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harmonious music
相关语句
  和谐之乐
     Chen Changben's creation and life formed harmonious music.
     陈昌本的创作与人生形成了和谐之乐
短句来源
  和乐
     Musical Records distinguished clearly the relationship of "harmonious music" and "immoderate music", "the Way" and the "lust".
     《乐记》明确辨析了“和乐”与“淫乐”、“道”与“欲”的关系,它虽以乐为名,却礼乐并重。
短句来源
  “harmonious music”译为未确定词的双语例句
     Build the Harmonious Music Environment among Person, Social and the Nature
     营造人与社会、自然相和谐的音乐环境
短句来源
     From the view of physiology, by using the method of documentary, the paper studies the common place between Taichi Quan and music, points out the important value and function of practicing Taichi Quan for the body health and finds the long term practice accompanied with harmonious music can reach the aim of improving body health from both inside and outside and having a longer life span.
     文章运用文献资料研究方法,从人体生理学的视角论述太极拳和音乐的相通之处,指出了太极拳练习对人体健康的重要价值和功能,只要长期坚持练习,并配以轻柔和谐的音乐,可以达到壮内强外、延年益寿的锻炼目的。
短句来源
  相似匹配句对
     music
     音乐
短句来源
     to music?
     音乐怎么了?
短句来源
     On Music Stimulating the Harmonious Development of the Human Being
     如乐之和,无所不谐——论音乐促进人的和谐发展
短句来源
     On Harmonious Blending of Relative Knowledge in Music Teaching
     浅谈音乐教学中相关知识的融汇贯通
短句来源
     Harmonious Loftiness
     谫论和谐的崇高
短句来源
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In three aspects the Zuo Zhuan influence d Xun Zi's theory of music. First, music's supreme quality is peace and harmony. An excellent doctor by the name of "harmony" compared music to medicine. Yan Ying advocated the harmonization of the five tones to maintain heart's peace and balance, Ling Zhou-jiu valued "melody" to be able to enter human ears and dwell in human hearts, with opposition to excessively strong or weak tones. Xun Zi also cherished harmonious affinity, respect, and amiability. Secondly, music...

In three aspects the Zuo Zhuan influence d Xun Zi's theory of music. First, music's supreme quality is peace and harmony. An excellent doctor by the name of "harmony" compared music to medicine. Yan Ying advocated the harmonization of the five tones to maintain heart's peace and balance, Ling Zhou-jiu valued "melody" to be able to enter human ears and dwell in human hearts, with opposition to excessively strong or weak tones. Xun Zi also cherished harmonious affinity, respect, and amiability. Secondly, music produces ethical and political efficacy. The Marquis of Jin stressed that music stabilized virtues, Shi Wei emphasized that harmonious music rendered people harmonious. Thirdly, music disclosed national situations. For instance, the Prince Ji-ja of Wu correctly predicted the fall of State Zheng from the overstress of petty sexual affairs in "the Folk Songs of Zheng". Hence Xun Zi chose the word "flowing" in his maxim "harmonious, merry but not flowing" to describe the Zheng-style lustfulness.

《左氏春秋》在三方面启发荀子(《乐论》)。首先,音乐贵平和。《左传》叙述以和为名的良医类比音乐与医药,晏婴主张调和五声令人心平德和;泠州鸠提出“和声”入耳藏心,反对乐音过度强弱。荀子亦重和亲、和敬、和顺。其次,音乐产生伦理政治效益。晋侯力言音乐稳定德性,士强调“乐和”则可用。荀子洞察音乐中平可使人民谐协。第三,音乐披露国家境况,如吴国公子季札从《郑风》侧重男女琐事而正确预测郑国将亡。荀子主张“和乐而不流”,以“流”形容郑国音乐式的淫荡。

The basic theory of ancient Chinese music has already undergone its elementary stage during the pre - Qin Dynasty era. Concerning temperament, the pre - Qin Dynasty music has no essential distinctions from modern or western music. The difference, however, lies only in the selection of musical scales, i. e. the " five scales" is regarded as the ideal scales, with "harmony" as what it is after. The pre - Qin Dynasty Confucianists, based upon the heritages of the Zhou Dynasty' s rites ( li) and music ( yue) system,...

The basic theory of ancient Chinese music has already undergone its elementary stage during the pre - Qin Dynasty era. Concerning temperament, the pre - Qin Dynasty music has no essential distinctions from modern or western music. The difference, however, lies only in the selection of musical scales, i. e. the " five scales" is regarded as the ideal scales, with "harmony" as what it is after. The pre - Qin Dynasty Confucianists, based upon the heritages of the Zhou Dynasty' s rites ( li) and music ( yue) system, advocated their rites and music ideal of using rites to define the relations and positions of people, and using music to nurture harmony and peace among them" as the basic means to rule the country, which not only deepened the complementary relations between rites and music, but also profoundly enriched the connotations of music. More than the tonal harmony, what is called music refers, the more importantly, to the individual ' s inner pleasure, namely the "voiceless music". This kind of music lays stress upon the identification with the differentiated social norms and criteria from the bottom of the individual' s heart, and consequently on the inner experience of harmonious music obtained from life and practice.

中国古代音乐的基本理论在先秦时期已初具系统。从音律上看,先秦音乐与现代音乐或西方古代音乐不存在本质上的不同,但在音阶的选用上,人们把“五声”视为最理想的音阶,所追求的音乐意念是“和”。先秦儒家在继承周代礼乐制度的基础上提出了“礼以别宜、乐以敦和”的礼乐理想作为治国平天下的基本途径,不仅使礼乐之间的互补关系得到进一步发展,还使“乐”的含义发生了深刻的转化。所谓乐,不仅指声音的和谐,更重要的是内心的愉悦,即“无声之乐”。它所强调的是个人对差别性社会规范即礼的发自内心的认同,并从生活践履中获得和乐的内在体验。

Musical Records in the Book of Rites is a mature article on literature and arts, whose thoughts can be summarized with two words "centrality and harmony ".in the eyes of Confucians in all dynasties, "centrality and harmony :" is the peak realm of self-cultivation .literary works and national affairs management ,and also is the highest life pursuit and aesthetic standard. Musical Records distinguished clearly the relationship of "harmonious music" and "immoderate music", "the Way" and the "lust"....

Musical Records in the Book of Rites is a mature article on literature and arts, whose thoughts can be summarized with two words "centrality and harmony ".in the eyes of Confucians in all dynasties, "centrality and harmony :" is the peak realm of self-cultivation .literary works and national affairs management ,and also is the highest life pursuit and aesthetic standard. Musical Records distinguished clearly the relationship of "harmonious music" and "immoderate music", "the Way" and the "lust". Even though so titled musical records, it actually paid equal attention to music and rites.

《礼记·乐记》是先秦时期一篇极其成熟的文艺理论论文。我们可用“中和”二字来概括其文艺思想。在历代儒家心目中,“中和”是个人品格修养、文学艺术作品和治国平天下所要达到的最高境界,是最高的人生追求与审美理想。《乐记》明确辨析了“和乐”与“淫乐”、“道”与“欲”的关系,它虽以乐为名,却礼乐并重。“乐”是德音,凡是堪称为“乐”的文艺都应具有和谐中正的特征。

 
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