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western movies
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  西方电影
     The Comparative Research of the Image of the Christ in Western Movies
     西方电影中的基督形象比较研究
短句来源
     A Reflection on Chinese Ethical Situational Movies' Successful Using the Narrating Methods of Western Movies for Reference
     中国伦理情节剧对西方电影叙事方法的成功借鉴
短句来源
     In the process of intercommunication between Chinese culture and Western culture, the development ofChinese ethical situational movies is continually influenced by the narrating methods of western movies.
     中国伦理情节剧电影是在中西文化的交汇中,直接受到西方电影叙事方法的影响而不断发展的。
短句来源
     But most of these means are just the imitations of western movies.
     但是,我们不得不承认,这些时尚的表现手法多半是从西方电影中模仿和借鉴来的,从整体来看,近年来的许多电影模仿痕迹很重,缺乏原创性。
短句来源
     The discourse of homosexuality has existed in western movies for nearly 100 years and an avalanche of homosexual texts have been produced.
     在西方电影中,同性恋话语表达已有近百年的历史,涌现了大量同性恋文本,并在二十世纪九十年代之后形成“喧嚣之势”,不断突破主流文化的禁忌,以后现代的酷儿姿态表达着异质多元的主张。
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  西部影片
     A Comparison Between Chinese Western Movies and American Western Movies
     美国西部影片与中国西部影片之比较
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  英美电影
     Application of the Apprecia tion of Western Movies in College English Teaching
     经典英美电影赏析在大学英语教学中的应用
短句来源
     Adopting multimedia devices and communicative teaching method, combining the ap preciation of classical western movies and college English teac hing effectively is one of the best ways to motivate students' interests,to off er them more opportunities to learn foreign culture,an d to improve their commu nicative ability.
     运用多媒体教学平台,按照交际法的教学原则,把经典英美电影赏析与大学英语教学有机结合,是激发学生学习兴趣,了解西方文化,提高交际能力的有效途径。
短句来源
  “western movies”译为未确定词的双语例句
     COMPARATIVE STUDY ON CHINESE WESTERN FILMS AND AMERICAN WESTERN MOVIES
     中国西部电影与美国西部片的比较研究
短句来源
     A Brief Survey of China Western Movies
     中国西部电影简论
短句来源
     Swordsmen films are mature. In the 110 years of world film history, only American Western movies and Chinese martial art films have lasted so long and have such a great impact on the world film production.
     “武侠片”是我国民族电影成熟的类型,在 110 年的世界电影史上,只有美国的“西部片”和中国的“武侠片”拥有这样长的历史并对世界电影的发展产生了如此巨大的影响。
短句来源
     China Western Movies in this thesis refer to those movies cast since 1984 in the unique natural, geographical and historical Western regions, depicting the social historical conditions, human spirit and life joys and sorrows in West China.
     本文所谓“中国西部电影”,指的是1984年以来,以西部独特的自然地理环境和历史文化为背景,主要以反映西部社会历史、人文精神和人生悲欢为特点的电影。
短句来源
     China Western Movies are in constant change and development. According to their style and content, the thesis classifies the twenty-some years of western movies development into four periods, namely Forming Period, Lingering Period, Development Period and Exploring Period, and analyzes in depth representative works of each period from perspectives such as the nature and historical culture depicted, the demands of times reflected, and evaluation and reflection on national development.
     中国西部电影是处在不断的发展变化之中的,本文根据它们的形态风格和表现内容的不同,将西部电影二十多年来的发展历史划分为奠定期、徘徊期、发展期、探索期四个时期,并深入分析每个时期代表作品的特点:包括表现的自然和历史文化、反映的时代要求、对民族发展的审视与思考等方面。
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To a certain extend,the passage can be termed as″the Oriental Violence Aesthetics″as well as″the Popular Aesthetics″which leads to the summarized statement how to show the variety of features of image stories,the audio-visual language,the orientation of cultural val-ue and the psychological confirmation as well,in which there are something looking very nice in China movies especially ones in Hong Kong.The author tries to find out the great difference between the western movies(especially the action...

To a certain extend,the passage can be termed as″the Oriental Violence Aesthetics″as well as″the Popular Aesthetics″which leads to the summarized statement how to show the variety of features of image stories,the audio-visual language,the orientation of cultural val-ue and the psychological confirmation as well,in which there are something looking very nice in China movies especially ones in Hong Kong.The author tries to find out the great difference between the western movies(especially the action films in Hollywood)and the oriental ones.

本文在一定程度上沿用了对“东方暴力美学”的“通俗化唯美主义”的理解,并在此基础上,引申为中国电影(以香港动作片为主体)中暴力场面“看上去很美”背后的影像故事构成、视听语言风格、文化价值取向和心理认同等种种特征的总括性表述,并试图找到和西方电影(以美国好莱坞动作片为主体)大异其趣之处。

The main idea of the nature of nation is different from the nationalism, the nationality and the characteristics of nation. What the nature of nation just stresses how to push forward the nature of our own nation and show the contents of our nation relying on using the others' experience in foreign movies for reference. We are in such a situation that the movie discourse tends to being more and more popular and global as well as the audience's audio-visual capacity being the same as the main trend in the world...

The main idea of the nature of nation is different from the nationalism, the nationality and the characteristics of nation. What the nature of nation just stresses how to push forward the nature of our own nation and show the contents of our nation relying on using the others' experience in foreign movies for reference. We are in such a situation that the movie discourse tends to being more and more popular and global as well as the audience's audio-visual capacity being the same as the main trend in the world today. So how to take advantage of the experience and the discourse of the western movies to improve and develop own ours so that China movies can be made nicer and more attractive with its artistry while trying to show its orient characters with its value sense, regional colors, custom and aesthetic conception as well is considered as the really national connotation of China movies when meeting with the world movies getting more and more "Americanization".

“民族化”的主要内涵,并不等同于民族性、民族特色或者民族主义,而更在于强调通过借鉴外国电影的他者经验来更好地突出自身的民族品格,来为表现本民族的内容题材服务。在电影语言日趋国际化、通行化以及观众视听感觉日益趋同化的情况下,如何“化” 西方霸权式的电影经验、电影语言为我所用,将中国电影做得好看、耐看、有艺术性,同时又能在价值观念、地域色彩、风俗习惯、审美理想等方面凸显出中华民族独特的东方品格,是当前在全球电影面临“美国化” 的境遇下,提出中国电影“民族化” 的真正内涵。

In the process of intercommunication between Chinese culture and Western culture, the development ofChinese ethical situational movies is continually influenced by the narrating methods of western movies. During the periodof May 4th movement, the aestheticism conception of Wastern movies, which put much emphasis on the artistic value ofmovies and the expressive force of the images of movies, enriched the techniques of expression of Chinese ethical situation-al movies. Moreover, the conception...

In the process of intercommunication between Chinese culture and Western culture, the development ofChinese ethical situational movies is continually influenced by the narrating methods of western movies. During the periodof May 4th movement, the aestheticism conception of Wastern movies, which put much emphasis on the artistic value ofmovies and the expressive force of the images of movies, enriched the techniques of expression of Chinese ethical situation-al movies. Moreover, the conception of Hollywood movies of situation, which stressed the dramatic features of the narra-tion, broadened the scope and the choice of narration. Chinese ethical situational movies have employed several Westarn-narrating techniques in the arrangament of scenarios, such as linear structure, principle of parallel narration, technique of"intersecting montage", etc.

中国伦理情节剧电影是在中西文化的交汇中,直接受到西方电影叙事方法的影响而不断发展的。“五四”前后,欧洲早期电影的唯美主义注重影片的艺术价值和电影画面造型的艺术表现力的美学观念和电影经验,丰富了伦理情节剧的表现手法,对中国伦理情节剧电影产生了影响;好莱坞情节剧强调叙事的戏剧性,拓展了叙事的空间和选择的可能。在叙事情节的安排上,其开端、发展、高潮和结局的线型结构、格里菲斯确立的平行叙述原则、体现紧张叙事节奏的“交叉蒙太奇”技巧,以及突出戏剧性效果的“最后一分钟营救”等叙事方法,都在中国伦理情节剧电影的叙事体系中得到了成功的借鉴。

 
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