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western stylistics
相关语句
  西方文体学
     Gorgias' Rhetoric and Plato's True Rhetoric -A debate at the embryonic stage of western stylistics
     高吉亚斯修辞学与柏拉图真修辞学——西方文体学萌芽时期的一场论战
短句来源
     Reflections on New Developments of Western Stylistics: Reading Simpson's Stylistics
     关于西方文体学新发展的思考——兼评辛普森的《文体学》
短句来源
     Modern western stylistics, derived from modernlinguistics, usually studies a literary work through examining its linguistic features,including phonology, diction, syntax, and figures of speech.
     因为现代西方文体学是从语言学角度研究文学作品的,所以其主要研究对象是一部作品音位的特征、词语的运用、句法的规范性和布局谋篇的手段。
短句来源
  “western stylistics”译为未确定词的双语例句
     A review of the development of Western stylistics in the 20th century
     西方现代文体学百年发展历程
短句来源
     Western Stylistics and the Theory of Chinese Style
     西语的文体学与汉语的风格论
短句来源
     The present paper offers a review of the development of Western stylistics in the 20 th century, with its focus on English stylistics.
     本文评述西方现代文体学( 尤其是英语文体学) 一个世纪以来的发展历程。
短句来源
  相似匹配句对
     Western Stylistics and the Theory of Chinese Style
     西语的文体学与汉语的风格论
短句来源
     Traditional Chinese stylistics is completely different from western poetics.
     中国传统文论的分类迥异于西方诗学。
短句来源
     Western Blotting;
     western Blot; 地高辛标记的EMSA;
短句来源
     Western America
     西部·美国
短句来源
     Stylistics develops with linguistics.
     文体学的发展与语言学密切相关。
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The present paper offers a review of the development of Western stylistics in the 20 th century, with its focus on English stylistics. The paper falls into four parts: the first part discusses briefly the growth of modern stylistics during the first half of the 20 th century; the second part is concerned with the flourish of stylistics during the 60s and 70s; the third part focuses on the rise of discourse stylistics during the 80s, and the last part deals with the thriving...

The present paper offers a review of the development of Western stylistics in the 20 th century, with its focus on English stylistics. The paper falls into four parts: the first part discusses briefly the growth of modern stylistics during the first half of the 20 th century; the second part is concerned with the flourish of stylistics during the 60s and 70s; the third part focuses on the rise of discourse stylistics during the 80s, and the last part deals with the thriving development of sociohistorical/socio_cultural stylistics in the 90s.

本文评述西方现代文体学( 尤其是英语文体学) 一个世纪以来的发展历程。共分四个部分: 一、20 世纪前半叶: 现代文体学的成长期; 二、60 至70 年代: 现代文体学的兴盛期; 三、80 年代: 话语文体学的兴起; 四、90 年代: 社会历史/ 文化文体学的蓬勃发展。

Style is the man himself " is a long and widely accepted artistic conception. Yet in the 20 th century, the author's retreat from the narrative surface and the sublation of story in the creation of the novel seemed to have driven the concept into the blind alley. Based on the modern western stylistics, narratology and literary criticism, and related to the literary creation of modern novelists, this article attempts a synthetic analysis of the creation of novels and concludes that modern literary...

Style is the man himself " is a long and widely accepted artistic conception. Yet in the 20 th century, the author's retreat from the narrative surface and the sublation of story in the creation of the novel seemed to have driven the concept into the blind alley. Based on the modern western stylistics, narratology and literary criticism, and related to the literary creation of modern novelists, this article attempts a synthetic analysis of the creation of novels and concludes that modern literary criticism has added new personality to the conn otation of the concept of " style is the man himself " instead of deconstructing it.

“文如其人”是一条由来已久 ,并为大多数人广为接受的艺术观念。然而 ,2 0世纪的小说创作中所出现的“作者隐退”和“故事扬弃”似乎将这一观念推向了死胡同。本文利用西方现代文体学、叙事学 ,以及文艺理论的一些观点 ,结合 2 0世纪一些著名作家的创作实践 ,对现代小说创作做了一番综合分析。得出结论为 :2 0世纪的文艺批评不但没有解构“文如其人”说 ,相反 ,它们还为这一学说增添了新的人格内涵

Liu Xie's " Wenxin Diaolong" occupies an important position in the history of Chinese literary criticism,and makes distinctive contributions to the theoretic development of literacy criticism.Its rich stylistic ideology is still of great theoretic and realistic importance nowadays when the western stylistics is developing vigorously.This paper gives the analysis from 3 aspects: firstly,the stylistics of Wenxin Diaolong is embodied in the special value and principles studied and summarized by Liu...

Liu Xie's " Wenxin Diaolong" occupies an important position in the history of Chinese literary criticism,and makes distinctive contributions to the theoretic development of literacy criticism.Its rich stylistic ideology is still of great theoretic and realistic importance nowadays when the western stylistics is developing vigorously.This paper gives the analysis from 3 aspects: firstly,the stylistics of Wenxin Diaolong is embodied in the special value and principles studied and summarized by Liu Xie,and Wenxin Diaolong is an important mark of self-knowledge in Chinese stylistics;secondly,the stylistics of Wenxin Diaolong is also embodied by the recognition of language style and language representation,therefore Wenxin Diaolong is also an important mark of self-knowledge in Chinese literacy language;thirdly,this paper points out the theoretic value of the stylistics of Wenxin Diaolong from the perspective of western modern stylistics.

刘勰的《文心雕龙》在中国文学理论批评史上占有十分重要的位置,作出了独特的理论贡献,其丰富的文体论思想即使是在西方现代文体学蓬勃发展的今天,仍具有独特的理论价值和现实意义。本文将从三个方面对《文心雕龙》进行探析:第一,《文心雕龙》的文体论首先体现在刘勰系统细致地研究、整理、归纳各类“体裁”所呈现出来的特殊价值及其规律上,《文心雕龙》是我国文体“自觉”的一个重要标志;第二,《文心雕龙》的文体论还表现在对语言与语言风格以及语言表现方式层面中所呈现出的“文”的观念重视上,因此,《文心雕龙》也是我国文学语言“自觉”的一个重要标志;第三,本文在西方现代文体学的理论视野上看《文心雕龙》的文体论所具有超时代的理论价值。

 
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