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| Sexual activities against the concept of chastity bring about a strong sense of sin, which is not only the main cause of tragedy to Dou'e but also an important factor for the tragic fate to countless "paragons of chastity" in history. At the bottom of her heart, Wu Yueniang has a hidden consciousness of sex thirst and this fact makes her tragedy more common to ancient Chinese women than that of Pan Jinlian. The beliefs these two women hold differ chiefly in their concepts of benevolence, chastity, Retribution... Sexual activities against the concept of chastity bring about a strong sense of sin, which is not only the main cause of tragedy to Dou'e but also an important factor for the tragic fate to countless "paragons of chastity" in history. At the bottom of her heart, Wu Yueniang has a hidden consciousness of sex thirst and this fact makes her tragedy more common to ancient Chinese women than that of Pan Jinlian. The beliefs these two women hold differ chiefly in their concepts of benevolence, chastity, Retribution and the interaction between Heaven and man, as well as in their sense of responsibility. | 贞节观限定范围以外性活动的罪孽感,不但是造成窦娥悲剧的主要原因,而且是造成历史上无数“烈女贞妇”悲剧命运的重要因素。吴月娘内心深处潜藏着性饥渴意识,她的悲剧对中国古代妇女来说比潘金莲的悲剧更具普遍性。两人所恪守的信念,主要体现在对行善、贞节、业报轮回、善恶相报、天人感应等观念虔诚的信奉和强烈的责任感上。 | The flames of war in the 1940s awakened Chinese women and women's literature creation took on an entirely new look. Women's consciousness of sex was further deepened, which strengthened women's thorough understanding of themselves and helped them reach a new height in the self-examination of their own historical destiny and soul's journey; women's writing style became more diversified and women's literature presented unprecedented richfulness; women's saying forms became more nationalized and popularized,... The flames of war in the 1940s awakened Chinese women and women's literature creation took on an entirely new look. Women's consciousness of sex was further deepened, which strengthened women's thorough understanding of themselves and helped them reach a new height in the self-examination of their own historical destiny and soul's journey; women's writing style became more diversified and women's literature presented unprecedented richfulness; women's saying forms became more nationalized and popularized, borrowing from modern techniques in the West as well as taking in the nourishment of Chinese tradition, especially folk literature and art, thus rooted in Chinese people's hearts especially the women's. | 20世纪40年代的连绵战火,唤起中国女性的大崛起,使女性文学创作风貌焕然一新:女性性别意识更加深化,强化了"对于自身透彻的觉悟",对女性本体的历史命运和心灵历程的反思达到新的高度;女性写作形态更加多样化,女性文学呈现前所未有的丰富多彩;女性言说形式更加民族化通俗化,既借鉴西方现代技巧,又汲取中国传统特别是民间文艺的营养,真正走进中国民众特别是妇女心中。 | Yu Dafu's knowledge of Japan contains Japanese politics and military affairs, it region, and its culture and daily life. In his works, his relation with Japan is expressed b(?) the relation of both sexes from these two nations. Here the consciousness of sex and the con(?) sciousness of nation, the identity of a female and the identity of a race are all opposed agains each other. The female characters in his novels represent Yu Dafu' s moral judgment (?) Japan. | 郁达夫主要从政治军事、地域、文化和日常生活三个层面认识日本,他的日本观也表现出三重性,三者既分离又结合。在文学创作中,郁达夫个人与日本的关系主要通过跨种族的两性关系得以体现,性别意识与国族意识、男性身份与民族身份相互对立。小说中的日本女性形象体现了郁达夫对日本的道德评价。 |   | << 更多相关文摘 |
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