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the middle tang
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  中唐
    the second phase occupies the late stage of the early Tang, the third and the fourth periods coincides with the flourishing period of the Tang Dynasty, the middle Tang and the late Tang belong to the fifth and the sixth stages.
    通过对典型墓葬形制、随葬器类组合及其内部构成的演变和典型器物形制的分析排比,初步将洛阳地区隋唐墓葬分为隋及初唐早期、初唐晚期、盛唐早期、盛唐晚期、中唐时期和晚唐时期六期。
短句来源
    As the largest category of buried artifacts, porcelains including bowl, jar, pot and others are paint in green, blue-white, black and white glazes, and it is suggested that these porcelains were made in the Changsha Kiln in Hunan, the Qingshan Kiln in Wuchang, Hubei and kilns in Sichuan respectively. It indicates that during the period varying from the Middle Tang to the Song Dynasty, frequent economic and cultural exchange occurred between Three Gorges area and other areas.
    瓷器是望江墓群的主要随葬品,器形包括碗、罐、壶等十多种,并有青、青白、黑、白等多种釉色,分别来自湖南长沙窑、武昌青山窑及四川地区的窑场,表明中唐以后迄宋代,三峡地区经济有了很大发展,与外界的经济文化交流己很频繁。
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A map of Mount Wutai 五台山 can be seen in the Dunhuang Mogao Caves no.61 dated in the Five Dynasties. This map is very similar to that which had been found and recorded by Yuanren 圆 仁, a Japanese monk of the Tang Dynasty. Conclusion can be reached that the two were copied from same sample. The similar maps can he seen in the other caves, which belong to the middle Tang Dy- nasty (781-848). Comparing these maps with that of Central Plain, this paper thinks that the early copies for reproduction of...

A map of Mount Wutai 五台山 can be seen in the Dunhuang Mogao Caves no.61 dated in the Five Dynasties. This map is very similar to that which had been found and recorded by Yuanren 圆 仁, a Japanese monk of the Tang Dynasty. Conclusion can be reached that the two were copied from same sample. The similar maps can he seen in the other caves, which belong to the middle Tang Dy- nasty (781-848). Comparing these maps with that of Central Plain, this paper thinks that the early copies for reproduction of the maps are originated from central China. The arts from Sogdian Area of Central Asia gave a strong influence on the maps of Mount Wutai.

莫高窟第61窟《五台山化现图》的底本来自中原。本文从莫高窟中唐时期的五台山化现屏风日内容比较、图像的来源、中原早期底本的文殊骑狮图像及其来源传说等,对该图早期底本形式、特别是其图像的来源受粟特艺术的影响这一特点作了论述。

Locating in the Three Gorges Reservoir Area, the Wangjiang burials contain tombs mainly dated to the Tang and Song Dynasties, while some can be designated to the early phase of Six Dynasties period. The majority of tombs are small in size, and earth pit or cave in shape. Middle-sized ones are in the form of stone chamber or brick tomb. As the largest category of buried artifacts, porcelains including bowl, jar, pot and others are paint in green, blue-white, black and white glazes, and it is suggested...

Locating in the Three Gorges Reservoir Area, the Wangjiang burials contain tombs mainly dated to the Tang and Song Dynasties, while some can be designated to the early phase of Six Dynasties period. The majority of tombs are small in size, and earth pit or cave in shape. Middle-sized ones are in the form of stone chamber or brick tomb. As the largest category of buried artifacts, porcelains including bowl, jar, pot and others are paint in green, blue-white, black and white glazes, and it is suggested that these porcelains were made in the Changsha Kiln in Hunan, the Qingshan Kiln in Wuchang, Hubei and kilns in Sichuan respectively. It indicates that during the period varying from the Middle Tang to the Song Dynasty, frequent economic and cultural exchange occurred between Three Gorges area and other areas.

湖北秭归望江墓群是三峡库区一处以晚唐北宋为主并可早到六朝前期的墓群。墓群以小型土坑墓为主,并有少量土洞墓,中型墓均为砖室或石室墓。瓷器是望江墓群的主要随葬品,器形包括碗、罐、壶等十多种,并有青、青白、黑、白等多种釉色,分别来自湖南长沙窑、武昌青山窑及四川地区的窑场,表明中唐以后迄宋代,三峡地区经济有了很大发展,与外界的经济文化交流己很频繁。

In the situation of "supernatural style works" and Chinese realistic painting of the overall painting in the Tang Dynasty,the "ease works" in liberal style of flowers and birds painting on ceramics from the Changsha Tongguan kiln in the Tang Dynasty appeared and became very popular at that time.In the history of Chinese painting,the reason why Chinese realistic painting has done the historical contribution that is of perspective significance and it turned out not to be accidental is because that...

In the situation of "supernatural style works" and Chinese realistic painting of the overall painting in the Tang Dynasty,the "ease works" in liberal style of flowers and birds painting on ceramics from the Changsha Tongguan kiln in the Tang Dynasty appeared and became very popular at that time.In the history of Chinese painting,the reason why Chinese realistic painting has done the historical contribution that is of perspective significance and it turned out not to be accidental is because that Tongguan kiln possessed technological conditions and the bold emotion and unrestrained Chu cultural tradition as well as Changsha countryside environment far away from the Capital Changan.Therefore,the concept of "ease work"by the scholars from this region since the middle Tang Dynasty has been acceptable.Though the flowers and birds painting from Tongguan kiln was just a work of painter,it was considered to be more mentally healthy compared with the overbearing Chinese ink painting of flowders and birds in liberal style by the scholars in the Ming and Qing Dynasties.

在唐代整体绘画“神品”性质、工笔画法的形势中 ,陶瓷绘画的唐代长沙铜官窑花鸟画以大写意“逸品”性质迥出时风。在中国绘画史上 ,对大写意花鸟画具有前瞻性意义的历史贡献。之所以有这样的贡献并非偶然 ,是由于铜官窑工艺技术方面具备条件 ,情感奔放的楚文化传统具备条件 ,远离京城长安的长沙地野逸环境具备条件 ;从而对于中唐后该地域产生的文人“逸品”观念呈接受状态。铜官窑花鸟画虽为画工作品 ,却比明清文人牢骚感的狂墨大写意花鸟画来心理要健康得多。

 
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