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spiritual kernel
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  精神内核
     In this process,human rights always is a considerable factor and the spiritual kernel.
     在这一发展过程中,宪法思潮下的人权理念一直是主要的考量因素,成为出入国制度的精神内核
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     the "pollution" of the folklore tour to folklore culture in the tourist area reflects mainly in three aspects: The folklore tour overly pays close attention to the form of folklore culture,often causes the forfeiture of the spiritual kernel of folklore culture;
     民俗旅游对旅游地民俗文化的“污染”主要体现在三个方面:由于过于关注民俗文化的形式,常常导致民俗文化精神内核的丧失;
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     incisive expounding on the spiritual kernel of concordance in Chinese civilization;
     对中华文明“和谐”精神内核的精辟阐述;
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     In the context of enlightenment, paying close attention to the spiritual kernel of Cao Yu's dramas at the earlier stage is to develop inner significance of dramatist's works and reveal the side of the history of times spirit through placing his works in the history of society and literature.
     在启蒙主义精神的语境下来关注曹禺前期剧作的精神内核,是意欲将作家作品置于社会历史、文学史当中,以对作家作品的内在意义进行拓展,进而揭示时代精神历史的一个侧面。
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     Secondly , excavate the spiritual kernel contained in the floor literature phenomenon of Yueyang thoroughly ;
     其次,深入挖掘岳阳楼文学现象中包蕴的精神内核;
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  精神核心
     "Ease" is the spiritual kernel of the printings of literati.
     “逸”是文人画的精神核心
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The trend of thought in social aesthetics had experienced a great change in Tang and Song Dynasty for "ease" as an aesthetic concept became the aesthetic ideal in literati and officialdom's mind. "Ease" is the spiritual kernel of the printings of literati. The printings of literati in Song dynasty pursued not only the similarity in looks but also the similarity in spirit to highlight the subjects' spiritual state through simplifying and out of shape method in art. "Ease" was thefreedom in creation...

The trend of thought in social aesthetics had experienced a great change in Tang and Song Dynasty for "ease" as an aesthetic concept became the aesthetic ideal in literati and officialdom's mind. "Ease" is the spiritual kernel of the printings of literati. The printings of literati in Song dynasty pursued not only the similarity in looks but also the similarity in spirit to highlight the subjects' spiritual state through simplifying and out of shape method in art. "Ease" was thefreedom in creation from the angle of the spiritual state of the creative subjects and which would have certainly showed the surpassing of the artistic techniques and rules.

唐宋之际 ,社会审美思潮发生了很大变化 ,“逸”作为审美范畴在士大夫的观念中成为一种审美理想。“逸”是文人画的精神核心。宋代文人画 ,为了高扬主体情志 ,不仅要超越形似 ,而且要通过简化、变形等艺术手段 ,使画中的形象与所画的事物产生很大的间离感、陌生化 ,从而突出主体的情志。从创作主体的精神状态而言 ,“逸”是一种审美的自由创造 ,这种创造必然表现为对技巧规范的超越

The content of the spiritual realm of the seven literary geniuses varied wildly. Ji Kang and Ruan Ji had Confucianism as their spiritual kernel, but on the outside they showed themselves as believers in metaphysics and naturalism. Shan Tao and Wang Rong wandered between Confucianism and metaphysics, changing with the times; they were representatives of utilitarianism. Ruan Xian and Liu Ling tired to achieve the awakening of their natural disposition and intelligence by indulging in sensual desires; they...

The content of the spiritual realm of the seven literary geniuses varied wildly. Ji Kang and Ruan Ji had Confucianism as their spiritual kernel, but on the outside they showed themselves as believers in metaphysics and naturalism. Shan Tao and Wang Rong wandered between Confucianism and metaphysics, changing with the times; they were representatives of utilitarianism. Ruan Xian and Liu Ling tired to achieve the awakening of their natural disposition and intelligence by indulging in sensual desires; they had nothing to do with Confucianism and showed slight signs of metaphysics. Xiang Xiu literally stepped into metaphysics and gave up the moral code of Confucianism, not for utilitarian purposes but for achieving metaphysical spontaneity and freedom. 

竹林七贤的精神境界有不同内蕴:嵇康、阮籍都仍以儒学为精神内核,表面上却采用玄学和自然主义形式;山涛、王戎徘徊于儒学与玄学之间,随时俯仰,是功利主义的代表;阮咸、刘伶借纵欲来达到性灵的苏醒,与儒学无关,略有玄学的自然迹象;向秀已经实实在在地走进了玄学的范畴,他同样放弃了儒家的操守,但目的不是为了功利,而是玄学的自然和自由。

Prizing history and never hankering luxury are the spiritual kernels of Oxford's leading the world; being brave in innovation and never following the old system are the mental motivity of Oxford's indefectibility for a thousand years; developing excellence and standing out characteristics are the aims of Oxford's climbing to another flood tide.

珍视历史,不事奢华,是牛津引领世界的精神内核;勇于创新,不循旧制,是牛津千年不败的思想动力; 扬长避短,突出特色,是牛津再攀高峰的目标选择。

 
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