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classical spirit
相关语句
  古典精神
     CLASSICAL SPIRIT OF SPACE AND CONTEMPOPARY MEANS OF DESIGN
     空间的古典精神与设计的当代语境
短句来源
     Modern particularity and classical spirit are coexisted in Bian Zhi -lin's poesy which was produced from 1930 to 1937 and named prophase poesy.
     古典精神与现代特质,共存于卞之琳1930年-1937年的诗歌创作中。
短句来源
     On the Classical spirit of Action Research and Its Transformation
     行动研究的古典精神及其转化
短句来源
     On the Classical Spirit in Sun Xing-ge's Calligraphy and Painting Arts
     孙星阁书画艺术的古典精神
短句来源
     In interpreting the relationship between literature and life,they reject both the Extreme Realism and Art for Art,with an attempt to keep a balance Between Art for Life and Art for Art,thus they display a classical spirit of harmony and appropriateness.
     在阐释文学与人生的关系时,京派既排斥“极端的现实主义”,又反对“为艺术而艺术”,试图在“为人生”与“为艺术”之间寻求平衡,表现出和谐适当的古典精神
短句来源
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  “classical spirit”译为未确定词的双语例句
     This blend of romantic feeling and classical spirit is exemplified in such works as his late short twenty pieces(op.116—119).
     晚期二十首钢琴小品(作品116—119号)是浪漫主义时期这一体裁中不可多得的艺术瑰宝。
短句来源
     The classical spirit of art embodies the essence of the national art tradition and is important for he understanding the spirit of traditional aesthetics.
     古典艺术精神是一个民族文艺传统的精髓 ,对于理解传统美学精神具有重要意义。
短句来源
     In the history of the development of Chinese literature, the formation of the classical spirit of art underwent a long process.
     在中国文学发展的历史中 ,古典艺术精神的形成经历了一个发展变化的过程。
短句来源
     The study of literary classics gradually became a personal experience; and the understanding of the classical spirit of art became abstract on a higher plane. The classics changed from a creative paradigm to the subtle object of appreciation, implying that the classical spirit of art in the tradition of Chinese literature had reached the final stage of maturity.
     到了明清时期诸家 ,文学经典逐渐从可以学习的典范变成了只可神悟而不可效法的神圣境界 ,创作与鉴赏拉开了距离 ,对文学经典的学习日渐变成个人化的体验 ,对古典艺术精神的认识也日渐走向更高的概括与抽象 ,经典作品由实际的创作范式变成意蕴精微的欣赏对象 ,意味着中国文学传统中的古典艺术精神走到了发展成熟的最后阶段
短句来源
     On the one hand, Chinese philosophers were often historians of philosophy at the same time, so they immersed themselves in the world of classical spirit, and their "retrospective" interpretation of classics was exactly the start of their own "prospective" construction of philosophy.
     两者之所以不可分割,是因为中国哲学家常常首先是哲学史家,他们经由古圣先贤及其经典的召唤,而浸润在古典的精神世界之中,他们“回顾性地”为经典作注解,正是他们“展望性的”哲学建构工作的起点。
短句来源
  相似匹配句对
     On the Individualism spirit of Classical Liberalism
     论古典自由主义的个人主义精神
短句来源
     The Aesthetic Spirit of Chinese Classical Garden
     中国古典园林的美学精神
短句来源
     Bethune's Spirit.
     优化就医流程和医疗环境,处理好医患矛盾,弘扬白求恩精神。
短句来源
     On Mathematical Spirit
     谈数学精神
短句来源
     Classical Merger
     经典并购
短句来源
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  classical spirit
This method has shown to be computationally efficient and is naturally suited to the semi-classical spirit of the BTE and its direct solution via the MC method.
      


The classical artistic spirit”, which is similar in meaning to “classicism”, is an artistic concept in which the classics are taken as a model, and the inheritance of aesthetic ideals and the permanency of the value of art are emphasized. The classical spirit of art embodies the essence of the national art tradition and is important for he understanding the spirit of traditional aesthetics. In the history of the development of Chinese literature, the formation of the classical spirit of art...

The classical artistic spirit”, which is similar in meaning to “classicism”, is an artistic concept in which the classics are taken as a model, and the inheritance of aesthetic ideals and the permanency of the value of art are emphasized. The classical spirit of art embodies the essence of the national art tradition and is important for he understanding the spirit of traditional aesthetics. In the history of the development of Chinese literature, the formation of the classical spirit of art underwent a long process. From the pre Qing period to the Sui and Tang dynasties, the concept of literature developed from the early didactic approach to concentration on the model of literature and the law of creation. Hence the beginning of the classical spirit of art in China. In the Song and Yuan dynasties the consciousness of the model of literature matured. The literature of the Tang dynasty was taken as a model and therefore a concrete aesthetic model of literature came into being. A consciousness of learning from the model in the spirit of aesthetics was formed, namely, the consciousness of “reaching the acme of perfection” by learning from the “law of the model”. By the Ming and Qing dynasties, classical literature had gradually changed from a model into what could only be appreciated rather than being imitated. Creation was detached from appreciation. The study of literary classics gradually became a personal experience; and the understanding of the classical spirit of art became abstract on a higher plane. The classics changed from a creative paradigm to the subtle object of appreciation, implying that the classical spirit of art in the tradition of Chinese literature had reached the final stage of maturity.

“古典艺术精神”是与“古典主义”意义相近的概念 ,指以经典作品为典范、强调审美理想的继承性和艺术价值的恒定性的艺术观念。古典艺术精神是一个民族文艺传统的精髓 ,对于理解传统美学精神具有重要意义。在中国文学发展的历史中 ,古典艺术精神的形成经历了一个发展变化的过程。从先秦到隋唐 ,文学观念由早期的教化观念逐渐演变为对文学典范和创作法则的注意 ,古典艺术精神开始形成。宋元时期是文学典范意识走向成熟的时期 ,最突出的标志就是把唐代文学作为学习的典范 ,从而形成了具体明确的文学审美典范和从审美精神的层次学习典范的意识 ,即从典范之“法”而“入神”的意识。到了明清时期诸家 ,文学经典逐渐从可以学习的典范变成了只可神悟而不可效法的神圣境界 ,创作与鉴赏拉开了距离 ,对文学经典的学习日渐变成个人化的体验 ,对古典艺术精神的认识也日渐走向更高的概括与抽象 ,经典作品由实际的创作范式变成意蕴精微的欣赏对象 ,意味着中国文学传统中的古典艺术精神走到了发展成熟的最后阶段

Knowledge and virtue are separated in modern times,which is the inevitable result of the double degeneration of knowledge and virtue,and the root of it is the degeneration of knowledge.The only way to close knowledge and virtue is to return to the classical spirit.This means to return to the classical knowledge and virtue,first of all,to return to the classical knowledge i.e.the classical philosophy.The purpose of the classical knowledge and virtue is the same for the perfection...

Knowledge and virtue are separated in modern times,which is the inevitable result of the double degeneration of knowledge and virtue,and the root of it is the degeneration of knowledge.The only way to close knowledge and virtue is to return to the classical spirit.This means to return to the classical knowledge and virtue,first of all,to return to the classical knowledge i.e.the classical philosophy.The purpose of the classical knowledge and virtue is the same for the perfection of man,and they are radically consistent.This is the meaning of Socrates' famous thesis"virtue is knowledge".The degeneration of knowledge is concentrated in the division of knowledge,which makes not only the corruption of virtue,but also the impossibility of virtue.The most astonished expression of the separation of knowledge and virtue is the multiplicity of philosophers' personality.

知识与德性在现代发生了分离,这是知识与德性双重堕落的必然结果,而其根本在于知识的堕落。弥合知识与德性的唯一途径是回归古典精神,这意味着回归古典的知识与德性,首先是回归古典的知识,即古典哲学。古典知识和德性的目的都是人的完善,在根本上是一致的,这就是苏格拉底的著名论断"德性即知识"的涵义。知识堕落集中表现在知识的分裂上,其结果不仅是德性的败坏,而且表明德性是不可能的。知识与德性的分离最令人震惊的表现就是哲学家的人格分裂。

Modern particularity and classical spirit are coexisted in Bian Zhi -lin's poesy which was produced from 1930 to 1937 and named prophase poesy. As the kernel, the classical spirit lived in his prophase poesy all the time; altho ugh sometimes it was obscure.on the contrary,the modern particularity just lived in the exterior of his ideas. They opposed or unified; at last, the classical s pirit broke through the complicated status and ended it.

古典精神与现代特质,共存于卞之琳1930年-1937年的诗歌创作中。古典作为其内核,或隐或现,一以贯之;现代则在观念层面,停留纠缠。两者对立统一,并最终以古典的突围结束了这一交锋。

 
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