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emotion and reason
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  情感与理智
     There're many psychological conflicts in contemporary college students, which mainly show between “pursuit of materials and pursuit of mentality”, “real ability and expective ability”, “emotion and reason”, etc.
     在当代大学生群体中存在着许多心理冲突 ,主要表现为“物质追求与精神追求”、“实际能力与期望值”和“情感与理智”等几个方面。
短句来源
     The Contemporary Neo-Confucianism is not conservative in matters of culture, and did not land itself in a predicament between tradition and modern or emotion and reason, because of his rational manner in dealing with the question of relationship of Chinese culture and western culture.
     在中西文化问题上,由于当代新儒家采取了理性主义态度,从而使其不仅不是文化保守主义的,而且也没有陷入传统与现代、情感与理智之间的纠结。
  情感与理性
     Emotion and Reason
     情感与理性
短句来源
     She doesn't put emotion and reason in an absolute opposite dualistic relation.
     伍尔夫的情感与理性关系,并非完全是二元对立的。
短句来源
     This thesis, beginning with the identity of artists, attempts to illuminate the relationship between the emotion and reason of artists in the plastic arts and analyze the different emotion and reason tendency of Western and Chinese art in plastic arts.
     本文力图从艺术家本体入手,阐明在造型艺术中艺术家情感与理性的关系,分析中西艺术家在造型艺术中情感与理性的不同倾向。
短句来源
     Image is the unity that the subject combined the object , it was merged by such factors as emotion and reason ,etc. .
     意象是主客体相结合的统一体,它由情感与理性等多方面因素相融 合而成。
短句来源
     The academic issues, such as tourism perception, imitation and suggestion, and emotion and reason, may positively guide propaganda and affect the ideas, as well as behavior, of tourism consumers.
     旅游知觉、模仿与暗示、情感与理性等学术问题 ,可以积极地指导旅游宣传 ,影响旅游消费者的意识和行为。
短句来源
  情与理
     The thesis hold the point of view as the followings: artistic language is one of symbolic notations of the aesthetic emotion of human being, with the containment of diversity and personality, It shows the harmony of emotion and reason and that of subject and object.
     本文认为:艺术语言是人类审美情感的表现符号,它表现了人类情感的多样性、个性化,体现了情与理的辩证统一、审美主体与审美客体的辩证统一。 艺术语言遵循情感逻辑,心象性思维是其思维特征。
短句来源
     On Emotion and Reason in Ideological Political Work
     论思想政治工作的情与理
短句来源
     Sincerity reflects fully ancient Chinese artists' thoughts on the relationship between emotion and reason of the arts,thus forms a fine tradition in which ancient Chinese aesthetics and arts upholded sincerity and expressed the true feeling.
     至诚充分反映了中国古代艺术家解决艺术中情与理之关系的理性思考,由此也形成了中国古代美学和艺术唯“诚”是尚,强调情感意趣的真实抒发的优良传统。
短句来源
     Literary work is not only the prudent of human beings’ reason, but reveals human beings’ emotion thoroughly,which is the unity of emotion and reason,focuses on emotion or reason or both.
     文学作品 ,既是对人类情感的全方位揭示 ,又是人类理性的产物 ,情与理共同构筑文学作品从感性到理性的统一体 ,文学作品要么重情 ,要么重理 ,要么情理并重 ,但它都处于由情与理所构成的正常区域之内。
短句来源
     Confucianism's and Taoism's thought about the beauty of personality in the pre-Qin period is helpful to solve the problem between group and individuality, emotion and reason, inherent freedom and extrinsic one.
     他们的人格美思想对当代人处理群已、情与理、内在自由与外在自由的关系均有启示。
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  “emotion and reason”译为未确定词的双语例句
     Only realizing the harmony and unity of emotion and reason, human beings can step into new century in healthy and civilized way.
     人类只有在实现情感和理性和谐统一的情况下,才能循着健康、文明的道路迈向新的世纪。
短句来源
     The aim of carrying out moral education in college students is to reveal the intrinsic moral need in the main body of college students, to open the door to the emotional demands, and to realize the perfect combination of emotion and reason in moral education.
     对大学生进行道德教育的宗旨在于揭示大学生主体内在的道德需要 ,打开情感需求的开关 ,真正实现道德教育情感与理性的完美结合。
短句来源
     Substance feeling shows that Chinese aesthetic judgment bears relations with philosophical thinking and rational consciousness, emphasizing the unity of emotion and reason.
     "物感"观表明中国审美观念与哲理思考、理性意识相关联,注重情理统一。
短句来源
     The cognition of emotion and reason and their relationship is influenced by the concept of unity of beauty and kindness which demands that the guiding principle for artistic creation focus on unity of emotion and reason,that artistic style focus on beauty of mildness,that artistic expresson on unity of lyric and mind,on unity of courtesy and music,and that outlook on life on mean and mildness.
     关于情和理及其关系的认识,受美善统一观念的影响,在艺术创作的指导思想上注重情理统一,在艺术风格上强调中和为美,在艺术表现上注重抒情言志并举,礼乐统一,在人生态度上主张中庸平和。
短句来源
     Literary Work: the Unity of Emotion and Reason
     文学作品:一个具有“情”与“理”的统一体
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  emotion and reason
Ethnographic research in a forensic psychiatric hospital demonstrates a prevalent ambiguity about the relationship between emotion and reason and a suspicion that many inmate-patients are not mentally ill.
      
A singular clue to the form of one of these assumptions is provided by the distinction often made between emotion and reason.
      


During the early period of the May 4th Movement of 1919, Guo Moruo put forward the idea that poetry is "the direct expression of the poet′s mood." Fundamentally different from primitive intuition, such a mood includes the distillation processes of"cognition analysis" and "consciousness synthesis." Owing to his principles of self expression and introspection, the ontological view expressed in Guo′s new poetry displays clear features of the time and the individual character of the poet. His emphasis on the unity...

During the early period of the May 4th Movement of 1919, Guo Moruo put forward the idea that poetry is "the direct expression of the poet′s mood." Fundamentally different from primitive intuition, such a mood includes the distillation processes of"cognition analysis" and "consciousness synthesis." Owing to his principles of self expression and introspection, the ontological view expressed in Guo′s new poetry displays clear features of the time and the individual character of the poet. His emphasis on the unity of emotion and reason while favouring emotion rather than reason is a crucial factor for the truthfulness and non-generalization of his poems, and at the same time accounts for the lack of philosophical depth in some. Guo′s interest in the overflow of "consciousness of pure beauty" is mainly reflected in his pursuit of perfect characters on the part of the poet. Such attention in turn urged him to think deep on poetry′s ontological ideal of "having both beauty and thought."

郭沫若在五四初期鲜明地提出了诗是诗人“情绪的直写”这一核心思想。这种情绪已经包含了“认识的分析”与“意志的综合”的升华过程,与原始性的直觉有根本的区别;坚持自我表现与回到内心的原则,使郭沫若的新诗本体观具有更强的时代特征与个性色彩;注重“心智”即情感与理智的结合,而又偏于情感,排斥理智介入,既为他的诗歌创造带来了真实性与反概念化的特征,也决定了他的一些诗作缺乏哲理思想的深度韵味;关注于“纯真的‘美的意识’的流泻”,主要体现为对诗人人格美的追求,同时也推动他对“体相兼备”的诗歌本体理想的深层思考。

Gorky's literary creation can be divided into three periods. 1892 - 1899 was the early period whose main tendency was the exploration of the essense of human nature and the line of life. Through tragic conflicts between individuals, between individual and group, between individual and society, Gorky profoundly revealed the contradictions between emotion and reason, between human nature and brutish nature, and between the subjective and the objective, thus putting forward the idea that freedom means `being...

Gorky's literary creation can be divided into three periods. 1892 - 1899 was the early period whose main tendency was the exploration of the essense of human nature and the line of life. Through tragic conflicts between individuals, between individual and group, between individual and society, Gorky profoundly revealed the contradictions between emotion and reason, between human nature and brutish nature, and between the subjective and the objective, thus putting forward the idea that freedom means `being one's own master' and that `Man must be given back his dignity'. This fully demonstrates his spirit of humanity which ran through his life-long creation and which made him explore, suffer and being great. 

高尔基的文学创作可分三个阶段,1892年至1899年为早期,探索人性的本质和人生的道路为其主要倾向。围绕着个人与个人的悲剧冲突、个人与群体的悲剧冲突、个人与社会的悲剧冲突,高尔基对情感与理智的矛盾、人性与兽性的矛盾,主体与客体的矛盾给予深刻揭示,从而提出自由即“自己做自己的主人”、“还人以人的尊严”的思想,显示出充分的人道主义精神,这种精神贯穿他一生的创作,使他探索,使他痛苦,也使他伟大

Derived from the idea of "poetry voices one's aspiration", Confusianist subjugateemotion-by-reason theory and Taoist affection- comes- out- without- affectation theory and Qu Yuan'spassions - provoke- outcries theory are the three different theoretical forms that constitute the emotion- and-reason esthetics during the pre-Qin period. In common, they affirm literary essentialism which states thatliterature expresses sentiments and feelings, on the basis of which it is possible to establish the...

Derived from the idea of "poetry voices one's aspiration", Confusianist subjugateemotion-by-reason theory and Taoist affection- comes- out- without- affectation theory and Qu Yuan'spassions - provoke- outcries theory are the three different theoretical forms that constitute the emotion- and-reason esthetics during the pre-Qin period. In common, they affirm literary essentialism which states thatliterature expresses sentiments and feelings, on the basis of which it is possible to establish the partingline between emotional esthetics and rational esthetics so as to form a basic setup of two different schoolsborn of the same origin and to standardize the total framework and the developmental trends for the evolution of emotion-and-reason esthetics thereafter.

先秦时期的情理美学观是从“诗言志”观念生发为儒家的以理节情论、道家的情感自然论和屈原的“发愤抒情”论的不同理论形态,它们共同确认了文学情感表现的文艺本质论。在此基础上,情感美学观和理性美学观得以分型确立和形成同源异流的基本格局,为后来情理美学观的流变规范了总体框架和发展趋向。

 
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