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attitude towards women
相关语句
  女性观
     A Study of the Attitude towards Women of the Overseas Chaoshan People from their
     从潮汕侨批看海外潮人的女性观
短句来源
     Analysis of Characters in Martin Eden and Jack London's Attitude Towards Women
     《马丁·伊登》人物分析及杰克·伦敦的女性观
短句来源
     Although there are some positive respects in the hero's attitude towards women, it is, on the whole, quite traditional and conservative.
     小说主人公马丁·伊登对待女性的态度虽然有其积极的一面,但总的来说,他的女性观还是比较传统及保守的。
短句来源
  “attitude towards women”译为未确定词的双语例句
     A Male Chauvinist or Feminist Colleague—An Analysis of D.H.Laurence's Cntradictory Attitude Towards Women
     男子沙文主义者还是女性主义盟友——试论D·H·劳伦斯对女性的矛盾态度
短句来源
     The effect of unfavorable situation on the Liangshan fellows' attitude towards,women
     论梁山英雄对女性之态度及其艰难处境
短句来源
     Milton's Attitude Towards Women in Paradise Lost
     论弥尔顿在《失乐园》中对待女性的态度
短句来源
     Women Problem is a part of social problem Attitude towards women marks the civilization degree of a society.
     妇女问题是社会问题的一部分,对待女性的态度标志着一个社会的文明程度。
短句来源
     In view of this, the article tries to explain the theme of the book, its character, craftsmanship and Hemingway's attitude towards women, proving that In Our Time betokens Hemingway's aesthetics thought, striking style and unique writing technique which can all be found in his later works.
     鉴于此,本文试图阐释《在我们的时代里》的主题、人物形象、对女性的态度及其艺术表现诸方面,并从而论证该小说集预示了海明威此后创作的美学思想、文体风格和写作技巧。
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     Milton's Attitude Towards Women in Paradise Lost
     论弥尔顿在《失乐园》中对待女性的态度
短句来源
     The effect of unfavorable situation on the Liangshan fellows' attitude towards,women
     论梁山英雄对女性之态度及其艰难处境
短句来源
     Analysis of Reproductive Women s Attitude towards Contraception Education and Service.
     育龄妇女对未婚避孕教育及服务的态度分析
短句来源
     On the Attitude towards librarians' Research
     图书馆员从事研究活动的心态调适
短句来源
     On the Attitude of Jesus toward Women
     论耶稣的女性观
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  attitude towards women
The Attitude Towards Women Scale, Rotter's locus of control scale, the Ego-Strength Scale, the Self-Esteem Scale, the Liberated Behavior Questionnaire, and the Attitude of Family and Friends Questionnaire were administered to 242 women.
      
The paternalistic attitude towards women restricts their reproductive freedom in natural reproduction.
      


The women's costumes in Tang Dynasty were particularly important to the ancient history of Chinese costume, and had great influence on the development of clothing among neighbouring nationssuch as Japan and Korea. The waistline was the key style line of women's wear in that period. This paper deals with the different kinds of waistline of Tang dresses in order to get a better understanding of the Chinese culture related to clothing and inspiration for contemporary fashion design. The topic is approached from...

The women's costumes in Tang Dynasty were particularly important to the ancient history of Chinese costume, and had great influence on the development of clothing among neighbouring nationssuch as Japan and Korea. The waistline was the key style line of women's wear in that period. This paper deals with the different kinds of waistline of Tang dresses in order to get a better understanding of the Chinese culture related to clothing and inspiration for contemporary fashion design. The topic is approached from social psychological, historical and aesthetic points of view, wall paintings, carvings, terra-cotta figures and other Tang relics were used for visual analysis, and both ancient and modern literature were reviewed to get following conclusions: There were four types of waistline for women's costume in Tang Dynasty, they are, 1) high waistling under the bust; 2) high waistline above the bust; 3) low waistline; and 4) natural waistline. The high waistline under bust was similar to those of the European robes of Empire Style in early 19th century and dresses with features of Art Nouveau in early 20th century. It could be used to build an 8- or X-shaped silhouette, and show a healthy, sometimes strong, plump and resplendent image. It was frequently seen on those ensembles consisted of narrow-sleeved blouse, sleeveless short jacket, long scarve and long-full skirt. The waistline could bc formed by the hemline of the jacket, abelt or sash. The top of the emscmble would likely to have a low neckline showing the cleavage, and the skirt would probably be color-striped. The possible wearer could bc a lady or a dancer. The high waistline above the bust was quite a unique one. It could help to make a O-shappcd silhouette and show a heavily figured, idle but graceful image. It was likely to be found on those ensembles consisted of a wide-sleeved blouse, long silk scarve with painted motifs and long-full skirt. The possible wearer could be a lady or female attendant of high status in royal or other important families. The low waistline was mainly used for masculine robe or coat. The coat could have a round neckline and narrow sleeves, and worn with pants and boots. The belt or sash would be wrapped around the hip line to form a really low waistline. The coat could also have a high-shawl collar and be worn with Persian-styled and stripped pants, boots and leather belts. The most wearers were maids, and would show a masculine gesture, throwing out their bellies a little bit. The natural waistline was not popular during the period and could be considered as the intermediary between the high and low waistline. The different positions of waistline reflected the ideal images of women in Tang Dynasty, and were related to the relatively tolerant attitude towards women, the women's new role during the Empress Wu Period ( 684-704 ), and the androgenous fashion for women.

腰线是决定唐代女装特征的重要因素之一。唐代女装的腰线可分为高腰掩乳、高腰乳下,自然腰线和低腰线4种。其中两种高腰线应用最多,主要见于裙服。低腰线主要用于侍女袍服。自然腰线应用较少。唐代女装的腰线主要由半臂下摆、各种腰带和裙腰上端标出。影响唐代女装腰线处理的因素有:①较为开放的社会风气;②丰腴浓艳雍容华贵的女性理想形象;③女着男装以及仿效胡服胡妆的时尚。以上结论是对壁画、石刘、陶俑和绢画等形象资料作视觉分析并辅以文献考证以后得出的。由于资料的限制,以上结论仅适用于宫庭贵妇宫女、豪门仕女侍妾以及舞妓女乐的穿着。

According to Confucian Analects and correlating materials, Confucius' statement "only women and small men are difficult to cope with" is actually against injustice to women rather than the evidence of discrimination against them, which has been misinterpreted by Confucianists. Confucius' attitude towards women fairly, positively and praisingly. This is also the conclusion drawn by Confucius based on women's social, political, economical and cultural position during the Spring and Autumn Period.

从《论语》内证与相关文献史料来考察,“唯女子与小人为,难养也”是为女子鸣不平,并不是后儒们所曲解而公认的歧视女性的铁证。孔子对女性是平等的、肯定的、赞颂的,这也是孔子根据春秋时期女子在社会政治、经济,文化的地位作用所得出的结论。

Since the Japanese writer Misima Yukio was introduced to China, critics have all paid more attention to the men in his works, arguing that he detests women But in fact, there are many unique and beautiful women in his works, and his works express also feminist conscionsness His contradictory attitude towards women comes from the traditional Japanese culture and his own experences

日本作家三岛由纪夫自从被介绍到国内以来 ,评论界一直将目光聚集在他塑造的男性身上。大多数学者认为他在作品中赞美的是男性 ,对女性是嫌恶的。实际上 ,三岛对女性的态度是矛盾的。一方面 ,他对女性抱有一种隔绝感 ;另一方面 ,他塑造了一批独特的女性形象 ,并在作品中表现出了一种或隐或现的女性主义意识。三岛对女性的这种矛盾态度来自于日本历史文化的积淀 ,以及他自身的成长经历

 
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