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the cross
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  十字架
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    Li Yu on the Cross: A Comparative Study of Multi-religious Tragedies of Emperor Li in the South Tang Dynasty
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    His three books, i.e. Poetic Philosophy, Delivering and Dallying, To the Truth of the Cross, give rise to, and analyze, the main propositions of Poetic Theology, of which Delivering and Dallying, is the most important and controversial.
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    This paper puts Jing character in the gradual progressof the developing history of whole opera, and chooses the cross section of MingLegend to carry on the dynamic , overall case to investigate .
    本文把戏曲脚色净脚的演进放在整个戏曲发展史的流变中,截取明传奇这一横断面,进行动态的、全面的个案考察。
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  the cross
Furthermore, the cross ratio is projective invariant under the projective transformation between the two segments.
      
For all types of quadratic forms, the cross-correlations between geometric sequences and the newly defined quadratic form sequences are determined to extend the results presented by Klapper in 1993 and 1997.
      
A poly(vinyl alcohol) hydrogel was prepared by coupling poly(vinyl alcohol) with epichlorohydrin as the cross-linking agent.
      
Then, the cross-linked magnetic compsoite microspheres containing a carboxyl group were prepared by using an improved emulsion polymerization with divinylbenzene (DVB) as the cross-linking agent.
      
And when the thickness is 0.1 mm the cross-sensitivity will be reduced to 0.006 7 μ?/°C, which is less than 0.08%.
      
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In this paper an analysis is made of the rich tragic vision contained in some of the short stories in Legend by Zhang Ailing. The tragic vision in the short story Be Merciful is mainly seen from the sociological angle, whereas the tragic vision implied in the hard lot of the hero and heroine displayed in the short story Fall in a State Ruining Love is mainly seen at the cross point of sociology and ethics. What is more, full play is given to the tragic vision in the short story The Story of the Gold...

In this paper an analysis is made of the rich tragic vision contained in some of the short stories in Legend by Zhang Ailing. The tragic vision in the short story Be Merciful is mainly seen from the sociological angle, whereas the tragic vision implied in the hard lot of the hero and heroine displayed in the short story Fall in a State Ruining Love is mainly seen at the cross point of sociology and ethics. What is more, full play is given to the tragic vision in the short story The Story of the Gold Lock by a three dimensional framework of visual angle interwoven by sociology, ethics and depth psychology in words that seem to have gone through special immunological treatment which are capable of appealing to readers. Because of the sharp contrast between the extraordinary cold tones in language and the burning hot feelings implied in what she wrote, the esthetic taste of these short stories has become all the more profound and pure.

本文从张爱玲《传奇》里有代表性作品《金锁记》、《倾城之恋》、《红玫瑰与白玫瑰》和《留情》入手,就张爱玲在这些作品中赋予的悲剧意识进行分析。本文认为,她的作品中蕴涵着浓郁的悲剧意识:《留情》主要是从社会学的角度见出这种意识的;《倾城之恋》则主要是在社会学和伦理学的交叉点上显示男女主人公的遭际所暗含的悲剧意义;《金锁记》则更以社会学、伦理学甚至精神分析学的立体视角,用仿佛免疫处理的文字,来发挥小说的悲剧意识,由于文字上异乎寻常的冷色调和在这些文字下滚烫的情感形成强烈的反差,使小说的审美意味变得更加醇正而深厚

By use of the concept of "intertexture" in Chinese rhetoric, this paper makes aninvestigation into the cross-correlation phenomena found in The Scholars, and by use of the term“Parody” to describe the writing interrelation between The Scholars and traditional Chinese literatrue,this paper points out the The achieves a strong irony effect by resorting to intertexture and parody.

本文使用汉语修辞范畴“互文”概念来探讨《儒林外史》的内指涉现象。使用“戏拟”来描述《儒林外史》与中国传统文本的文际关系。指出《儒林外史》通过互文性和戏拟化处理,构成了强烈的反讽效果。

AS a prime minister and famous poet living in the cross-over period of Early and Flourishing Tangs, Zhang Jiuling took the option of fairly mutually-compensating cultural values for the purpose of making all the strict demands upon himself and doing good to the common public, with such a cultural mentality represented by “Zhang Jiuling's Gracious Manner” in his poetry. Following the canon of “ poetry expressing one's will”, reaffirmed by Chen Zi'ang at that time, Zhang Jiuling was more eagerly to recover...

AS a prime minister and famous poet living in the cross-over period of Early and Flourishing Tangs, Zhang Jiuling took the option of fairly mutually-compensating cultural values for the purpose of making all the strict demands upon himself and doing good to the common public, with such a cultural mentality represented by “Zhang Jiuling's Gracious Manner” in his poetry. Following the canon of “ poetry expressing one's will”, reaffirmed by Chen Zi'ang at that time, Zhang Jiuling was more eagerly to recover the tradition of “poetry originated from sentiments” He resorted to roundabout and profound ways of compiling his poetry, but at the same time he displayed those poetic techniques very naturally and graciously, revealing a purely figurative beauty. The option of cultural values and the aesthetic pursuit of poetical works on the side of Zhang Jiuling exerted an immediate influence upon the aesthetic ideal and poetic creation of the officials and literarymen in the Tang dynasty.

在初、盛两唐之交特定的文化语境中,张九龄选择全身持性与兼济 天下兼容互补的价值取向,以守正中和、随缘自适的文化心态面对宦海沉浮。 这种价值取向和文化心态外化为“九龄风度”。张九龄的诗歌是其人生意蕴和 精神风度的艺术凝聚和形象展现。他在陈子昂主张恢复“诗言志”之后,重新 倡导恢复“诗缘情”的传统。他的诗歌创作环譬托谕,随风卷舒,形成委婉深 秀、自然成态之“醇”美。张九龄的价值取向及其诗歌的美学追求直接影响了 盛唐士夫文人的审美理想和诗歌创作。

 
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