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aesthetic exchange
相关语句
  审美交流
     These aesthetic culture forms express the Heiyi Zhuang’s collective memory and aesthetic expressions of ethnicity’s history, ethnicity’s relation and ethnicity’s communication, form the foundation of the Heiyi Zhuang’s aesthetic exchange and ethnicity acknowledgement.
     这些审美文化形态是对黑衣壮族群历史、族群关系、族际交往的集体记忆和审美表达,构成黑衣壮审美交流和族群认同的共同基础。
短句来源
     The aesthetic value of the Nanning International Folk Song Festival shows up through the functions including aesthetic needs,aesthetic exchange and aesthetic restoration.
     南宁国际民歌节的审美价值是通过它的审美需要、审美交流和审美修复功能表现出来的。
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  相似匹配句对
     On Aesthetic Object
     论审美对象
短句来源
     The Stock Exchange
     证券交易所
短句来源
     On the Aesthetic Materialization
     审美物化论
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     Exchange of Identity
     身份的交换
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  aesthetic exchange
Our experience is as much an outcome of the bodily attitude we assume when we engage in an aesthetic exchange with it.
      


The aesthetic value of the Nanning International Folk Song Festival shows up through the functions including aesthetic needs,aesthetic exchange and aesthetic restoration.Through the vision field of the aesthetic anthropology as a new subject,we can study the Nanning International Folk Song Festival.This is necessary not only for practicing aesthetic ideas and enriching academic theory,but also for further developing the Nanning International Folk Song Festival.Meanwhile,in the contemporary...

The aesthetic value of the Nanning International Folk Song Festival shows up through the functions including aesthetic needs,aesthetic exchange and aesthetic restoration.Through the vision field of the aesthetic anthropology as a new subject,we can study the Nanning International Folk Song Festival.This is necessary not only for practicing aesthetic ideas and enriching academic theory,but also for further developing the Nanning International Folk Song Festival.Meanwhile,in the contemporary society,the folk songs are facing a new opportunity;we should highlight the modern folk music in accordance with the modern needs.

南宁国际民歌节的审美价值是通过它的审美需要、审美交流和审美修复功能表现出来的。审美人类学作为一门新兴的学科,透过它的视野来研究南宁国际民歌节,不仅是审美人类学实践自己学术主张和丰富自身理论的需要,也是南宁国际民歌节继续发展的需要。同时,在当代社会,民歌也面临着发展的新契机,我们应该根据社会的现代需要在保存其人民性、民族性的基础上凸现出民歌的现代美。

On the basis of occidental aesthetic psychology, Langfeld systematically summarized its laws, the most important ones of which are: Through the theories of Hugo Munsterberg,Ethel Puffer and Edward.Bullough,he exposited the formation of aesthetic attitude; through those authors from Rodorf Hermann Lotze to Friedrich and to Theodor Lipps, and combing with Vernon Lee and Karl Groos,he exposited the unity of subject and object in aesthetic exchange; and bringing forward the concept of “unification”, he exposited...

On the basis of occidental aesthetic psychology, Langfeld systematically summarized its laws, the most important ones of which are: Through the theories of Hugo Munsterberg,Ethel Puffer and Edward.Bullough,he exposited the formation of aesthetic attitude; through those authors from Rodorf Hermann Lotze to Friedrich and to Theodor Lipps, and combing with Vernon Lee and Karl Groos,he exposited the unity of subject and object in aesthetic exchange; and bringing forward the concept of “unification”, he exposited unification and imagination in the completion of aesthetics.

朗菲德在西方审美心理学的基础上,总结出了系统的审美心理规律,其中最重要的是:通过闵斯特堡、普芙、布洛的理论,论述了审美态度是怎样形成的;通过从洛宰到费肖尔到立普斯,结合浮龙.李和谷鲁斯,论述了审美交流中的主客合一;提出“统一”概念,论述了审美完成中的统一与想象。

 
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