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classical style poetry
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     On the Transformation of Style of Classical Chinese Poetry
     论古典诗体形式的形成与变异
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     On the Style Classification of Chinese Classical Poetry
     试论中国古典诗词的风格分类
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     On the characteristics and cormation cause of the style of Chinese classical poetry
     中国古典诗歌形式的本体性特征及其成因初探
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     There are 36 modern style poetry and 25 classical poetry .
     其中近体诗36首,古体诗25首;
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     On the style of Yian Ci poetry
     再议易安词的风格
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Zengji' s Poems are influential and large in number, thus provide important database for the study of the phonetic system in Southern - Song Dynasty. The study on his Classical Style Poetry shows that the rhyme is devided into twenty - one sections, among which fourteen are in level tone , Han - huan section is separated from Xian - Xian Section, the practice of Yuan rhyme is particular; the phenomenon of rising tone and falling tone mutually - rhymed is not unusual and there are more Rising tone than...

Zengji' s Poems are influential and large in number, thus provide important database for the study of the phonetic system in Southern - Song Dynasty. The study on his Classical Style Poetry shows that the rhyme is devided into twenty - one sections, among which fourteen are in level tone , Han - huan section is separated from Xian - Xian Section, the practice of Yuan rhyme is particular; the phenomenon of rising tone and falling tone mutually - rhymed is not unusual and there are more Rising tone than Falling tone in Voiced - sound of Rising tone; the remaining seven sections are in entering tone, with - p,- t,- k tail vowel completely kept. The rhyming of his Modern Style Poetry is regular and devided into fifteen sections, Borrowed - rhymes is common while unfit - rhymes and special rhyme remained.

曾几诗歌数量丰富且影响较大,是研究南宋初期语音的重要语料,对其诗韵的研究可知:古体诗分为21部,其中舒声14部,寒桓与先仙分部,元韵用法特殊,有一定比例的上去通押现象,浊上用如去声的数量高于用如上声;入声7部,保留了完整的-p、-t、-k韵尾。近体诗分为15部,用韵规整,但也有些出韵,借韵现象很普遍,同时存在一些特殊韵字。

Since the Ming and Qing Dynasties, disagreements abound concerning the value of Ming Dynasty Poetry. Xu Xueyi's understanding of the overall achievements of Ming Dynasty poetry and his style-distinguishing criticism on the various poets of the Dynasty are of great value for us to have an objective evaluation of Ming Dynasty poetry. Xu thinks that although the overall achievements of Ming Dynasty poetry were not comparable to the preceding dynasties, it does not mean that no poems...

Since the Ming and Qing Dynasties, disagreements abound concerning the value of Ming Dynasty Poetry. Xu Xueyi's understanding of the overall achievements of Ming Dynasty poetry and his style-distinguishing criticism on the various poets of the Dynasty are of great value for us to have an objective evaluation of Ming Dynasty poetry. Xu thinks that although the overall achievements of Ming Dynasty poetry were not comparable to the preceding dynasties, it does not mean that no poems in the Ming Dynasty were as good as those of the Dang poets. The highest achievements of Ming poems fall in the styles of Gexing and Qilu. Gao Qi and Yang Shiqi of the early Ming Dynasty were good at Wuyan classical-styles poetry and had no match in the mid and late Ming Dynasty. Although there were great masters of Gexing style poetry in every period, Li Mengyang and Gao Qi occupied the highest place in terms of achievement. The Qilu style became more mature in the mid and late Ming Dynasty with He Jingming being the top achiever in this respect . The style became more magnificent in the Jiajing period but lacked creativity.

关于明代诗歌的价值,明清以来有诸多纷争。许学夷对明诗总体成就的认识及对明代诸名家诗的辨体批评实践,对于我们更为客观地评价明诗有着重要的参考价值。许学夷认为,明诗总体成就虽无法与前代相比,但这并非等于明人没有创作出直追唐人的好诗。明诗成就最高的两种体裁是歌行与七律。明初高启、杨士奇等人擅长五言古诗,明中后期诗人无法企及;歌行体各个时期均有大家,以李梦阳、高启成就为最高;七律在明中后期较为纯熟,何景明为明朝七律第一,至嘉靖诸子虽气象宏大而实少变化,日益趋于雷同。

The paper studies the rhyming in the classical-style poetry of Zhang Lei who lived in the late of Northern Song Dynasty. In classical-style poetry, there are a few cross-rhyming in Yin-Sheng-Yun(阴声韵) and cross-rhyming among -m、-n and -N in Yang-Sheng-Yun(阳声韵) in different level. A few labial initial characters You-Hou(尤侯) rhyme category have changed into Yu-Mu(鱼模) rhyme category. And there are many cross-rhyming in Ru-Sheng-Yun(入声韵) that do not belong to the same Yun-She(韵摄)....

The paper studies the rhyming in the classical-style poetry of Zhang Lei who lived in the late of Northern Song Dynasty. In classical-style poetry, there are a few cross-rhyming in Yin-Sheng-Yun(阴声韵) and cross-rhyming among -m、-n and -N in Yang-Sheng-Yun(阳声韵) in different level. A few labial initial characters You-Hou(尤侯) rhyme category have changed into Yu-Mu(鱼模) rhyme category. And there are many cross-rhyming in Ru-Sheng-Yun(入声韵) that do not belong to the same Yun-She(韵摄). The paper concludes that the rhyme feature of Zhang lei reflects the phonetic characteristic of Jiang-Huai Mandarin(江淮官话).

北宋晚期诗人张耒的古体诗阴声韵偶有通叶,阳声韵m、n、N尾不同程度地混押,个别尤侯部唇音字已转入鱼模部,不同摄的入声韵混押情况较多,一定程度上反映了当时江淮方言的语音特征。

 
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