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form of art    
相关语句
  艺术形式
    People pursue the form of art persistently mainly in the following four aspects: to take form l)as the objective categories;
    人们对艺术形式的不懈追求,主要从四个方面,即形式作为客体范畴、形式作为主体范畴,以及形式作为非主非客和主客相融的四个方面,构成了新形式理性的大厦。
短句来源
    In the aesthetic theories of 20 century, it is known that the modern aesthetic schools such as Russian formalism, the new criticism, structuralism pay high attention to aesthetic implication. Although the so-called external investigation schools more or less can't stand the temptation, some of which even contemplate the form of art carefully unconsciously.
    在20世纪的美学理论中,俄国形式主义、英美新批评、结构主义等现代美学流派以对艺术形式的审美蕴涵高度重视受到人们关注,即便是标举“外部研究”的诸多派别也都或多或少地顶不住艺术形式的诱惑,有些甚至在无意之中对艺术形式也思虑精深。
短句来源
    Beijing Opera, the refined traditional Chinese form of art, is one of the best representatives of the essence of Chinese culture.
    京剧是我国传统戏曲的代表,也是完美体现中国文化精髓的一种艺术形式
短句来源
    However, while we vacillate between various interpretive literary critical theories, we forget to take into account the artistic and aesthetic value inherent in literary works as a form of art.
    但正当我们在各种诠释理论、文学批评理论间游移徘徊之时我们却忽略了文学作品作为一种艺术形式本该具有的艺术和审美价值。
短句来源
    The relationship between artistic beauty of form and times is clialectical,that is ,when productivity changes and new society and technology appear,form of art also changes,it is influenced by times;
    艺术形式美与时代是一种辩证的关系 ,当生产力发生变化 ,新的社会形态和技术产生以后 ,艺术形式也相应地发生变化。
短句来源
更多       
  艺术形式
    People pursue the form of art persistently mainly in the following four aspects: to take form l)as the objective categories;
    人们对艺术形式的不懈追求,主要从四个方面,即形式作为客体范畴、形式作为主体范畴,以及形式作为非主非客和主客相融的四个方面,构成了新形式理性的大厦。
短句来源
    In the aesthetic theories of 20 century, it is known that the modern aesthetic schools such as Russian formalism, the new criticism, structuralism pay high attention to aesthetic implication. Although the so-called external investigation schools more or less can't stand the temptation, some of which even contemplate the form of art carefully unconsciously.
    在20世纪的美学理论中,俄国形式主义、英美新批评、结构主义等现代美学流派以对艺术形式的审美蕴涵高度重视受到人们关注,即便是标举“外部研究”的诸多派别也都或多或少地顶不住艺术形式的诱惑,有些甚至在无意之中对艺术形式也思虑精深。
短句来源
    Beijing Opera, the refined traditional Chinese form of art, is one of the best representatives of the essence of Chinese culture.
    京剧是我国传统戏曲的代表,也是完美体现中国文化精髓的一种艺术形式
短句来源
    However, while we vacillate between various interpretive literary critical theories, we forget to take into account the artistic and aesthetic value inherent in literary works as a form of art.
    但正当我们在各种诠释理论、文学批评理论间游移徘徊之时我们却忽略了文学作品作为一种艺术形式本该具有的艺术和审美价值。
短句来源
    The relationship between artistic beauty of form and times is clialectical,that is ,when productivity changes and new society and technology appear,form of art also changes,it is influenced by times;
    艺术形式美与时代是一种辩证的关系 ,当生产力发生变化 ,新的社会形态和技术产生以后 ,艺术形式也相应地发生变化。
短句来源
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  form of art
This article addresses the portrait as a philosophical form of art.
      
The poem presents a well-crafted piece of legal rhetoric in the form of art.
      
In Austria a very distinctive form of Art Nouveau-Jugendstil developed.
      
It is hard to think about any form of art, scientific endeavor, or private life that is not somehow represented on the web.
      
Discussions of how we protect as well as understand this very public form of art has generated new interest in this overlooked resource.
      
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The theoretic basis for the homogeny of drama and poetry is that both forms of art cannot exist without "tension". As a mimetic art, drama manifests its dramaticness through the tension between its characters' action, while for poetry, the dramaticness is expressed by dint of the (con) textual tension between various elements in the poetic (con) text. Dramatic tension is a forming principle not only for drama, but also for poetry. Following that principle, poetry entwines and untwines various contentions...

The theoretic basis for the homogeny of drama and poetry is that both forms of art cannot exist without "tension". As a mimetic art, drama manifests its dramaticness through the tension between its characters' action, while for poetry, the dramaticness is expressed by dint of the (con) textual tension between various elements in the poetic (con) text. Dramatic tension is a forming principle not only for drama, but also for poetry. Following that principle, poetry entwines and untwines various contentions between its form and content, its form and other forms, and at last unifies them into a perfect dramatic whole.

“诗剧同质”的诗学基础在于这两种体裁的文学作品都离不开“冲突”。作为模仿的艺术,戏剧依靠人物的行动间的冲突来表现它的戏剧性。作为表现的艺术,抒情诗则利用各成份间相互抵牾而形成的矛盾语景来展示自身戏剧性的特征。“戏剧性冲突”不仅是戏剧结构的原则,同时也是抒情诗结构的原则。依靠这一原则,诗歌营造并且克服了自身结构中形式与内容,形式与形式间的诸多矛盾,最终达到主题的统一,形成完美的戏剧性整体。

In Marcuses opinion,the revolutionary character of art stems from its“aesthetic form”.The“aesthetic form”of art is imbued with“distancing”and“transcending”functions,and by way of the material force of social reality comes to pass its revolutionary function.Art is endowed with a new perceptual power which would change mens sense perception and rational faculty,thus altering their sensation of things.It is exactly this new perceptual power that transforms mens understanding,and...

In Marcuses opinion,the revolutionary character of art stems from its“aesthetic form”.The“aesthetic form”of art is imbued with“distancing”and“transcending”functions,and by way of the material force of social reality comes to pass its revolutionary function.Art is endowed with a new perceptual power which would change mens sense perception and rational faculty,thus altering their sensation of things.It is exactly this new perceptual power that transforms mens understanding,and gives impetus to the advance of the socio historical course.Artistic labour is pastime in nature:this is not only true of artistic labour,but also true of all other categories of labour,and only in this way can the liberation of“labour”come into real realization.

在马尔库塞看来 ,艺术的革命性源于它的“美学形式”。艺术的“美学形式”具有“疏隔”和“超越”的功能 ,它通过社会现实的物质力量发挥革命功能。艺术具有改变人的感性、理性 ,从而改变人的感受的新的感受力。正是这一新的感受力 ,改变着人的认识 ,也推动着社会历史的进程。艺术劳动是消遣性质的活动 ,不仅艺术劳动 ,而且所有的劳动都应是消遣性质的 ,只有这样 ,才真正实现了“劳动”解放

Artistic beauty of form yielded in various history periods is discussed.The relationship between artistic beauty of form and times is clialectical,that is ,when productivity changes and new society and technology appear,form of art also changes,it is influenced by times;while in return,artistic beauty of form serves for that times,marks the spiritual civilization and productive level of that times.Therefore,study the relation between beauty of form and times promotes artistic development.

随着社会以及生产力的发展 ,不同历史时期形成了不同特点的艺术形式美。艺术形式美与时代是一种辩证的关系 ,当生产力发生变化 ,新的社会形态和技术产生以后 ,艺术形式也相应地发生变化。它受时代的影响和制约 ,但同时又为时代服务 ,是当代精神文化和生产水平的标志。探讨艺术形式美与时代的关系 ,对于艺术形式美的发展与前进具有重要的意义

 
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