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chinese art spirit
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  中国艺术精神
     Confucian Musical Cultivation & Chinese Art Spirit
     儒家乐教与中国艺术精神——徐复观《中国艺术精神》读后
短句来源
     The Chinese Art Spirit and The Landscape Painting
     中国艺术精神研究的“偏”和“全”——评徐复观中国艺术精神主体研究的失误
短句来源
     The art of life——Review Chinese Art Spirit
     为人生的艺术——简评徐复观《中国艺术精神
短句来源
     from the view of content,his works integrates the tradition,modern,Europe art,east art,Chinese art spirit and Korea culture;
     从审美欣赏的内容看,他的作品将传统性和现代性、欧洲艺术和东方艺术、中国艺术精神和韩国文化表现内容有机地结合在一起;
短句来源
     The Chinese painting is an independent painting variety with Chinese art spirit and strong specific characters, distinguished from other painting varieties.
     中国画是具有中国艺术精神的、明显区别于其他画种的、有强烈个性特征的独立画种;
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  中国人的艺术精神
     To explore those profound reasons can not only help to understand the personality characteristic of Chinese traditional culture and grasp the deep mechanism of Chinese ancient scholars and landscape painters'personality,but also enable us to understand more deeply the essence of Chinese art creation and Chinese art spirit,and draw on the cultural power of modern art creation.
     探究这些深层原因,不仅可以了解中国传统文化的人格特征、把握中国古代文人以及山水画家人格的深层机制,而且有助于我们从更深层次上理解中国艺术创作的本质和中国人的艺术精神,汲取当代艺术创造的文化动力。
短句来源
  “chinese art spirit”译为未确定词的双语例句
     ZONG Bai - hua expounded and proved that Chinese art spirit rooted in the world view of onesness ofspace and time from thd angle of comparison between China and west, and reveded the origin of Musical jingiiein Chinese art from the view point of jingiie created in Chinew peape painting;
     宗白华从中西比较的角度论证了中国艺术的宇宙精神根源于中国时空合一的宇宙观,并以中国山水画意境创造为支点,揭示出中国艺术音乐之境的哲学根源。
短句来源
     Both of them tried to show the meaning of beauty and the necessity and value tropism of moral beauty, unifying moral practice, aesthetic and human ideals, which exerted deep influences on the aesthetic consciousness of Pre-Qin Dynasty and the Chinese art spirit later on.
     孟、荀的人格美理论力图从反思人的本质来揭示美的内涵和道德美的必要性及其价值取向 ,把道德实践、审美和人生理想统一起来 ,对先秦的审美意识和中国的艺术精神均产生深远的影响。
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ZONG Bai - hua expounded and proved that Chinese art spirit rooted in the world view of onesness ofspace and time from thd angle of comparison between China and west, and reveded the origin of Musical jingiiein Chinese art from the view point of jingiie created in Chinew peape painting; This essay studies the cultural and philosophical basis of ZONG Bai - hua's theory on artistic jingjie against the background of qi philosophy, and in the hope of presenting the pre found connotation of ZONG...

ZONG Bai - hua expounded and proved that Chinese art spirit rooted in the world view of onesness ofspace and time from thd angle of comparison between China and west, and reveded the origin of Musical jingiiein Chinese art from the view point of jingiie created in Chinew peape painting; This essay studies the cultural and philosophical basis of ZONG Bai - hua's theory on artistic jingjie against the background of qi philosophy, and in the hope of presenting the pre found connotation of ZONG Bai - hua's aesthetic thought on one aspect.

宗白华从中西比较的角度论证了中国艺术的宇宙精神根源于中国时空合一的宇宙观,并以中国山水画意境创造为支点,揭示出中国艺术音乐之境的哲学根源。本文以中国气论哲学为背景考察宗白华艺境创造理论的文化哲学基础,以期从一个侧面展示宗白华美学思想的深层底蕴。

Meng and Xun's aesthetic theory is based on the practical rationalism. Mencius thought of human nature as good, and Xuncius considered human physiologic desire as evil. However, they had the same idea in pursuit of personality beauty which they took it as aesthetic ideal. Both of them tried to show the meaning of beauty and the necessity and value tropism of moral beauty, unifying moral practice, aesthetic and human ideals, which exerted deep influences on the aesthetic consciousness of Pre-Qin Dynasty and...

Meng and Xun's aesthetic theory is based on the practical rationalism. Mencius thought of human nature as good, and Xuncius considered human physiologic desire as evil. However, they had the same idea in pursuit of personality beauty which they took it as aesthetic ideal. Both of them tried to show the meaning of beauty and the necessity and value tropism of moral beauty, unifying moral practice, aesthetic and human ideals, which exerted deep influences on the aesthetic consciousness of Pre-Qin Dynasty and the Chinese art spirit later on.

孟、荀的美学理论以实践理性为基础。孟子把人的自然属性定性为善 ,荀子把人的生理欲求定性为恶 ,而对作为审美理想的人格美的追求却是殊途同归。孟、荀的人格美理论力图从反思人的本质来揭示美的内涵和道德美的必要性及其价值取向 ,把道德实践、审美和人生理想统一起来 ,对先秦的审美意识和中国的艺术精神均产生深远的影响。

Xufuguan inquired into the spirit of Chinese art by taking Dao,especially,Zhuangzi as the root. He believed that this art spirit came into being through traditional Chinese landscape painting. When Mr. Xu studied the spirit of Chinese art,he made mistakes due to partiality. But when Mr.Xu studied the main part of the Chinese art spirit ,he is correct in taking a comprehensive view.

徐复观先生探讨中国艺术精神以道家尤其是庄子为精髓和根本,认为这种纯艺术精神最终落实于中国传统山水画上。徐氏在中国艺术精神之落实所得的"偏",与他对中国艺术精神主体挖掘所呈现的"全",不能相圆融,因而出现阐释中的失误。

 
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