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A commonly accepted way of construction of hierarchical systems is to combine shared-memory (shared-everything) clusters in a unique system without shared resources.
      
Everything aforementioned substantially affects the possibility of using nitrates as the corrosion inhibitors of stainless steel in acidic media.
      
The modern paradigm assumes that the fundamental theory of everything is some form of string theory living in space of more than four dimensions.
      
Abundant and diverse fossils occurring in the succession evidence that volcanism responsible for origin of the plateau basalt province in Siberia was not a brief epoch of paroxysmal eruptions, which eliminated everything alive.
      
The central act of the new era is to connect everything to everything in deep web networks at many levels of mutually interdependent relations, where resources and activities are shared, markets are enlarged and costs and risk are reduced.
      
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In the 1990' s, contemporary Chinese aesthetics, after a discussion of practice ontology, introduced the conception of life ontology. Up until then, the mutually- supplementary framework of aesthetical humanities had been established which laid emphasis both on subjectivity and on individuality. Unfortunately, neither of the two schools of humanistic aesthetics seems to be extensive enough to convincingly expound, in terms of theory, such issues as the harmonious coexistence of man and nature and the independence...

In the 1990' s, contemporary Chinese aesthetics, after a discussion of practice ontology, introduced the conception of life ontology. Up until then, the mutually- supplementary framework of aesthetical humanities had been established which laid emphasis both on subjectivity and on individuality. Unfortunately, neither of the two schools of humanistic aesthetics seems to be extensive enough to convincingly expound, in terms of theory, such issues as the harmonious coexistence of man and nature and the independence of the aesthetical value of nature itself since they have both exposed a prominent quality of self-centralism of humanity by showing close concern only with the status of man as subject and his present survival. In this case, a new understanding of the relationship between man and things Cannot be established, nor can the theoretical basis of practice and life aesthetics be found for a new surge of advancement unless the notion that everything has a life of its own is established and the conception that everything is qualified as subject is accepted.

20世纪90年代,中国当代美学在实践本体论之后提出了生命本体论的构想。至此,对于美学的人学研究,分别以对主体性和个体性的强调形成了一个相互补充的框架。但是,在当代生态问题越来越严峻的背景下,这两种“人学化的美学”明显因其强烈的人类自我中心主义色彩而显得狭隘──它们更多地关注人的主体地位和人的当下生存,而对人与自然之间怎样和谐共存的问题、以及自然本身审美价值独立性的问题,却没能作出令人信服的理论阐释。据此,确立万物皆有生命的观念,承认万物各有其主体性,是形成新型人、物关系的前提,也是生态美学对实践美学和生命美学进行新一轮超越的理论基点。

The Chinese ancient's concern with beauty started with the experience of their own dynamic lives. And then an idea that aesthetic perception is from dynamic life was distilled to be the central mind of aesthetics. And this idea was extended to be another aesthetic standand everything in the world is beautiful for its life, that is, nature and human beings fuse together. In view of the above topic, the present paper analyzes many ancient aesthetic actions concerning with this topic, creating and accepting....

The Chinese ancient's concern with beauty started with the experience of their own dynamic lives. And then an idea that aesthetic perception is from dynamic life was distilled to be the central mind of aesthetics. And this idea was extended to be another aesthetic standand everything in the world is beautiful for its life, that is, nature and human beings fuse together. In view of the above topic, the present paper analyzes many ancient aesthetic actions concerning with this topic, creating and accepting. From the substance and connotation of such terms as fates and feelings, free and unfettered states, nothingness, life likeness, nature and soon. The writer got basic feature of the Chinese ancients' aesthetic standards. Especially, the notes to the term, free and unfettered emphasize on the facts of aesthetic standards, that is, free is unfettered too, which has and original meaning.

中国先民对美的观照从对自身生命运动的自我体验开始,升华为“美是生命运动”的核心理念,泛化出宇宙万物都有生命因而都是美的“天人合一”审美观。本文抓住这个命题,论述了由命题展开和延伸出来的中国古代审美活动(创造与接受)相关的缘情。逍遥、虚无、传神、自然诸范畴的内涵与实质,从而揭示出中国古代审美精神现象的基本特征。其中对于逍遥美范畴的提出,强调了审美本质即逍遥也即自由,具有原创性。

The connotation of modern accepting aesthetics is "Readers decide everything". The essence of remolding a famous -brand for a foreign entrepreneur is "Everything is designed to be consumers - oriented". These two doctrines are quite similar. In the new century, china' s entrepreneurs should explore the principle for creating our own famous - brand products.

西方接受美学理论的内涵是“读者决定一切”,外国品牌的塑造真谛是“以消费者为中心”,两者的理论观点异曲同工,他们都启迪、受益于马克思主义、毛泽东思想。21世纪的中国企业应以中国人自己的先进思想,探索中国品牌原理,让中国的品牌健康生长、迅速发展。

 
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