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scholar painting
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  文人画
     In the form of the drawing language, it has facilitated the birth of scholar painting style and the separation of the southern school from the northern school.
     从绘画语言形式上讲,它促成了文人画风格的诞生和南北宗画风的分离;
短句来源
     As a kind of thought phenomenon in Chinese cultural history, Zen Buddhism has brought deep impact on arts in the part of ex- pression content and expression form, especially on scholar painting.
     禅作为中国文化史上的一种思想现象,在艺术表现内容和艺术表现形式方面给文人画带来了深刻的影响。
短句来源
     This paper will expound around these respects, with the aim and method of studying traditional painting spirit from the view of the impact of Zen Buddhism on painting, especially on scholar painting.
     其目的和方法在于,从禅宗对绘画特别是对文人画的影响,来研究传统绘画精神。
短句来源
     The most suitable revelation that is left to us by the scholar painting might be the development of the mutual conformity of human spirits and the writingform,namely,the finding of emotional comprehension and endorsement of a certain form in the mental mechanism.
     发展一种人文精神与水墨形式的相互整合,即找到在心理机制中对某种形式的情感体悟和认同,也许是文人画留给我们的最恰当的启示。
短句来源
     The impact of the Zen Buddhism to traditional Chinese drawing is mainly on scholar painting and their makers-literati.
     其三,禅趣与古代文人画的欣赏方式有异曲同工之妙,在作画似与不似的问题上,文人们也是重神韵轻外形,追求一种如诗的禅境。
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  相似匹配句对
     On the Form and Meaning of the Scholar Painting
     文人画形神论浅议
短句来源
     The Essence and the Contemporary Meaning of Scholar Painting
     文人画的本质及其当代意义
短句来源
     Multicultural Painting
     绘画艺术的多元化——新兴的数字绘画艺术
短句来源
     State Painting
     状态绘画
短句来源
     American scholar, T.
     美国学者T.
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The scholar painting is defined on the basis of the composing idea and aesthetic appeal,not on the form of expressin,of the painting.Theoretically and historically,the scholar painting includes the wash painting as well as the fine bruch painting,which are the two trunks on the big tree of Chinese painting.

文人画是指创作思想和审美情趣而言 ,并不是指在表现形式上属于水墨还是工笔。无论从理论上讲还是从历史事实上讲 ,文人画不仅包括了水墨画 ,也包括了工笔画 ,水墨画和工笔画是中国画这棵大树上两个干粗叶茂的分枝。

The special visual angle and appreciation of the beautg's Purport in the respect of recognition and mastor of objective world are talked about in this paper according to the plastic art theory of likeness and unlikeness of Chinese ancient scholars' paintings the connotations of likeness and unlikeness are appraised in vien of Chinese ancient philosophical standpoint so the purpose of the poper vs to develop Chinese paintings' excellent tradition.

本文试从中国古代文人画创作中的“似”与“不似”造型理论出发,谈谈文人画家的形神观,以及文人画的审美旨趣,旨在弘扬民族绘画精神。

Calligraphy into paintings has pros and cons in the full development of scholars' paintings. The advantages lie in the fact that the pursuit of charm of calligraphy and the emphasis on the meaning of handwriting make the painting resemble a symbolic passage ranging from traditional object imitation to object meaning and highlight the separate value of brush and ink and the independent significance of the painter's spiritual personality, thus leading the traditional Chinese painting...

Calligraphy into paintings has pros and cons in the full development of scholars' paintings. The advantages lie in the fact that the pursuit of charm of calligraphy and the emphasis on the meaning of handwriting make the painting resemble a symbolic passage ranging from traditional object imitation to object meaning and highlight the separate value of brush and ink and the independent significance of the painter's spiritual personality, thus leading the traditional Chinese painting art from reproduction art to performance art. The disadvantages consist in the following aspects; paintings typical of formalism are produced due to the emphasis on brush and ink form; there exist both paintings that are faked and paintings that are inferior because emphasis is put on the "meaning" rather than on the "rule", and brush & ink are employed for fun; the richness and variety of paintings is ruined due to the pursuit of refinement and brevity; the phenomenon of "calligraphy intruding into painting" appears as a result of the direct and enormous entrance of calligraphy; the painter's spirit and charm is damaged because emphasis is laid on stiff writing and because more emphasis is placed on calligraphy than on painting.

引书入画对文人画的成熟发展有利有弊。其利在于,对书法意趣的追求和对书写意义的强调,使绘画由传统的物象模拟转向物象意义的符号性传递,并突出笔墨形式的独立价值和画家精神人格的独立意义,使中国传统绘画艺术从再现性艺术走向表现性艺术。其弊在于,由于强调笔墨程式,导致绘画走上形式主义道路;由于重“意”轻“法”,游戏翰墨,造成绘画作品出现真假、优劣混杂的局面;由于追求凝炼简洁,破坏了画法的丰富多样性;由于书法直接并大量的进入,出现“书侵画位”的现象;由于强调骨法用笔,重笔轻墨,导致出现气韵受损的现象。

 
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