" The exhibition of international modern industry and art" in Paris in 1925 have made a start in the modern Landscape Architecture, the Landscape Architecture of France have developed for one century in the 20th century, and have formed the style and form that different from the traditional garden.
Based on the design case of the Garden of Stone Inscription Art in Boshan, this paper analyzed the evolution of design-thinking under the traditional proposition about "Inheritance and Innovation", and the attempt at architectural image-building. Then the following problem was discussed: how architectural creation can break away from the traditional style and form, and how to seek for inspiration from activated element of the environment.
In search of regional characteristics and architectural styles, the paper emphasizes on the return of the region itself and opposes to achieve the temporary "harmony" between style and form by imitating the ancient architectural details.
As Tibetan Buddhism has been a "thang kha" of the most important performance China, limited and the images in the form of art materials, techniques are adhered to the strict Normative, and to a certain extent, restrained the images in the style and form of innovation can power, but also makes traditional performance practices to survive, many details in images, More delicate in the field has gradually lost ancient techniques, materials advantages in the images, Has been preserved in memory.
To combine the fundamental tenets of Marxism with the actual situation and historical situation of each nation's revolution and construction, to endow them with national characteristics, to manifest them in the national style and form and thus enable them to develop, i.e. the nationalization of Marxism is the regular pattern of the development of Marxism.