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paintings on silk
相关语句
  帛画
     Paintings on silk and tomb frescoes of the West Han Dynasty are mainly centered around the subject of "becoming an immortal", which reflects the prevailing concept of believing in the immortal in Qin and Han Dynasties when people dream to surpass their natural lives to immortal.
     两汉帛画、墓室壁画总体上以“升仙”为主题,这一主题作为秦汉之际神仙信仰的中心观念,在幻想的形式中追求突破生死大限,企盼达成长生不死的愿望。
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  相似匹配句对
     The Paintings of Dunhuang
     画染敦煌
短句来源
     Glass Paintings
     玻璃彩绘
短句来源
     On Boldis' Paintings
     论巴尔蒂斯的绘画
短句来源
     Paintings by Michael Esson
     迈克尔·艾森绘画作品
短句来源
     The Making Process of Silk Paintings
     丝画制作工艺
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By checking the paintings and pictorialarts of different periods such as the patternson the colored pottery of the Neolithic stage ,cliff and rock paintings, paintings on silks,illustrated stone and brick, frescos and theexisting painting works of Jin, Tang andWudai Dynasties etc., the author try todemonstrated the portrait - centered characteristics of the ancient Chinses paintings,then she traces the change of the topics andforms in the development of the early Chinese paintings...

By checking the paintings and pictorialarts of different periods such as the patternson the colored pottery of the Neolithic stage ,cliff and rock paintings, paintings on silks,illustrated stone and brick, frescos and theexisting painting works of Jin, Tang andWudai Dynasties etc., the author try todemonstrated the portrait - centered characteristics of the ancient Chinses paintings,then she traces the change of the topics andforms in the development of the early Chinese paintings art.

本文从实物资料出发,证明中国早期绘画从新石器时代的彩陶图纹、岩画,经战国秦汉时期的帛画、画像石刻、壁画到传世的卷轴画以人物为主流题材的特点,同时勾勒出这一漫长历史过程中选材与构图方式的阶段性变化。

In grottos and temples along the Heal Corridor are there pieces of classical Chinese painting on silk, and murals,which are about the story of the Tang monk going to acquire acquire,and which are handed down from different historical periods. Found in the Donghuang scripture-hiding cave, the silk painting of the late Tang Dynasty portraying an itinerant monk accompanied by a tiger, indicates that the story of the Tang monk acquiring scriptures had ben evolving from a story of ed people and...

In grottos and temples along the Heal Corridor are there pieces of classical Chinese painting on silk, and murals,which are about the story of the Tang monk going to acquire acquire,and which are handed down from different historical periods. Found in the Donghuang scripture-hiding cave, the silk painting of the late Tang Dynasty portraying an itinerant monk accompanied by a tiger, indicates that the story of the Tang monk acquiring scriptures had ben evolving from a story of ed people and real events to a legendary one. The picture of the Tang monk going to acquire scriptures found in the Yulin grotto of Anxi county, has ben considered to be a work which was finished in the pened of the Western Xia regime, at least 100 years earlier than the appearance of A Vernacular Story with Poems of the Tang Monk Going to Acquire Scriptures in the Southern Song Dynasty. The Journey to the me the Pictures Telling the Story,collected in the Grand Buddha Temple of Zhangye is, again, over 200 years over than the completion of m Journey to the West in the book form. all of these Pictures are the convincing find-hand data helpful and conducive to the study of the culture of The Journey to the West and the scripture-acquiring complex fond through long years of integration on the Silk Road. So it is of much significance to excavate the culural resources of The Journey to the wet along the Hexi Corridor in opening up all expanding us domains of research in Donghuangology and the relationship between the Hexi culture and The Journey to the West.

在河西走廊的石窟和寺庙中,有几幅不同时代留下的以唐僧取经故事为内容的绢画或壁画。莫高窟藏经洞发现的晚唐绢画虎伴行脚僧图,说明初唐的唐僧取经故事正在由真人真事向传奇故事逐步演化。安西榆林窟的唐僧取经图被认为是西夏时的作品,比南宋出现的《大唐三藏取经诗话》至少早100年。张掖大佛寺的《西游记》连环画为元末明初的作品,比《西游记》成书早200多年。这些图画是研究《西游记》文化和古丝绸之路上长期凝聚而成的取经情结最有说服力的第一手资料。挖掘河西走廊的《西游记》文化资源,在敦煌学、河西文化与《西游记》之间的关系上开辟和扩大新的研究领域,当有重要意义。

Mr Inoue, a Japanese scholar, developed the doctrine of Mr Akazuka Tadashi and gained a new understanding of such sections in The Book of Songs as "Feng"(ballads), "Ya"(dynastic hymns), and "Song"(sacrificial songs). Mr Ishikawa makes a comparative study of The Songs of Chu and some unearthed archaeological data in the regions of the Yangtse River valley and the State of Chu(Hubei) during the periods of Warring States, the Qin and Han Dynasties. Mr Ishikawa's study method opens up a new field of research that...

Mr Inoue, a Japanese scholar, developed the doctrine of Mr Akazuka Tadashi and gained a new understanding of such sections in The Book of Songs as "Feng"(ballads), "Ya"(dynastic hymns), and "Song"(sacrificial songs). Mr Ishikawa makes a comparative study of The Songs of Chu and some unearthed archaeological data in the regions of the Yangtse River valley and the State of Chu(Hubei) during the periods of Warring States, the Qin and Han Dynasties. Mr Ishikawa's study method opens up a new field of research that philology has no access to. Mr Ishikawa's study of The Songs of Chu differs from Dr Akazuka Tadashi or other scholars in that he has made a good use of the paintings on silk unearthed from Han tomb at Mawangdui and other archaeological data about the Yangtse River valley and the State of Chu(Hubei).

日本学者家井先生继承赤冢忠先生的学说并加以批判性、实证性的发展 ,从而对《诗经》的《风》、《雅》、《颂》以及“兴”提出了新的理解。石川三佐男先生在楚辞研究中 ,采用了把战国秦汉时期长江流域、楚地等出土的考古资料与《楚辞》诸篇进行比较研究这一前所未有的方法。通过这种方法可以开拓出仅靠文献资料和文献学不能进入的领域。石川先生的《楚辞》研究 ,是以他在二松学舍大学研究生院攻读时 ,在赤冢忠博士指导下所学到研究《诗经》、《楚辞》的方法为基础的。石川先生的研究与赤冢忠博士和其他楚辞研究者的方法截然不同的是 ,他运用了马王堆汉墓出土的“帛画” ,并特别重视长江流域和楚地出土的考古资料。

 
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