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ode to orange
相关语句
  《橘颂》
     From Ode to Orange to the Traditional Features of Eulogistic Poetry
     《橘颂》及咏物诗的传统特色
短句来源
     From text and emotion expressing in QU Yuan's works,gladness and brightness in Ode to Orange Trees、 Jiuge showed QU Yuan's beamish and happiness in youth;
     从屈赋的文本及其表露的情绪脉络来看,《橘颂》、《九歌》的欢快明朗显示着青年屈原的春风得意、英姿勃发;
短句来源
  相似匹配句对
     Ode to the Pearl
     珍珠颂
短句来源
     Ode to the lighthouse
     灯塔颂
短句来源
     Ode of solilude
     隐居颂
短句来源
     Ode to the Oranges
     《橘颂》赏析
短句来源
     APPLICATIONS OF ODE METHOD
     APPLICATIONS OF ODE METHOD
短句来源
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Poetry and prose of the Pre Qin Dynasty are not what has been described by forerunners as the products in their beginperiod.They absorb features of both poetry and prose,and grow into maturity and perfection,thus fu(descriptive prose interspersed with verse)falling into three major patterns:“A Piece of Fu”as its typical example,already having the primary form;“lisao”(Thought and Grief at Separation)and “Nine Chapters”(with)“Ode to Oranges”excluded),as its representative instance,with almost nothing different...

Poetry and prose of the Pre Qin Dynasty are not what has been described by forerunners as the products in their beginperiod.They absorb features of both poetry and prose,and grow into maturity and perfection,thus fu(descriptive prose interspersed with verse)falling into three major patterns:“A Piece of Fu”as its typical example,already having the primary form;“lisao”(Thought and Grief at Separation)and “Nine Chapters”(with)“Ode to Oranges”excluded),as its representative instance,with almost nothing different from the style of the Han fu(Fu of the Han Dynasty)in terms of expressing emotions,making statements,and giving advice by virtue of lamentable parables,thus being in possession of dual characteristics of poetry and prose;“Gaotang”(Tang his Majesty)and “Goddess”,being the source of prose fu.In addition,before this works such as“Choosing a Living Site”,“A Fisherman”and “Two cakks fir Return”,are beginning ones of prose fu that are characteristic of the fu styple,and because of this,may by called“para fu”.

先秦辞赋并非如前人所述是辞赋的萌芽期。它结合了诗、文的特征走向完善与成熟,并具备了三大类赋体格式:以《赋篇》为代表,已露诗体赋之端倪;以《离骚》、《九章》(《桔颂》除外)为代表的骚,于抒情言志、哀怨讽谏与诗无异,而其句式、结构、韵式等与汉骚体赋一致,因而身兼诗、赋双重特质;而《高唐》、《神女》开散体赋之先河。同时,在此之前,《卜居》、《渔父》、“二招”等作品,初具赋体特征,称之为“准赋”

This paper traces the development of the ode in ancient China back to The Ode to Orange by Qu Yuan, and then reveals the historical significance of the odes written by the Early Tang Quaternion, who inherited the tradition of alertness to objective correlatives and aesthetic insight, rejected the slouchy practice of imitation in the court poems of Qi and Liang dynasties, and established a fresh and vigorous style of poetry which always remains a source of great inspiration to poets to come.

通过梳理我国古代咏物诗的发展线索 ,明确初唐四杰的咏物诗在继承屈原《橘颂》以来早期咏物诗托物寄兴、遗形写神的传统精神和表现手法的同时 ,改变了齐梁宫体诗著题写物、因袭模拟的陋习 ,展现了鲜明的时代风貌和刚健活泼的诗风 ,并从精神气骨上对后世咏物诗产生影响 ,由此揭示其在文学史上继往开来的重要地位

Born in the beginning of Western Han Times, poetic prose was an intricate literary form combining elements of poetry and prose. Compared with other types of proses, it had the following three features: four words to make a sentence; things to be changted for;images to express meaning. Its birth and development had a lot to do with the early Qin Dynasty poems,but should owe its real origin to "Ode to Oranges" written by Qu Yuan and "Prose Writtings" by Xun Qin, which had already contained the three features....

Born in the beginning of Western Han Times, poetic prose was an intricate literary form combining elements of poetry and prose. Compared with other types of proses, it had the following three features: four words to make a sentence; things to be changted for;images to express meaning. Its birth and development had a lot to do with the early Qin Dynasty poems,but should owe its real origin to "Ode to Oranges" written by Qu Yuan and "Prose Writtings" by Xun Qin, which had already contained the three features. The style of ' Xiang Ma Jiang , a pre-Qin book copied on silk was similar to that of prose writing,and could be consulted in the study of Han poetic prose.

诗体赋主要产生于西汉初期,作为汉赋中的一种体式,它兼有诗与赋两种特征。与同为汉赋的散体赋和骚体赋相比,诗体赋的特征主要表现在三方面:语言上多四言整句;内容上多为咏物题材;表现手法上多以象托意。诗体赋的产生和发展脱离不了与先秦诗歌的关系,但真正作为诗体赋的滥觞,应当是屈原的《橘颂》和荀卿的《赋篇》五(?),它们已经基本具备了诗体赋的三个特征。先秦帛书《相马经》文体类似于赋,对于研究汉代诗体赋的形成也具有一定参考价值。

 
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