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no matter
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  无论
    No matter the amateur grade test inside the country or the international competition, Bach's music is often appointed for the formulation music.
    无论是国内的业余考级还是国际大赛,巴赫的作品经常被指定为规定曲目。
短句来源
    No matter how different the harmony effects produced by these different structures is, their basic starting point is the same, i.e., to harmonize its style with the national Pentatonic melodious style in the creation of professional multi-voice music.
    无论这些不同的结构方式所产生和声效果有多大的不同,其根本出发点却是共同的——为了使多声部专业音乐创作中的和声风格与民族五声性旋律风格相协调。
短句来源
    The main content is the living condition of "Liang Zhou Xian Xiao". Because any culture phenomenon connects with vivid people, and no matter what the investigation of music culture is, it is closely related to the geography, society and people, including the traditional thinking style and the local custom.
    “凉州贤孝”的生存现状部分是文章中的重点,因为任何文化现象都与活生生的人打交道,无论调查何种音乐文化都与承载它的地理、社会、人息息相关,包括当地的民俗和传统思维方式。
短句来源
    In our analysis and research on those music works, no matter on applying of composing skills of Chinese style piano polyphony, or on studying the performing skills of Chinese polyphonic works, we can find both the benefit and necessity in it, furthermore, the piano polyphony is inherit and development upon our traditional music and arts.
    对于这些作品的分析与研究,无论从了解中国风格钢琴复调音乐的写作技法运用,还是从学习具有复调技法的中国钢琴作品的演奏的角度出发,都有其益处和必要性,是对我国民族音乐文化的继承和发扬。
短句来源
    No matter in China or in the West, the occurrence of the notation makes it possible for the music's record, transmission and spread.
    无论是在中国还是在西方还是在其它地方,因记谱法的出现使得音乐可以记录、承载、传播。
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  无论是
    No matter the amateur grade test inside the country or the international competition, Bach's music is often appointed for the formulation music.
    无论是国内的业余考级还是国际大赛,巴赫的作品经常被指定为规定曲目。
短句来源
    No matter in China or in the West, the occurrence of the notation makes it possible for the music's record, transmission and spread.
    无论是在中国还是在西方还是在其它地方,因记谱法的出现使得音乐可以记录、承载、传播。
短句来源
    . His art accomplishment has great meaning to music development of Mongolian current generation, Yong Rub , as a Mongolian composer and conductor, no matter is composing artistic creation or conducting practic, all his artistic way reflecting organic combination of nationality and modernity, it is a vivid portraiture of an ancient nationality moving towards morden life with its musical culture basing upon tradition firmly.
    他的艺术成就对于蒙古族当代音乐发展的意义在于:永儒布作为蒙古族的作曲家兼指挥家,他走过来的艺术道路,无论是作曲的艺术创造还是指挥的艺术实践,都体现了民族性与现代性的有机结合,是一个古老民族的音乐文化牢牢地立足于传统,进而一步步走向现代生活的生动写照。
短句来源
    No matter carrying on or development, it should be in possession of a certain cultural knowledge and the substance condition.
    无论是继承还是发展 ,都应具备一定的文化知识和物质条件
短句来源
    Therefore, the teacher should realize that no matter the teaching idea, or the teaching content, both need to guide the students to obtain two skill, the performance and the teaching.
    因此 ,教师在教学过程中 ,无论是教学思想 ,还是教学内容 ,都要从训练既能演奏又能教学这种双重能力上去认识。
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  “no matter”译为未确定词的双语例句
    No matter the process of music criticism or the study of music criticism, it is a complex active process which contains varieties of psychological functions.
    不论是音乐欣赏的过程还是音乐欣赏学习的过程,都是一个包括了多种心理功能的综合的动态过程。
短句来源
    Presently, ordinary college music education in entire music education domain, no matter is the fundamental research art practice all is at the relatively weak position.
    当前,普通高等学校音乐教育在整个音乐教育领域,不管是理论研究还是教学实践都处于相对薄弱地位。
短句来源
    As the development of the history, every new school's style is not a simply repetition of a tendency, no matter how it is close to the polar extremes of it.
    当然 ,随着历史的不断发展 ,每一新的流派的风格无论如何接近某种倾向的极端 ,都不是简单的重复。
短句来源
    Any sound, any formation can be works of music, no matter whether it expresses something or there is sound or not, This really gives people new thoughts and ideas, and changes our music philosophy sight.
    这确实为音乐、为大众带来了新思想、新观念,改变了我们的音乐哲学观。
短句来源
    No matter how it changes,the music original cultural style and content will be varied with the new field,new factors appearing,and a stable field becoming.
    不管发生如何的变化,新的场都将导致音乐原有的文化样式和内涵发生改变或变异,出现新的因素,并成为稳定的场。
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  no matter
Equivalently, no matter where it starts, Brownian motion on M never explodes.
      
The choice number of a graph G, denoted by xl(G), is the minimum number k such that if a list of k colors is given to each vertex of G, there is a vertex coloring of G where each vertex receives a color from its own list no matter what the lists are.
      
With the proposed method, the estimation of the unknown parameters of the system is not required and there is only one adaptive parameter no matter how high the order of the system is and how many unknown parameters there are.
      
With further analysis, our model shows that, without the influence of the external field, the opinions will finally die out to a limited small value no matter what the initial condition of the system is.
      
The simulation results demonstrate that no matter whether the spherical particle system is mono-size or multi-size, the fresh ITZ's microstructure is irrelevant to the curvature of the fiber.
      
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Now it is in a new Millenium, those who concerned the development of Chinese music academic are thinking about how will be the Chinese musicology in the new century? No matter domestic or overseas Chinese, as well as the foreign friends who is determined to study the Chinese music, how about their opinions? Especially those young and middle aged musicologists experienced the changeable situation of 20th century and undertook the historic task of carrying forward the cause and forging ahead into the future....

Now it is in a new Millenium, those who concerned the development of Chinese music academic are thinking about how will be the Chinese musicology in the new century? No matter domestic or overseas Chinese, as well as the foreign friends who is determined to study the Chinese music, how about their opinions? Especially those young and middle aged musicologists experienced the changeable situation of 20th century and undertook the historic task of carrying forward the cause and forging ahead into the future. They have a fund of rich academic knowledge as well as open view of culture and full of real opinion and deep insight to the Chinese musicology in the future. Therefore, in the first spring of the new millenium, we offered the column of Writing Conference, invite the musicologists to make suggestions and offer advice to Chinese musicology in 21st century. The manuscripts we received were from the Chinese music scholars on the both sides of the Taiwan Strait, overseas Chinese musicians, and foreign friends. Besides the general situation on Chinese music, the articles were related to the ethnomusicological, music aesthetics, music historiography, music form and pattern, music education, musical psychology, musical sociology, musical archaeology. We hold the idea that the development of Chinese Musicology needs individual research and general survey. The column of Writing Conference in this new century is a continuation of the column of Review Chinese Music Culture in 20th Century in the end of the last century. We welcome all of musicians and scholars from China and overseas to participate in the conference and present their opinions and suggestions to us.

当历史的车轮带领着我们驶入 2 0 0 1年时 ,凡关心中国音乐学术发展的人们也许都在思考 :在新的世纪 ,中国音乐学将会怎样 ?无论是国内或海外的炎黄子孙 ,还是有志于中国音乐研究的国际友人 ,他们都在想些什么 ?特别是那些经历了风云变幻的 2 0世纪 ,又肩负着继往开来历史重任的中青年音乐学家 ,他们既有丰富的学术积累 ,又有开阔的文化视野 ,对中国音乐学的未来一定有着许多真知灼见。有鉴于此 ,在新世纪的第一个春天 ,本刊特辟这一笔会专栏 ,邀请部分中青年音乐学家来对 2 1世纪的中国音乐学献计献策。在我们收到的稿件中 ,既有海峡两岸的中国音乐学家 ,也有旅居海外的华人学者和外国朋友。内容除了有关中国音乐学界的总体情况之外 ,还涉及民族音乐学、音乐美学、音乐史学、音乐形态学、音乐教育学、音乐心理学、音乐社会学、音乐考古学等诸多领域。我们之所以辟这一笔会专栏 ,以“形而上”的方式进行研讨 ,可看作本刊上世纪末“2 0世纪中国音乐文化回眸”专栏的继续。旨在倡导一种虚实并务的学风。我们以为 ,中国音乐学的发展 ,除了应有大量“形而下”的“个案研究”和“综合研究”之外 ,尚须对我们的研究进行一定的反思和前瞻。我们...

当历史的车轮带领着我们驶入 2 0 0 1年时 ,凡关心中国音乐学术发展的人们也许都在思考 :在新的世纪 ,中国音乐学将会怎样 ?无论是国内或海外的炎黄子孙 ,还是有志于中国音乐研究的国际友人 ,他们都在想些什么 ?特别是那些经历了风云变幻的 2 0世纪 ,又肩负着继往开来历史重任的中青年音乐学家 ,他们既有丰富的学术积累 ,又有开阔的文化视野 ,对中国音乐学的未来一定有着许多真知灼见。有鉴于此 ,在新世纪的第一个春天 ,本刊特辟这一笔会专栏 ,邀请部分中青年音乐学家来对 2 1世纪的中国音乐学献计献策。在我们收到的稿件中 ,既有海峡两岸的中国音乐学家 ,也有旅居海外的华人学者和外国朋友。内容除了有关中国音乐学界的总体情况之外 ,还涉及民族音乐学、音乐美学、音乐史学、音乐形态学、音乐教育学、音乐心理学、音乐社会学、音乐考古学等诸多领域。我们之所以辟这一笔会专栏 ,以“形而上”的方式进行研讨 ,可看作本刊上世纪末“2 0世纪中国音乐文化回眸”专栏的继续。旨在倡导一种虚实并务的学风。我们以为 ,中国音乐学的发展 ,除了应有大量“形而下”的“个案研究”和“综合研究”之外 ,尚须对我们的研究进行一定的反思和前瞻。我们热诚欢迎海内外广大学界同仁参与这一讨论。

This study analyses the musical style of Classicism and Romanticism, reveals that the change tendency of musical style seems to be a pendular movement between two schools: The tendency of reasoning and The tendency of personality. As the development of the history, every new school's style is not a simply repetition of a tendency, no matter how it is close to the polar extremes of it.

文章对古典主义和浪漫主义时期的音乐风格进行了分析总结 ,指出音乐的风格的变化好似在倾向理性思考和倾向个性表现这两种流派之间所作的钟摆式的运动。当然 ,随着历史的不断发展 ,每一新的流派的风格无论如何接近某种倾向的极端 ,都不是简单的重复。

Quanzhen Zhengyun has been keeping on the teaching way from mouth to mouth, using the known music. Face to the information-society, how to carry on and develop the Quanzhen Zhengyun in the temple of Quanzhen-Taoism, the Taoists with different age have different ideas. The aged Taoists hold that it should be following the inheritable rules, while the young ones advocate that both the carrying on and the development can coexist. No matter carrying on or development, it should be in possession of a certain...

Quanzhen Zhengyun has been keeping on the teaching way from mouth to mouth, using the known music. Face to the information-society, how to carry on and develop the Quanzhen Zhengyun in the temple of Quanzhen-Taoism, the Taoists with different age have different ideas. The aged Taoists hold that it should be following the inheritable rules, while the young ones advocate that both the carrying on and the development can coexist. No matter carrying on or development, it should be in possession of a certain cultural knowledge and the substance condition.

全真正韵一直遵循着口传心授的传承方式 ,使用上延续着已有的曲目。面临当代信息社会的影响 ,在全真道宫观就如何继承与发展全真正韵 ,不同年龄的道士有着不同的传承观 :年老道士坚持“传承所遵循的习惯” ;年轻道士则提倡“继承与发展并存”。无论是继承还是发展 ,都应具备一定的文化知识和物质条件

 
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