In the form of the drawing language, it has facilitated the birth of scholar painting style and the separation of the southern school from the northern school.
As a kind of thought phenomenon in Chinese cultural history, Zen Buddhism has brought deep impact on arts in the part of ex- pression content and expression form, especially on scholar painting.
This paper will expound around these respects, with the aim and method of studying traditional painting spirit from the view of the impact of Zen Buddhism on painting, especially on scholar painting.
The most suitable revelation that is left to us by the scholar painting might be the development of the mutual conformity of human spirits and the writingform,namely,the finding of emotional comprehension and endorsement of a certain form in the mental mechanism.
The scholar painting is defined on the basis of the composing idea and aesthetic appeal,not on the form of expressin,of the painting.Theoretically and historically,the scholar painting includes the wash painting as well as the fine bruch painting,which are the two trunks on the big tree of Chinese painting.
The special visual angle and appreciation of the beautg's Purport in the respect of recognition and mastor of objective world are talked about in this paper according to the plastic art theory of likeness and unlikeness of Chinese ancient scholars' paintings the connotations of likeness and unlikeness are appraised in vien of Chinese ancient philosophical standpoint so the purpose of the poper vs to develop Chinese paintings' excellent tradition.
Calligraphy into paintings has pros and cons in the full development of scholars' paintings. The advantages lie in the fact that the pursuit of charm of calligraphy and the emphasis on the meaning of handwriting make the painting resemble a symbolic passage ranging from traditional object imitation to object meaning and highlight the separate value of brush and ink and the independent significance of the painter's spiritual personality, thus leading the traditional Chinese painting...
Calligraphy into paintings has pros and cons in the full development of scholars' paintings. The advantages lie in the fact that the pursuit of charm of calligraphy and the emphasis on the meaning of handwriting make the painting resemble a symbolic passage ranging from traditional object imitation to object meaning and highlight the separate value of brush and ink and the independent significance of the painter's spiritual personality, thus leading the traditional Chinese painting art from reproduction art to performance art. The disadvantages consist in the following aspects; paintings typical of formalism are produced due to the emphasis on brush and ink form; there exist both paintings that are faked and paintings that are inferior because emphasis is put on the "meaning" rather than on the "rule", and brush & ink are employed for fun; the richness and variety of paintings is ruined due to the pursuit of refinement and brevity; the phenomenon of "calligraphy intruding into painting" appears as a result of the direct and enormous entrance of calligraphy; the painter's spirit and charm is damaged because emphasis is laid on stiff writing and because more emphasis is placed on calligraphy than on painting.
scholar painting
文人画
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