立统一观念、运动变化观念的形成上,同时,玄学“言意之辨”对它的理论方法也有很大影响。因此,魏晋玄学是《文心雕龙》艺术辩证法的一个重要思想来源。本文还从齐梁时代文学与批评的发展以及学术思想的状况论证了刘勰接受玄学影响的主客观依据。

 
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