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detective film
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  “detective film”译为未确定词的双语例句
     Let's take the detective film Chinatown as an example to analyse the character modelling in classical Hollywood films.
     本文以经典好莱坞的侦探类型片《唐人街》的剧本前十页为例 ,分析经典好莱坞电影中的人物塑造。
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  相似匹配句对
     The World of Film
     电影世界
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     The Little Detective?
     小小侦探(英文)
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     The Little Detective
     小小侦探(英文)
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     the film is amorphous.
     薄膜为非晶结构。
     The research on noise equivalent quanta and detective quantum efficiency of screen-film system
     增感屏-胶片组合的噪声等价量子数和量子检出效率的测试
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Film comes from drama, Film producers have been trying to break through the dramatized pattern. Let's take the detective film Chinatown as an example to analyse the character modelling in classical Hollywood films.Most of the characters are static narrating media, They intensify and subordinate to the last plot.It is consistent with Aristaotle's classical dramatic theory.Citizen Kain is a break through of Hollywood classical narrative film and a model of new commercial film.It lists the...

Film comes from drama, Film producers have been trying to break through the dramatized pattern. Let's take the detective film Chinatown as an example to analyse the character modelling in classical Hollywood films.Most of the characters are static narrating media, They intensify and subordinate to the last plot.It is consistent with Aristaotle's classical dramatic theory.Citizen Kain is a break through of Hollywood classical narrative film and a model of new commercial film.It lists the outline of the plot,the models the character in flash back, leaps over time and space to show different periods of Kain's whole life. It's character is living, multi-dimensional, realistic and individual, It is also through flash back that the film realizes its description of this realistic character and self-examination of American society.

电影是从戏剧中产生的 ,电影的作者们始终探索着突破戏剧化模示。本文以经典好莱坞的侦探类型片《唐人街》的剧本前十页为例 ,分析经典好莱坞电影中的人物塑造。该片人物大都是静态的叙事媒介 ,他们激化并最终从属于情节的运转 ,这与亚里士多德的经典戏剧理论是一致的。而《公民凯恩》是好莱坞经典叙事的突破和新商业片的模示 ,以闪回结构塑造人物 ,跨越时空 ,切换凯恩的一生的不同时期。该片塑造的人物是有血有肉的 ,多维度的 ,“现实主义”的个性化的人物。影片所蕴含的对凯恩这存在主义人物的深刻描述和对美国社会的自省也是通过这种结构得以实现的

How Chinese native detective film, affectional film, and comedy , under the influence of Ameri- can and European film, were attempted to produce in the early of 1920s were examined in this paper. The author also investigated the interaction between Chinese early film production and American and European film production.

本文考察了1920年代初期,中国电影如何在欧美电影的影响试下开始试制侦探片、爱情片和喜剧短片,并就中国一些早期影片与欧美电影的影响关系做了初步考证。

 
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