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the aesthetic concept
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  审美观念
     The poetical painter has searched,on the other hand expressed the deep and serene of the landscape spirit,controlling the essence of national art by the method of combining poem and painting. This essay reflects the aesthetic concept and aesthetic choice of Chinese scholarly painters who are seeking the beauty of nature.
     在这个广阔的艺术视角中又创造了山水题画诗的审美形式 ,文人画家一方面收拾河山 ,整治林泉 ,追寻文人气息浓厚的画面意境 ,另一方面通过诗画合璧的艺术手段 ,改良表现山水精神的博大幽深 ,在文和艺的载体高度上把握民族艺术的实质 ,反映出中国文人画家在追求林泉之美精神状态下的审美观念和审美取向。
短句来源
     It is the best way to interpret the aesthetic concept and taste of contemporary Chinese by constructing contemporary aesthetic system from the angle of value, so as to form a system of learning subject with a nature of traditional heritage and modern integrity.
     只有从价值论角度出发来创构当代美学体系 ,才能深刻地阐释当代中国人特有的审美追求与审美观念趣味 ,并形成与传统相衔接且具有当代整合性的学科体系
短句来源
     The ancient people, through careful observation of the things in the world, discovered the law of beauty and generalized as the aesthetic concept "interlacing makes Wen", with which they portrayed the colorful social beauty and reflected the artistic beauty of the social and natural beauty.
     先民们观察天文地理,揭示出美的规律,概括为“错杂成文”的审美观念,并用来描述丰富多彩的社会美以及反映社会美和自然美的艺术美。
短句来源
     In the development of Chinese painting, the profound influence from Zhuang Zi's philosophic thought is not only reflected in the choice of painting value and the aesthetic concept hut also in artistic skills.
     在中国画的历史演变中,就深受庄子哲学思想的影响,它不仅直接反映在画论价值取向和审美观念上,而且表现在艺术技法方面。
短句来源
     Pictures in a Poem: Communication and Inter-accessibility of Six Senses ——The Impact of Shurangrma Sutra on the Aesthetic Concept of People in the Song Dynasty
     诗中有画:六根互用与出位之思——略论《楞严经》对宋人审美观念的影响
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  “the aesthetic concept”译为未确定词的双语例句
     In the literary creation and criticism practice, the aesthetic concept is influenced by politics.
     在一定时期的文学创作与批评实践中 ,美学观念受制于政治观念的强烈影响 ,尤其在对“人”的理解方面的狭隘化 ,使其典型人物表现得类型化。
短句来源
     This paper,based on an analysis of inner contradiction between objectivity and unity,rationality and sensibility,points out that the"Self"in the aesthetic concept of Creative Society refers to"selfrealization"in the society.
     本文通过分析其客观性与统一性、理性与情感的内在矛盾,指出其美学观中的所谓“自我”归根到底是社会的“现实的自我”,社会的与主体的、外部世界与内在心理图式等这些表面上相互对立的两极在体验性的“自我”中得以交互融合。
短句来源
     The author tries to find the philosophical base of this study and understand the aesthetic essence of piano music. This paper aims at making people understand the aesthetic concept in the evolvement of piano civilization, grasp the substance on playing and combine experiences and logics.
     以美学原则求得钢琴演奏中的音乐观念问题,试图找出这种学术研究的哲学依据,从而对钢琴音乐关于美学本质有概括性的认识,以便了解钢琴文化演变中的美学思想,最终运用于清晰把握演奏的实质,使之达到感性经验与理性分析的融合。
短句来源
     On the Development of the Aesthetic Concept of Five-colors in Han Dynasty
     略论五色审美观在汉代的发展
短句来源
     Kant analysis on aesthetic judgement, whose name is as lofty discussion for beauty and " aesthetic for ethical symbol" the putting forward of proposition, it give which rein in deep in mat for inspiration, set out mat from this tying tight, propose " aesthetic freedom of phenomenon ", " game the excited ", and has put forward the aesthetic concept that educated and made a further analysis on the basis of realistic practice.
     康德对审美判断力的分析,对美的与崇高的探讨及“美是道德的象征”命题的提出,给席勒深刻的启发,席勒由此出发,提出了“美是现象中的自由”、“游戏冲动”,并在现实的实践基础上提出审美教育的概念并作了进一步的分析。
短句来源
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  相似匹配句对
     On the Aesthetic and Harmonious Concept of Survival
     试论“立美宜人”的生存观
短句来源
     Concept of Taste and Aesthetic Activity
     审美和审美活动的概念
短句来源
     On"Concept"
     “概念”刍议
短句来源
     On Concept Marketing
     论概念营销在企业中的运用
短句来源
     Aesthetic-dimention
     审美之维:艺术与社会现实
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  the aesthetic concept
The aesthetic concept of "grace" has usually been neglected by scholars in favour of the Burkean sublime.
      


The author disagrees with those literary critics who deny ttha Literary Mind Elaboration received any influence from the metaphisical philosophy of Wei and Jin Dynasties. He advances his own original view in this paper that themetaphysical philosophy in Wei and Jin Dynasties succeeded in carrying forward the dialectics put forth in the Three Metaphysics Classics and, in termsof methodology, exerted significant influence on Liu Xia's work, Literary Mind Elaboration.This influence has its prominent evidence in...

The author disagrees with those literary critics who deny ttha Literary Mind Elaboration received any influence from the metaphisical philosophy of Wei and Jin Dynasties. He advances his own original view in this paper that themetaphysical philosophy in Wei and Jin Dynasties succeeded in carrying forward the dialectics put forth in the Three Metaphysics Classics and, in termsof methodology, exerted significant influence on Liu Xia's work, Literary Mind Elaboration.This influence has its prominent evidence in the process in which the "Tao as Essential" theory and the aesthetic concept of "Natural Interest" tookshape. The metaphysical influence also demonstrates itself in helping formthe idea of unity of opposites in the work. Besides,"Diff erentiation between Lang-uage and Meaning" held by metaphysics exerted considerable effects on thetheory and methodology of the work. Therefore, the metaphysical philosophy of Wei and Jin Dynasties should be considered a major source of artistic dialectics fin this work.In order to provide a basis, both subjective and objective, for Liu Xia to accept metaphysical influence, the author of this paper also elaborates on the development of literature and criticism, as well as the academic learning in Qi and Liang Dynasties.

本文不同意文学批评史家们否定《文心雕龙》受玄学影响的意见,认为魏晋玄学发挥了“三玄”中的辩证思想,在方法论上给《文心雕龙》以重要影响。这突出表现在《文心雕龙》“以道为本”理论构架的形成和“自然之趣”艺术观的形成上,也表现在它的对立统一观念、运动变化观念的形成上,同时,玄学“言意之辨”对它的理论方法也有很大影响。因此,魏晋玄学是《文心雕龙》艺术辩证法的一个重要思想来源。本文还从齐梁时代文学与批评的发展以及学术思想的状况论证了刘勰接受玄学影响的主客观依据。

Contemporary aesthetics has the value of a learning subject. It is the best way to interpret the aesthetic concept and taste of contemporary Chinese by constructing contemporary aesthetic system from the angle of value, so as to form a system of learning subject with a nature of traditional heritage and modern integrity.

当代美学具价值论学科性质。只有从价值论角度出发来创构当代美学体系 ,才能深刻地阐释当代中国人特有的审美追求与审美观念趣味 ,并形成与传统相衔接且具有当代整合性的学科体系

The poetical landscape spirit is an unique cultural phenomenon in Chinese art history,the poetical painter uses the poetical manifestation to reproduce the aesthetic interest in art works,and he creates the aesthetic form of landscape poem on painting under the wide vision of nature.The poetical painter has searched,on the other hand expressed the deep and serene of the landscape spirit,controlling the essence of national art by the method of combining poem and painting.This essay reflects the aesthetic concept...

The poetical landscape spirit is an unique cultural phenomenon in Chinese art history,the poetical painter uses the poetical manifestation to reproduce the aesthetic interest in art works,and he creates the aesthetic form of landscape poem on painting under the wide vision of nature.The poetical painter has searched,on the other hand expressed the deep and serene of the landscape spirit,controlling the essence of national art by the method of combining poem and painting.This essay reflects the aesthetic concept and aesthetic choice of Chinese scholarly painters who are seeking the beauty of nature.

诗化的山水精神是我国艺术史上一个独特的文化现象 ,诗人画家在创造和美化自然景观的同时 ,用诗画艺术的表现形式再现艺术创作的审美趣味。在这个广阔的艺术视角中又创造了山水题画诗的审美形式 ,文人画家一方面收拾河山 ,整治林泉 ,追寻文人气息浓厚的画面意境 ,另一方面通过诗画合璧的艺术手段 ,改良表现山水精神的博大幽深 ,在文和艺的载体高度上把握民族艺术的实质 ,反映出中国文人画家在追求林泉之美精神状态下的审美观念和审美取向。

 
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